Gauche the Cellist
Part of my entry on the New Year's Resolution To-Watch list had me going through the Ghibli stuff I hadn't seen. Going to watch them all regardless but I realized I don't think I'd ever had any real exposure to Takahata outside of the Takahata/Miyazaki green jacket Lupin episodes. Figured I should start somewhere with his ouevre though and this seemed like a nice fit. It's not his first film but I'll check out
Horus and the
Panda Kopanda stuff down the line. What also caught my attention was that it was an adaptation of a Kenji Miyazawa work. I'm a great fan of
Night on the Galactic Railroad so found myself wanting to watch this for a while now but never really made time until today.
It took me a bit to finally get what was going on but by the end, I found myself thinking this was a really special movie. Gauche learning what it means to feel music via the animals visiting over four nights is great on its own but there's an extra level of execution that fully engaged me when he was playing, drawing me into the work itself. In particular, the mice and the dandelions was such a lovely bit that it was a shame it didn't go on longer. There's some real subtle growth for Gauche that seems rare in anime given how overt everything can be nowadays.
Hidamari Sketch 5
Easily my favorite ep so far as the fevered dreamscape allowed for some unique visuals (even by terms of this show), successfully conveying the strange judgement and anxieties that people, or myself at least, suffer from when sick as Yuno was.
I mentioned to Enron last night, after he mentioned that Hidamari was very rewatchable, that I'd imagine part of that is due to the non-chronological airing such that a minor detail in one episode might actually be a future reference to another that's just plain missed upon first viewing. At first glance, it wasn't something I'd expected out of the show and I think that's caused me to pay closer attention than I might otherwise.
Hidamarii Sketch 6
By contrast, this episode was far more simple and straightforward in its concept of wasting away a summer day which feels far more appropriate for this sort of show.
Hyouka 12
Probably the most fun I've had with a school festival setting short of
Beautiful Dreamer, there's so many little touches that made it exciting as the school felt very alive with its activity. Some great decisions were made too such as the cosplayers' choices, setting the POV in the middle of the audience during the talent show, and using Chiitanda's infectious curiosity to make all the various booths and events as exciting for the viewer as it was for her. My favorite little touch, by far, was just how barren the top floor was where the Classics Club is. No decorations in sight, no festival goers milling around, and just Oreki doing nothing. You don't see someone exactly where they belong that often!
Lupin III: Castle of Cagliostro
Like with Takahata as mentioned above, I wanted to start with the beginning with Miyazaki, the idea that I culminate the Ghibli watch with
The Wind Rises and
Princess Kaguya. This has been a longtime favorite of mine and I was so very glad when Discotek announced the bluray last year. Definitely worth the wait for me and I think I fell in love with this flick all over again.
While the movie is best known for its place as a sort of end-of-career Lupin adventuer and the famous set pieces like the car chase and the clock tower, my favorite part has always been the Clarisse/Lupin interaction. In particular the scene in her tower that's the turning point for her character as Lupin elicits hope for her situation, Lupin's defiant first encounter with the Count, and his calling the Count out after being dumped into the trap. The ending never fails to get me either when Lupin fights with himself to embrace Clarisse. It's such an amazing character moment for him, both the tower and ending being beautiful examples of the gentleman-thief Lupin present in the film.
Lupin III: Daisuke Jigen's Gravestone
Now this was a delightful surprise. If
Fujiko Mine gave fans a certain expectation going into the show and as to what it would be about, this felt like a sort of apology for all the missteps involved in the TV series as it's an all around improvement and Koike's designs finally get to shine as they're actually animated. Beautifully, I might add. This was everything I expected from Koike
Lupin III that the TV series generally failed to deliver on. The car chase, the gunfights, everything about the action was so damn good. After
Fujiko Mine ended, I hoped we'd get specials by him a la the old Dezaki directed specials and while that might not be the case and this might be a one-off, I'm glad it was made.
It also seems to function far better as a lead-in to the first movie than the TV series did as a lead-in to the first TV series, assuming that was the intention.
Looks like it's up on Hulu for anyone curious and late to the party like myself.
Mushishi 5
Some unexpected continuity but more importantly we get a glimpse at the weight Ginko's work places on his shoulders. Tying the swamp Mushi into the natural world in how it produced offspring was neat too given Ginko's assertion that Mushi exist between life and death. Seems like they sometimes lean a little more towards life.
Mushishi 6
The Mushi in this ep is so strange. Beyond the fleeting mortality experienced daily, the offering of infinite fresh experience sounds potentially addictive.
Rurouni Kenshin: Tsuioku-hen 1
Another work I've haven't revisited in forever and it's even better than I remember. I think it helps that I can better get the layered storytelling with flashbacks within flashbacks being handled masterfully as well as reading up a bit on the era so having a grasp of just what the Shinsengumi was or who the various historical figures were.
Really though, this is so great and can be watched independently of historical knowledge or familiarity with the Kenshin franchise. It makes great use of shadow and reflection throughout, the former pointing towards the world that Kenshin now inhabits and the latter suggesting the real conflict in the show is internal as Kenshin's desire to help the less fortunate grows tainted by his role of assassin and withers his soul. It's also impressive how free of shounen sensibilities it is with only Seijuro Hiko retaining any sort of unhuman power which is a neat nod to the source material and also appropriate given the gulf of strength between him and most any other. It's just he adheres to the Hiten Mitsurugi-ryu teachings far better than Kenshin so doesn't get involved in the troubles plaguing the land as he's well aware that balance would be greatly upset in that whichever side he takes would be the victorious one.
Space Adventure Cobra TV 11
This might be the worst ep of
Cobra yet. Not to say it's bad, it's actually kinda good but I think this is where the movie has hurt me some as Sandra just isn't a very interesting foil to Cobra like Crystal Boy was in the TV show or at this point in the movie where the secret of Nelson's treasure was revealed. Traipsing through the temple seemed mostly a by-the-numbers thing but hey, at least it brought some cool visuals at times via using Cobra's cigar as the lone light source. Preview for the following episode looks decent though as Sandra using the weapon looks like it'll elevate her threat level to Cobra when it's essentially been nil thus far.