OreImo S2 10 first fourteen minutes:
Did we go back in time? What on earth? And why did Ayase change outfits between phone calls? Kanako has worst memory confirmed.
OreImo S2 10 remainder:
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Will be watching it shortly, hyyyyyyyype!
OreImo S2 10 first fourteen minutes:
Did we go back in time? What on earth? And why did Ayase change outfits between phone calls? Kanako has worst memory confirmed.
OreImo S2 10 remainder:
...
...
But of course, after Wonzo posted about it I knew I had to witness this masterpiece first hand and yes it is pretty self avatar quote worthy at times but frankly, it's so dumb it becomes a mockery of itself which if what I read about the original source is true was the intent anyway.You actually watched the Rapeman? :lol It's so bad and hard to watch but like a trainwreck you can see coming a mile away it's hard to look away. Really vile shit though.
I found out about it because of a fan/abridged dub series of like three videos that someone put on youtube that are fukkin gold (kinda NSFW, but it's also youtube so yeah):
Rapeman Begins
Rapeman Returns
Rapeman Forever
But of course, after Wonzo posted about it I knew I had to witness this masterpiece first hand and yes it is pretty self avatar quote worthy at times but frankly, it's so dumb it becomes a mockery of itself which if what I read about the original source is true was the intent anyway.
I already have. If only to see my new recommendations which is weird because I don't tend to add this sort of thing on my lists.Now the question remains: to put it on your MAL/Hummingbird or no.
I've only gotten through the Phantom Blood part of the new series, but I've heard people call parts of the show really good, but also pretty disappointing because some action scenes are just pictures that pan across the screen. Is that true?The 2012 version of Jojo's Bizarre Adventure is serviceable, too.
I've only gotten through the Phantom Blood part of the new series, but I've heard people call parts of the show really good, but also pretty disappointing because some action scenes are just pictures that pan across the screen. Is that true?
There's not a sudden jump in animation quality from Phantom Blood to Battle Tendency, if that's what you are asking. What you see is what this cartoon is (aside from episode 20, natch).I've only gotten through the Phantom Blood part of the new series, but I've heard people call parts of the show really good, but also pretty disappointing because some action scenes are just pictures that pan across the screen. Is that true?
I already have. If only to see my new recommendations which is weird because I don't tend to add this sort of thing on my lists.
Also, about Attack on Titan, how many chapters of the manga are they adapting per episode? A lot of the dialogue in here feels like it serves no purpose but to fill the screen time. Not a lot happened in episode ten.
There's not a sudden jump in animation quality from Phantom Blood to Battle Tendency, if that's what you are asking. What you see is what this cartoon is (aside from episode 20, natch).
It's tolerable, and it also helps that the art is consistently good, unlike a certain currently popular show.Episode 15 is like the lowest of the low points too.
Heh, while I understand people's wish to forget C, I don't think you're doing Nakamura a favor by going out of your way to pretend it doesn't exist. The existence of a bad show he directed doesn't diminish his talent, it just means that no one's perfect. Even great creative minds can miss the mark.
Besides everything you point out, I think the most salient feature of Nakamura's direction is angular editing - sudden jump cuts where the logical spatial/temporal progression between each is not always clear, creating a disorienting and unsettling feeling. I have to wonder if working at Toei influenced the development of this trait, as it's a way to use limited animation for artistic effect.
Hmm, I don't know if naturalism is exactly the right word here. Nakamura's work is too heavily stylized and exaggerated. It's not observational enough to be naturalistic.
Trapeze is definitely garish, though it works within the context of the show.
I get what you're trying to say here - a contrast with more typical ways of building an atmosphere of horror - but I don't think it's accurate to say that Mononoke doesn't use obscurity. The whole style of direction, which leaves the viewer unsure at times as to what is real and what is merely within the minds of the characters, can be quite obscure. The presence of the monsters is signified not by its visual appearance, but by its effect on the seals and other tools the Medicine Seller uses. Each story is a process of the Seller gradually unmasking the truth behind them; it's not clear from the beginning.
Mononoke makes it very clear by the end of each story that the sole cause of the terror is the moral transgressions of the humans involved.
As someone who has struggled with mental illness, I respect and appreciate Trapeze's portrayal of it. Despite its quirky sense of humor, it shows sensitivity and human warmth towards each patient. It doesn't mock them for being messed up.
I don't think that's fair to say. It's not about severe mental illness - the kind that gets you placed in a mental hospital - or presenting a medical course of treatment for various disorders, yes. But it is about the human mind, the odd quirks and obsessions that grow to be debilitating and destabilizing, the disintegration of the self that can cause them, and how to accept the various parts of the self and reintegrate them into a healthy whole. That is psychology.
That's not a cliche, that's a fundamental storytelling technique - the dramatic climax. The last episode, which does an amazing job of providing such a climax to an episodic show, is not about the "importance of mental health" per se, but about the importance of recognizing those who are struggling with mental issues and coming alongside them to support them instead of turning a blind eye.
The point of magical realism is that the magical side doesn't overwhelm things to be point it becomes an out-and-out fantasy.
It is the least aggressively weird of Nakamura's shows (though still quirky in its own ways), but I wouldn't go so far as to call it "fairly standard". Its attention to careful, nuanced character development and growth, mixed with its science fiction elements, marks it as a rare breed among anime.
I'm not sure what you're trying to say here. The point of Gesamtkunstwerk, as Wagner conceived it, is the exact opposite of "frankenstein" - it's to take elements that have previously been separated from each other (so music, poetry, acting) and make them work together towards a common dramatic purpose to create one unified whole. In an ideal film, time, sound, and narrative are not extra layers of incidental commentary added on top of the primary visual image, but elements that work in conjunction with the visual image to create the desired effect.
Pretty much everything has some kind of precedent somewhere, even if it's just the deliberate avoidance of convention. No artwork is created in a vacuum. Pure originality does not exist. It's the combining of existing elements in a fresh way that is the mark of a great artist.
It's tolerable, and it also helps that the art is consistently good, unlike a certain currently popular show.
Failed even in the art department.
I must have deleted all of my memories of that episode. Yikes.Failed even in the art department.
KENJI NAKAMURA IS ANIME GOD TRIBUTE POST
The Pillar Men intro is the absolute pit of that show.
Even the muscles turn into blocky lego chunks.
Muromi-san 10
This anime is fast transforming into the Adorable Yeti Appreciation Society.
I approve of this direction.
(Random little Malaysian girl was cute too.)
I hope you jump into the 93 OVAs once you are done. Battle Tendency deserved that budget.I never had a problem with the production values/animation in Phantom Blood, so if the rest is more of the same then that's fine with me. Thanks!
It's a magical action when the girl is in love ?Hentai Prince 09
I guess kissing does solve everything? Yamada anime when.
Also, about Attack on Titan, how many chapters of the manga are they adapting per episode? A lot of the dialogue in here feels like it serves no purpose but to fill the screen time. Not a lot happened in episode ten.
There are OVAs for Battle Tendency? I only knew about the Stardust Crusaders stuff. I'll have to check that out!I hope you jump into the 93 OVAs once you are done. Battle Tendency deserved that budget.
There are OVAs for Battle Tendency? I only knew about the Stardust Crusaders stuff. I'll have to check that out!
Whoops, I misread the post.No, the ovas are all Stardust Crusaders. He means that Battle Tendency, well, deserved such attention.
OreImo S2 10 first fourteen minutes:
Did we go back in time? What on earth? And why did Ayase change outfits between phone calls? Kanako has worst memory confirmed.
OreImo S2 10 remainder:
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Hentai Ouji 9
Da fuck just happened?
This show is so much more unpredictable than it has any right to be.
But even the ones who tried to deny it! EVERYONE is a siscon!Secretly? It seems pretty open to me.
I just noticed that her hood is that airmail striped color thingie.You should be ashamed that you can actually remember this.
KENJI NAKAMURA IS ANIME GOD TRIBUTE POST
So I take it you haven't heard of [C]: Control - The Money of Soul and Possibility from 2011? I don't know much about it myself, but it seems as though people weren't very favorable towards it.
Gotta love next gen E3's.
Speaking of games:
OMG Sony hinting at Demons Souls 2!
Show of the season for me btw.
Failed even in the art department.
Dat Pixis