Patlabor 2 The Movie
Now with 100% more Oshii!
The distant future: winter 2002. Though SV2 is still anchored by Nagumo and Gotoh, many of its members have scattered to various other police or Labor-related pursuits. Project Babylon is finished. All seems peaceful... until a bomb detonates in the middle of the Tokyo Bay Bridge. Who is responsible? What are they planning? As elements of the military begin to come under suspicion, tensions are rapidly rising. Can Gotoh get to the bottom of this conspiracy before the worst-case scenario comes to pass?
Oshii makes a lot more use of these sorts of distorted shots. They tend to represent intense focus on something. It kind of makes sense, because it exaggerates the proportions of their heads. For the first two shots, people are looking at screens, but in the last one, Gotoh is in the middle of some very deep introspection.
While the first movie's philosophizing painted a gloss of poignancy across a police techno-thriller, it feels like things are the other way around here. Patlabor 2 is about the line between war and peace, security and chaos. It's about how, in a world of surveillance, the paranoia of potential threats creates its own enemies. When the movie is building on this mood and elaborating on its thesis in the first hour or so, it's at its strongest. Unfortunately, after spending so long at such a meditative pace, the climax of the final fifteen minutes feels hasty, somewhat meaningless, and unsatisfying.
The mechanical animation during the opening credits is incredibly sexy.
With a few exceptions, the montages feel more closely woven into the "action" of the movie, quick bites from a wider perspective between scenes.
Birds are a
frequent symbol, and I never quite unpacked their meaning. Perhaps the way they
rest normally, but
take flight at the first sign of trouble, could be connected to the twin states of war and peace. Just a thought.
What was the point of connecting Nagumo to Tsuge? I feel like it just weakened her character, and it didn't lend the movie much more drama. I dunno.
As with its predecessor, Patlabor 2 opens with a military sequence containing surprising relevance to the main plot. Everything is really washed out there, and I was surprised when that same kind of oppressively bright lighting showed up on occasion elsewhere in the film.
Once again, there are tons of scenes you could closely unpack (I think someone in this thread once went deep on the
martial law montage), but I don't want to make a gigantic sprawling post.
Patlabor 2 is really interesting. Its picture of the future feels really prescient for something made in 1993, with its pervasive cell phones, computer satellite images, and a kind of paranoia that'd feel right at home in anything post-9/11. I like it, and I'm glad I saw it, but Patlabor 1 has better pacing, and it's certainly easier to enjoy than the endlessly dour winter setting of its sequel.
Still, highly recommended.