Trapped in Oregon Hell: Sakuracon Part 2 Panel Report-
(Link to Part 1)
Well I'm trapped in Portland. I got on a 7am flight only to find out that there was no power to the plane. Then ended up waiting 6 hours while they literally gutted the cockpit, only for the flight to get canceled due to the pilots 'timing out'. So I have to take another 7am flight tomorrow and hope my plane isn't fucked up again.
Kenichi Sonoda Panel-
-When he's drawing he tries not to make mistakes especially with cars as he used to get yelled at a lot from his editors if he did.
-He tries not to use Berettas as so many people use it in dramas. He blames Lethal Weapon.
-He doesn't have any rights to the Riding Bean anime. He can't use the name Riding Bean as well as the designs. That's how the initial design of Rally came about. He couldn't think of a cooler design though so he made Bean Bandit a sub character to hopefully avoid the copyright issue.
-Bean Bandit's design was influenced by Rambo and Schwarzenegger in T1. He designed the X mark around his eyes because Bandit's chin is so long therefore if the chin gets cut off and you just see the eyes, you'll know that it was still him.
-[Some talk about cars that I couldn't follow] As he has gotten older he prefers simpler designs.
-Priss's most distinctive feature is her eyes so he puts his attention there.
-When he does chibi characters, he reflects back as it wasn't common in the past so he considers himself a frontrunner of it and is proud of that. There were others doing this at the time as well. [He stated a name but I couldn't hear it as the audio system in the room was terrible.]
-[The question was how many rounds does it take for him to design a character. A round being essentially an iteration.] Sometimes it doesn't matter how many rounds you can do and you'll never be satisfied so if the deadline is approaching then he'll just submit the one on hand. If he really likes the character though then just the initial round will suffice. Misty May took two rounds.
-Copied a little bit of Misty May from Magical Girl Amy (? I don't know which anime he's referring to) such as the short necktie.
-The Gainax Bounce was his idea in that he demanded the boob jiggling be alternating for Misty and he specified that to Gainax. The animator in charge of it was Takeshi Honda.
-[One of the questions was what is the difference between a earlier CZ-75 and the later version.] In the later version the rail extends a bit longer. The short rail version used a harder metal in manufacturing while the later had a softer metal to increase productivity so it needs a longer rail to maintain accuracy.
-It does seem like there's more moe but he doesn't think there's lower quality anime. You could have very cute characters and still a good story. Talked about Madoka and while the characters are cute, it had a very deep story to it with Faustian elements. Guess who was in the audience at his panel?
-[Referring to some robot with a cannon in its chest] Figured that if the center was going to be a cannon then it should be an integral part of the robot. By centering the cannon barrel as such, the body could absorb the recoil.
-He played with some German toys as a kid, so he's always been fascinated with German weaponry.
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The Reflection Panel-
-This work will not be not be using post production stuff like lighting effects as Nagahama wants it to resemble a comic book. No concept of shadows in the work, like in comics, it's blacked out.
-Nagahama loves Unbreakable and felt that it used a number of new expressions in the comic world. In regards to the color scheme, again he's trying to imitate American comics so someone might look good but will be evil. Bad guy in Unbreakable wear purple so the villain in Reflection will wear purple.
-Other main character besides I-Guy is X-On, the guy with an X on his mask, and his outfit is based on Cyclops.
-X-On's design is supposed to be similar to Cyclops in thematic purpose as the visor is to block away his vision of this ugly world.
[Some settei sheets were shown of the main character designs and the lead female has regular eyes, she resembles some of Iso's realistic character designs.]
-Wanted to make the designs simple for X-On and I-Guy so that little kids could draw them. Wanted it to be so that a child could pick up a blue crayon and draw I-Guy and similarly do so with X-On.
-He didn't take much from MHA and Tiger and Bunny. He did enjoy them but felt there were Japanese influences in things such as the pacing and so studied those shows to actually take that out of The Reflection.
-Would love for it to last for decades, would even like to see other people doing something like a spinoff.
-Trevor Horn will appear inside the anime along with Stan Lee. Since the anime is based in America they couldn't put any of the Japanese staff in it besides 9nine. [This is referring to cameos.]
[Not sure if it was known but they're planning on releasing a movie next year.]
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PILI Puppet Demonstration Panel-
*Video of the puppeteers putting on a mock fight for the audience
-[The question was, "Why don't you just animate the puppets?"] Feels that having a physical puppet is an intrinsic part of the experience as it reminds the staff of playing with toys when they were kids and so helps creativity.
-They don't rehearse.
-5 to 6 people work on making a puppet. If everybody was working on the puppet at once then they could finish it in a month but they go through many revisions.
-Average puppet weight is 3-4 kilograms. It can be tiring using the puppet for long periods of time so the puppeteers have to stay in shape.
*Video of the Thunderbolt Fantasy puppets on display.
I should note that I also added videos to my Part 1 post such as the new Thunderbolt Fantasy PV.