ZachDeKoromaru
Banned
Nuts ruin brownies. And ice cream. And cake. Nuts can be good on their own depending on the kind, but keep them the fuck away from my desserts food.
Where does pecan pie fit in?
Nuts ruin brownies. And ice cream. And cake. Nuts can be good on their own depending on the kind, but keep them the fuck away from my desserts food.
Crazier talk.
Where does pecan pie fit in?
As long as it's not detectable by me and doesn't get me sick, who cares what minute particles are in it?GOD FUCKING DAMMIT, I read more of that thread, and the first fucking thing listed in this post was peanut butter. I'm eating a PBJ ._.
Pad Thai is amazing.Bad texture.
pecan pralines are the bessssst!
Actually persian pistachio nougat is great too.
As long as it's not detectable by me and doesn't get me sick, who cares what minute particles are in it?
Pad Thai is amazing.
This. Only good in Kung Pao Chicken or something. I had some toffee with nuts once. It was terrible. TERRIBLE. Felt like puking that shit out.Bad texture.
GOD FUCKING DAMMIT, I read more of that thread, and the first fucking thing listed in this post was peanut butter. I'm eating a PBJ ._.
There's just too much contrast between the taste and texture of things like brownies and ice cream and the taste and texture of nuts. When I'm eating something rich and smooth like ice cream and now I'm biting on nuts and having all the little pieces in my mouth...it bothers me.
On a nut-related note, I've had some wasabi almonds before and those were tasty.
We actually had some pralines and cream ice cream in the house the past week, and I have to say that was actually pretty good.
Yeah, like almonds/peanuts in chocolate.I, on the other hand, really like that contrast in texture, especially nuts in ice cream because they become even crunchier at very low temperatures (rocky road oh man oh man). I suppose it's just a matter of personal taste.
Pistachios can EAD for all I care. Granted it's not as awful as a fruit I have in mind.
KENJI NAKAMURA IS ANIME GOD TRIBUTE POST
Kenji Nakamura is a good director. Very good. And I'm gonna explain exactly why. Now I know a decent amount about the processes behind filmmaking, not so much about animation though, so applying the auteur theory as blatantly as this might not work. Nevertheless this will be a long-ass analysis of one of the most distinct animators working in Japan today. I'm a junior, so I don't know if longposts like this are discouraged. If they are, I'll certainly stop.
The three (and only three!) series' that Nakamura has directed so far have displayed wildly different artistic styles, making a summary of his aesthetic preferences complicated. There are a few common trends in these works; his designs are relatively flat and lack complex shadowing, such that although looking more anime Tsuritama wasn't all that much of a departure for him. He seems interested in ugliness for the sake of naturalism, from the detailed mouths/teeth/eyes in Mononoke and Trapeze's character designs, Yuki's demon face in Tsuritama, and the recurrence of sweat. He is fairly versatile in the different techniques and effects he uses in each series (stop tricks meant to represent character psychology, rotoscoping/video in Trapeze for a more grotesque appearance), but commits to them until the end (unlike Yuasa's Mind Game, which drops the mixed video/animated parts in the second half of the film).
Foremost is his talent in color. Color is a facet of animation that stands out compared to other types of cinema. Directors with reputations as being good with color like Manoel de Oliveira, Edward Yang, or Hou Hsiao-Hsien couldn't dream of the level of control animation brings in this regard. Each of Nakamura's three shows have wildly different palettes, but they never seem garish. How he exploits different painterly styles and integrates them with every other element of the production is rare in anime.
There are some similarities in the narratives of his works as well. All deal with some degree of magical or supernatural phenomenon. All usually focus on one abnormal character (Medicine Seller, Irabu, Yuki). Mononoke and Tsuritama both deal with the relationship between places and their people (although Mononoke in a more omnibus format). All of them deal with psychological illness or deviation, and tend to synthesize the supernatural and psychological elements together toward that end.
MONONOKE
Mononoke's art was clearly influenced by ukiyo-e woodcuts, with it's ethereal and theatrical presentation. There is a greater spectrum of hue here than in the later Trapeze, but the color is comparatively more muted, probably both to prevent visual busyness but also to capture the show's intended mood. While ukiyo-e prints have largely hedonistic or peaceful subject matter, Mononoke is a horror. In fact, it takes this decadent backdrop of the ukiyo-e and subverts it.
It also achieves this horror without using darkness or obscurity. Everything is constantly in plain view. This succeeds not only because of the disturbing imagery, but also due to the orthogonal architecture. Anyone who has seen anything by Chantal Akerman, or Ernie Gehr, or Stanley Kubrick for that matter will know what I'm talking about; strict rectangular buildings and parallel walls seem to trap the characters and convey an animal-like intensity. The horror results from the characters being isolated together in a visually closed space: a train, a boat, a hotel room, and so on.
Horror often plays with the assumption of societal normalcy. Horrible things like abuse, incest, rape, or murder can either be explained as a product of the supernatural and thus an aberration, or as something implicit to humanity that the supernatural is merely a symptom of. Mononoke succeeds by straddling this line and making it unclear how much of the terror is a product of its characters' own doing.
TRAPEZE
Trapeze's art style is more modern, with a broad spectrum of influences: surrealism, Dada/Neo-Dada, a bit of Fauvism, you name it. It works well with the pastiche, anarchic quality of the script. In terms of color, Trapeze has a rather limited palette, but exploits it to its fullest. Painter primaries/secondaries are diversely and unconventionally patterned in the backgrounds such that you get an effect of simultaneous contrast within each individual shot, and successive contrast as the shots are put together through editing. Despite containing less colors, Trapeze still feels vibrant, perhaps moreso than Mononoke.
When I first saw Trapeze, I was skeptical of the treatment of mental illness by the show; the wacky carnivalesque setting, the nods to Freud in Irabu's three forms, the femme fatale nurse, the fact simple revelations were enough to resolve serious psychological problems...it seemed rather demeaning. It becomes clear after a few episodes that this show isn't about psychology at all. The manner of direction rarely changes between the different patients, keeping a uniform style throughout. This is not psychological realism. Instead, a lot of the disorders are anxiety based and result from a conflict between the expectations of the patient's job and their own personality. A yakuza who is scared of knives. A pitcher who can't throw. A reporter who runs away from his leads. Through Irabu, these patients overcome their superego constraints and start to live for themselves. Irabu, seemingly unconcerned for his patients' well-being and massively egotistical, teaches by example. And though I've grown tired of the last few episodes are more serious cliché, this show pulls it off by delivering a general message about the importance of mental health. Top of the class anime.
TSURITAMA
Tsuritama is unique in terms of how much Nakamura adheres to conventions. Character designs are more anime than his previous two shows, and the plot is a serialized, charming character piece rather than the weird and procedural format of Mononoke and Trapeze.
This doesn't mean, however, that the art is anything less than fantastic. Thin linework combined with a pastel color palette make it stand out. There are a variety of great landscape shots, while his past two works didn't have any. It also displays a more impressionistic style in the backgrounds, unlike Mononoke and Trapeze, both of which often avoided mixing colors. It lacks the naturalistic quality of impressionist painting, however, because it's far too bright. I think this style coheres with the magical realist story well, even if the magical realism remains in the periphery for the most part.
The script is a creative retelling of the Enoshima Engi and the dual Shinto/Hindu goddess Benzaiten, goddess of flow (so, naturally, flowing water). There are light animist elements here and there, but I think Tsuritama doesn't really set itself up as a religious fable or anything like that. It's a fairly standard show with awe-inspiring art. Overall I'd say this is a less bold endeavor than the other two, but a great demonstration of Nakamura's range and of high quality overall.
In conclusion, Nakamura's shows nail everything (writing, sound design, pacing) but what makes them stand out is their deft use of artistic styling and color. Animation and cinema are subfields of the visual arts. They are subject to the same styles and trends, but have duration, sound, and narrative in addition. To me, these added elements are more for the purposes of commentary than to create some frankenstein Gesamtkunstwerk. The fact that Nakamura's shows all have precedent elsewhere isn't important. His talent results from how he plays with the expectations implicit in those styles and in doing so commentates on them.
Great post, don't feel discouraged for writing this in the deluge of food talk. I have to admit my experience with Nakamura is limited (only a few episodes of Tsuritama), but his art style is definitely eye-pleasing. I'm hyped for Gatchaman Crowds.KENJI NAKAMURA IS ANIME GOD TRIBUTE POST
What fruit?
What fruit?
As long as it's not detectable by me and doesn't get me sick, who cares what minute particles are in it?
Yeah, like almonds/peanuts in chocolate.
Fuck regular M&M's.
Peanut butter M&Ms are the best.
Crushed nuts are great in that situation, although if you're drinking a milkshake then sure it doesn't help.Hmm. I don't mind nuts in icecream (sometimes they can even add to it) and depending on the cake, they can be all right in those as well. But I totally agree that nuts should stay the fuck out of brownies. Completely murders the delicious taste, and makes the texture worse as well.
Ferrero Rocher > You.Nuts in chocolate are generally bad as well (though in some rare cases they can really work).
Durians
Nuts ruin brownies. And ice cream. And cake. Nuts can be good on their own depending on the kind, but keep them the fuck away from my desserts food.
Sure, I'd be up for it.
THEY DOAnyone know if they still make Nutrageous bars? I haven't seen them in years and I used to love those things.
THEY DO
Mostly in convenience stores, now, though.
Local supermarkets no longer carry it, so I have to go to the campus store.I live between two gas stations but I've never noticed them for sale. Perhaps a little expedition is in order tonight.
Oh how I love durian.
if only I wasnt forced to eat it outdoors.
Jungle wa Itsumo Hare nochi Guu 1-5
Uuuh...huh. Yep. This is a thing.
You know, the show reminds me too much of the worst aspects of early 2000's anime in ways (in both humor and visuals). It had a few good scenes though.
I... Er...From what I understand, tarantulas taste like cream cheese.
I knew this line had to be said , as soon as i saw her running.
This is a :SDBurton moment.. the fact that they are in a hot spring is only a bonus
Local supermarkets no longer carry it, so I have to go to the campus store.
I don't get them that often because otherwise I'd probably be eating one daily. It's like why I rarely buy root beer for myself.
what does durian taste like?
Who am I kidding? I'm buying one.
I... Er...
... I don't even.
It tastes like someone farted in your mouth.
I don't know that taste.
Ps: the sheer range of knowledge i can get from GAF is scary sometimes.
It tastes like someone farted in your mouth.
Yayoi sure likes that piece of nattou gyoza candy she's holding.
Still waiting on the source. Being let down
Still waiting on the source. Being let down
But it's not that candy D: That has a brown wrapping, the one she has is red.
Still waiting on the source. Being let down
Thank you very much sir!You should be ashamed that you can actually remember this.