Quality questions aside, there have always been and will always be a sizeable portion of the anime viewing audience that prefers to watch anime dubbed. So yes, definitely.
But aren't they mostly shonen viewers?
Quality questions aside, there have always been and will always be a sizeable portion of the anime viewing audience that prefers to watch anime dubbed. So yes, definitely.
Imaishi's first TV series was Gurren Lagann.
Very surprising considering Aniplex has typically had their stuff on Netflix.
Mother of god, I just checked the Toonami thread and that thing moved like 30 pages in half a day. Is everything airing on a specific day or how the hell is the traffic that high.
It's amazing how relevant Ergo Proxy continues to be. Maybe just because it deals with themes that will always be relevant: the continuing growth of power in modern government, the rights to freedom and creativity, class warfare, etc. Unless it takes a dive somewhere, I think I'll find myself surprised at the amount of attention it doesn't get. It feels like a huge shame that manglobe stopped working on original anime towards the end. Not that the whole industry didn't stop as well though.
Edit: Maybe "continues to be" isn't the right phrase. Probably just "is" would have worked.
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But aren't they mostly shonen viewers?
Now people come in and say "wow you guys added 3 whole pages since I last checked in two days ago. ya'll sure talk a lot I don't think I can keep up!"Back in the days we would called it a slow day here on animeGAF.
Well my point is that I don't feel that it's necessary to 'ease' yourself into the job. Most of the great directors in anime pretty much came out full throttle. I can't imagine any of them saying they only half-assed it. Usually they might take an assistant director position or something like that if they wanted to slowly adjust to the role. There's a difference saying they couldn't put their max effort or skill in due to production issues and another essentially bragging that this doesn't reflect your peak capabilities and that you weren't even aiming for it.I'm confused. I thought you were talking about Yo Yoshinari based on your post.
Edit: Also if your point is, Imaishi did this, so can Yoshinari, I still don't think there's anything wrong with him deciding to take it easy and ease himself into the job of director.
Well my point is that I don't feel that it's necessary to 'ease' yourself into the job. Most of the great directors in anime pretty much came out full throttle. I can't imagine any of them saying they only half-assed it. Usually they might take an assistant director position or something like that if they wanted to slowly adjust to the role. There's a difference saying they couldn't put their max effort or skill in due to production issues and another essentially bragging that this doesn't reflect your peak capabilities and that you weren't even aiming for it.
Not that I want to advocate unhealthy work practices, but in general most of the production stories I've read about great works seem to involve the directors, and key staff, truly giving their all.
It's pretty funny to hear a director make that comment, because it feels like a show at about 60% of Trigger's best effort.
What do you think would be an example of Trigger's best effort?
Unfortunately I don't think my answers to that question are very interesting.
If we're talking about a single piece that represents their production talents, it would probably still be the original LWA short.
If it's a TV series, I'd have to say that I was pretty happy with the overall level of quality found in Kiznaiver, especially with regards to it's character animation and lighting (obviously two very different artistic disciplines, yet nevertheless a combination that produced a very distinct piece of visual media).
There's so many obvious (and occasional prolonged) lulls in the quality of the LWA TV anime production (in terms of the scripts, animation and direction of certain episodes) that I have to wonder what was going on behind the scenes.
Again, I feel like I keep having to point out that the original Little Witch Academia is the work which made their name and brought them widespread Western attention (helped out hugely by it's availability on youtube). The fact that an extended TV series which is based on this key franchise wasn't treated like a key, 100% effort production, is truly bizarre. This should be a mass market show (I mean, it's going to be on Netflix!) that represents their brand to the world so I'd expect no effort or expense spared to make it into a stunning work.
What do you think would be an example of Trigger's best effort?
Yoshinari was kind of cavalier in regards to the production. Obviously some of it was joking but it was also somewhat serious. Yoshinari said that LWA TV's production was him at about 60% and that he felt the studio going all out pretty much all the time would kill the studio so they needed works like these to break up the more intensive Imaishi projects. Handa replied back that Yoshinari's 60% was their 120% to which Yoshinari said if this wasn't their 60% then they need to get better. Also that any scenes that look bad are to be blamed on the younger animators (lol).
Some of it rubbed me the wrong way frankly as it's both cocky and also feels like he's neglecting his role as director a bit.
Yoshinari was kind of cavalier in regards to the production. Obviously some of it was joking but it was also somewhat serious. Yoshinari said that LWA TV's production was him at about 60% and that he felt the studio going all out pretty much all the time would kill the studio so they needed works like these to break up the more intensive Imaishi projects. Handa replied back that Yoshinari's 60% was their 120% to which Yoshinari said if this wasn't their 60% then they need to get better. Also that any scenes that look bad are to be blamed on the younger animators (lol).
Some of it rubbed me the wrong way frankly as it's both cocky and also feels like he's neglecting his role as director a bit.
I want a Death Parade season 2. When?
Inferno Cop obviously.
Yoshinari was kind of cavalier in regards to the production. Obviously some of it was joking but it was also somewhat serious. Yoshinari said that LWA TV's production was him at about 60% and that he felt the studio going all out pretty much all the time would kill the studio so they needed works like these to break up the more intensive Imaishi projects. Handa replied back that Yoshinari's 60% was their 120% to which Yoshinari said if this wasn't their 60% then they need to get better. Also that any scenes that look bad are to be blamed on the younger animators (lol).
Some of it rubbed me the wrong way frankly as it's both cocky and also feels like he's neglecting his role as director a bit.
I've gotten a similar impression of Yoshinari from things such as the LWA making-of documentary - he seems to be very hard on young animators - which is the main reason I wasn't fond of your interpretation of LWA as a metaphorical commentary on old animators sucking the life out of young animators. Unless it's supposed to be some self-confessional for Yoshinari.
Re:Creators Episode 10
Why cant actual IRL LN chara collab animes be made.
Something I've never thought of before, but are there professional anime critics in Japan? Like, in the same vein as Ebert and Siskel? It would be interesting to see how their opinions differed from what little critics anime has in the West (ANN and Otaku USA, I guess?).
I can understand being hard on younger animators if you're a perfectionist but if you're not even pushing your own limits...I've gotten a similar impression of Yoshinari from things such as the LWA making-of documentary - he seems to be very hard on young animators - which is the main reason I wasn't fond of your interpretation of LWA as a metaphorical commentary on old animators sucking the life out of young animators. Unless it's supposed to be some self-confessional for Yoshinari.
Maybe he didn't feel like giving his all (outside of just being professional enough) because this new project wasn't totally fulfilling the original motives for it he truly envisioned.Some of it rubbed me the wrong way frankly as it's both cocky and also feels like he's neglecting his role as director a bit.
The Eccentric Family 10
Tenmaya turning from a fat ramen chef, to a slim butler and now to a rapper completely baffles me.
Eccentric Family S2 10
Whoa whoa whoa. So, stepping back from the big cliffhanger at the end, that other twist this episode hinted at seems pretty big.Yajiro meets a several tanuki who are surprised that Kureichiro returned to Kyoto, including one dresses exactly like him. Then Kaisei mentions that Kureichiro is acting different from how she remembers. So...is the one in Kyoto a fake?
Next week can't come fast enough.
Maybe he didn't feel like giving his all (outside of just being professional enough) because this new project wasn't totally fulfilling the original motives for it he truly envisioned.
I CAME INSIDE SUCY!
Uh, ok...
The page didn't load fast enough, so it didn't go to the right comment right away
or did it?
I think Re:Creators is indeed a dumb show, and it doesn't really try to hide it. Heck the concept itself is bollocks. But these past 2 or 3 episodes may as well have been the start of the actual show, because all we had every week was the nerdy girl talk non-stop about things that could easily have been explained in 10 secs.Re:Creators 10
Other than one smh moment (does everyone need to be downgraded to idiot level when up against Magane?), this was a pretty good episode.
Nichijou - Completed: My experience watching this was really similar to back when I watched Miss Kobayashi's Dragon Maid. I thought the animation was gorgeous, and while not every segment was a home run, I still thought it was a really charming experience. My favorite segment of the show was the main trio's run of bad luck when they find themselves caught in the rain and accidentally destroy a temple.