WhiteRabbitEXE
Member
Yet. You know it's coming.
Eventually, sure, but I don't think soon. The digital effects are mastered in 2K, so unless they're planning an extensive remastering already, it's probably a long, long way's off.
Yet. You know it's coming.
Eventually, sure, but I don't think soon. The digital effects are mastered in 2K, so unless they're planning an extensive remastering already, it's probably a long, long way's off.
Eventually, sure, but I don't think soon. The digital effects are mastered in 2K, so unless they're planning an extensive remastering already, it's probably a long, long way's off.
the DI for TFA is 4k... so it's not that far off at all in theory.
A lot of 4K masters/scans are done with upscaled CGI. (CGI tends to scale a lot better than actual footage.) Not all UltraHD Blu-rays use 4K masters either, as some of them are upscaled.Eventually, sure, but I don't think soon. The digital effects are mastered in 2K, so unless they're planning an extensive remastering already, it's probably a long, long way's off.
A lot of 4K masters/scans are done with upscaled CGI. (CGI tends to scale a lot better than actual footage.) Not all UltraHD Blu-rays use 4K masters either, as some of them are upscaled.
That being said, the better encoding, HDR (having seen The Force Awakens in Dolby Vision in one of my screenings I have to say it looked quite excellent) and Dolby Atmos should add a lot to it aside from the resolution increase.
TPM experienced some DNR and sharpening filters in its picture. AOTC looks too soft. ROTS is considered perfect. And although the OT generally has good picture quality, people were expecting a new remaster treatment similar to what Alien and Aliens got for their BD releases. Instead they reused the 2K transfers from the 2004 DVD releases as a base. So, not to say any of them looked looked bad on blu-ray, it's just that with the exception of Episode III, they should have all looked as good as they possibly could, with no expense spared.
I keep getting confused on this. I know someone updated imdb with that info, but I coulda sworn someone from ILM actually posted here saying it was a 2K DI? Or am I reversing that?
Not a fan of the stacked BluRay discs. Will probably toss the DVD into a sleeve and move the Bonus disc over to that peg, although since the right peg is made for two discs it means the movie will be kind of loose... Damn. :\
I think SuperHD is just higher bitrate 1080p, isn't it?
I keep getting confused on this. I know someone updated imdb with that info, but I coulda sworn someone from ILM actually posted here saying it was a 2K DI? Or am I reversing that?
Walked into Target to get the exclusive set. Held it in my hand for two seconds, said 'nope', and got the regular edition.
The target exclusive is flimsy trash. Avoid like the plague!
HDX movies are 1080p, but just encoded at a higher bitrate.
Ugh the deleted scenes suck. Why did they hold back so much ?
I picked up the regular combo with the black slip case, which is fine. The Target was next to a Best Buy, and I ended up hitting both as I was looking for something else. Both had several empty racks for TFA at the front of the store, though with several more in back by the regular home video section. And that was early this morning.
Debating whether to watch the movie or the documentary tonight.
Guessing there are story or character beats they want to save for the next film(s), such as Maz using the Force, and how she got Luke's saber.
The production's 35mm and 65mm negative was processed at FotoKem in Los Angeles; the geographical distance required what Mindel recalls as a "nerve-racking' two day turnaround for dailies. Company 3 London, along with sister company EFilm in Hollywood, produced 2K scans of the 35mm film, and FotoKem generated the 65mm-footage scans. Company 3 London colored and delivered digital dailies to the editorial offices at Pinewood. Toward the end of the production, 35mm processing moved to London-based lab iDailies to facilitate an overnight turnaround.
"We designed a workflow where iDailies processed and then sent the neg to Company 3 London, who would then stream the 2K session to Pinewood Theater 7 in real time," says Mindel. "I like to look at dailies in the morning first thing with the camera guys, so we know where we stand and where we're going to move to that day."
Deliverables for The Force Awakens included a 2D and 3D 2K DCP, a 2D and 3D Imax DCP, 35mm archival prints, and a small number of 70mm exhibition prints. Stereo D handled the stereoscopic conversion. The final color grade was performed at Company 3 in Los Angeles, where colorist Stefan Sonnenfeld, an ASC associate member, worked with 4K scans from FotoKem (65mm) and EFilm (35mm). "This project isn't as super-stylized as some of the projects Dan and I have done together," says Sonnenfeld. "If there were inconsistencies with weather or visual-effects shots, we'd smooth it out, but we weren't trying to create a new look. It was more about reinforcing Dan's work and enhancing the filmmakers' intentions."
Slightly bummed by the lack of commentary track.
Hopefully Plinkett makes one for us.
i didn't know he did commentary tracks. i'd love to hear those while i watch the prequel trilogy.
I wanted the Walmart version, but by the time I finally bothered to preorder, it was unavailable. So I ordered the "standard" version from Amazon.
But in the end, I'm satisfied.
I used to like to get the BestBuy steelbooks; but when I preordered the Mad Max steelbook the day of availability, and when it wasn't there for me on the day of release, I decided it wasnt worth the hassle.
The RLM ones where it's just Mike/Jay/Rich/whoever as themselves talking about filmmaking are really fun, though.
Okay here's what American Cinematographer has in their interview with Dan Mindel re 2K/4K:
I really hate the stickers that Best Buy places on the BD slipcovers. They always leave behind residue and I end up making scratch marks to go along with it.
For those of you who got the target copy, where is the download code? My package didn't have the code page
wow. That looks like a cardboard flap I'd have gotten a fucking demo disc in in the late 90s/early 2000s. or an AOL cd.If anyone is curious about the Target one, here is an unboxing.
He has it next to the Best Buy steel book in the video and it DOES appear to be standard size, so I lied earlier lol.
You do. When you go to the website to redeem the code you choose which service you want to use.I'm at Target now waiting to pull the trigger on this purchase.
Just to clarify, do I get a UV/Vudu code with this? The packaging says it's iTunes only.
I really hate the stickers that Best Buy places on the BD slipcovers. They always leave behind residue and I end up making scratch marks to go along with it.
Where did you buy your copy? My regular copy from Best Buy has a flipper tray and has 3 separate pegs.
You do. When you go to the website to redeem the code you choose which service you want to use.