Tamako Love Story
This was cathartic to watch. Tamako Market was a frustrating series to watch for many reasons, and the Tamako-Mochizou relationship was especially aggravating. Tamako was painfully vapid, Mochizou was perpetually indecisive, and together they circled the drain while Midori periodically poked in to scoff at Mochizou's lameness. It was one of the main things that made the series feel hollow, and the opening half-hour of this film reminded me of all of it. Midway through the scene between Tamako and Mochizou at the river I began to worry that the film would continue to kick the can on Mochizou's confession until later - and then he finally did it. Finally! Seeing Tamako shocked out of her complacent routine and having to deal with the emotional fallout and reexamine herself and her environment - that was incredibly satisfying. It was like going through Kimagure Orange Road with its love triangle in perpetual stasis and then getting to the movie where the triangle collapses and the characters have to deal with hard-hitting consequences. The storytelling here operated on a level of depth and maturity that was almost entirely lacking in the original series. It actually managed to sell me on why Tamako and Mochizou would fall in love with each other, through intelligent use of flashbacks and the masterstroke of Tamako's grandfather's sudden health emergency, in which Mochizou saw Tamako's fear and instinctively came alongside to support her. The way Tamako's memories of her mom and her parents' romance story as touched upon in episode 9 of the TV series were integrated into the narrative was also highly effective.
It helped that the movie was well made. Very well made. Ridiculously well made. So well made that it puts most other anime to shame and establishes Yamada as the most ambitious director at KyoAni, which is saying something. Right from the start it establishes a grand cinematic framework through a camera pullback through three-dimensional space away from Mochizou to his and Tamako's dad arguing, and it just continues from there throughout the entire film. Mochizou's filmmaking ambitions provided a clever narrative justification for the heavy experimentation with different types of camera techniques and filters used throughout. In a bizarre way the film reminded me of Dezaki's Golgo 13: The Professional which I recently saw - while Tamako Love Story hardly goes to same wild, unhinged extents that Dezaki's direction in that film went (to say nothing of its content) it displays a similar boldness in continually reinventing its visual technique and striving for new means of expressiveness. It's an exhilarating experience to watch a film like this where you can see the director and her team exploring the limits of what is possible in cinema. This is something that goes far beyond animation polish or pleasant art design or attractive layouts - though those are all there - but is something where you feel like every shot has been carefully thought out, considered, and planned for maximum emotional effect. Yamada's printed interviews make clear just how deeply she thinks about the work she creates, and in a scene such as Tamako's fleeing from Mochizou's confession, in which the familiar world of her shopping market melts into a vague patchwork of colors and sounds as her world turns on its head, the strength of her vision is made clear.
There are some small things that annoyed me about the film - the film struggles a bit at the beginning to emerge from the shaky foundation of the TV series, the big bouncing breast jokes that were made during the bath scene were a bizarrely out of place bit of cliche otaku humor, and I'd have preferred to not be reminded of Dela and Choi at all (especially cutting away briefly to them towards the climax of the film - why?). But those can't detract from my immense appreciation and enjoyment of the whole, especially the immensely satisfying ending in which the string telephone finally connects the two hearts. I am even more eager now to witness Yamada's next film project, A Silent Voice, which as the Japanese BDs are coming out within a couple weeks I should hopefully be able to do so in the not-too-distant future.