Such perfect Usagi/Mamoru/Chibiusa interaction in this episode. So much so it reminded me of 104 so it wasn't a surprise that Junichi Sato directed this one as well. Chibiusa's dream about Mamoru & Saori was nothing short of amazing.
Interesting. The new Dragon Ball film is, in fact, completely within canon, noted quite clearly to take place during the time skip between the third-to-last and second-to-last chapters of the manga.
Interesting. The new Dragon Ball film is, in fact, completely within canon, noted quite clearly to take place during the time skip between the third-to-last and second-to-last chapters of the manga.
If any of my fellow AnimeGAF nakama want to watch me paint an animu painting (er... part of one it's not finished) I recorded my recent livestream if you wanna see me work. http://www.ustream.tv/channel/rurounizel
If any of my fellow AnimeGAF nakama want to watch me paint an animu painting (er... part of one it's not finished) I recorded my recent livestream if you wanna see me work. http://www.ustream.tv/channel/rurounizel
Glad you liked it! ^_^ I'm gonna need to put a LOT more work into that background... I should have drawn it first rather than just painting it as I go... >>;
If any of my fellow AnimeGAF nakama want to watch me paint an animu painting (er... part of one it's not finished) I recorded my recent livestream if you wanna see me work. http://www.ustream.tv/channel/rurounizel
Totally belying the atmosphere of the episode. I am impressed at how this cartoon has been able to handle the mood transitions without feeling forced. Also loving the insights from Serika's point of view --really, everyone is just as crazy as him, and I love them all for that.
Yeah, this was Shinkai being definitively :firehawk.
I mean, the script just hits you over the head with the moral it's trying to teach you over and over again:
What's funny is that even the two sites of resistance -
Moriaki and Shin
are ultimately proven wrong and learn to accept :firehawk, just in case you didn't get it the after the thousandth time it hits you over the head with it.
And, I dunno, while I think the film works as a simple morality tale for children... the fact that there's clearly only one right answer to the outcome of the movie means that everyone is a plot device, existing as game pieces to be moved around by the script as necessary. If you're not immediately captivated by the actual plot or the world that the characters are exploring, it becomes very much a perfunctory journey with only the barest of human emotions. That is, I still liked the journey and the sense of wonder and adventure in the film, but it was hard not to ignore the churning mechanisms in the background forcing the story to move ahead, one loud clunk after another.
I also found it funny that for all the people who basically
found Argatha, they all turned out to be evil dictators who basically lost their empires/wars. You'd think that would be enough of a lesson NOT to go find this magical place but whatever.
There's also a lot of wonder Shinkai-scenery-porn for you to look at if you're so inclined:
And so on.
Finally, watching two movies back to back with their own plot problems, I'm not quite sure what I find more problematic. The awkward and unnecessary twist in From Up on Poppy Hill or a plot that only works to deliver a specific message. It's scary, but if Hoshi o Ou Kodomo was a bit more didactic, it might possibly verge on Laws of Eternity territory.
Perhaps the other thing I that's in the back of my mind is whether I can watch a movie like The Neverending Story now. Given that I only remember the... dog dragon thingie, I have to imagine that it is as clunky as Hoshi o Ou Kodomo in terms of just providing a vehicle to tell a simple moral tale and to show as many fantastical images and creatures as possible. But maybe it's okay to just look at pleasing images for a couple of hours, even if it means sitting through a two hour lecture on how to live your life?
If any of my fellow AnimeGAF nakama want to watch me paint an animu painting (er... part of one it's not finished) I recorded my recent livestream if you wanna see me work. http://www.ustream.tv/channel/rurounizel
Sweet, I love it. I'm trying more and more to get more anime techniques into my work. Honestly, it's more difficult than it looks - especially if you've had any sort of western art training.
Sweet, I love it. I'm trying more and more to get more anime techniques into my work. Honestly, it's more difficult than it looks - especially if you've had any sort of western art training.
Sweet, I love it. I'm trying more and more to get more anime techniques into my work. Honestly, it's more difficult than it looks - especially if you've had any sort of western art training.
There are so many :firehawk lines in this movie that it's kind of amazing. Even the Tamayura OVAs weren't this :firehawk-specific in terms of its dialog.
That was pretty damn cool. I wish Kawahara could have come up with a better reason for Kirito to become
Lelouche/Batman
since that whole anti-beta tester thing felt really forced.
I have to give him credit for making Asuna such a beast, though. It probably shouldn't be impressive that his lead females aren't utterly helpless and powerless, but it is.
going into a two-year timeskip right after the prologue
, at least. Just the point they chose to start at is worse than if they'd gone straight into Reindeer. One's about fellating Kirito as the loner hero badass. The other is about
In art classes, I just do what they want me to do, and just continue drawing whatever I want on the side. Though sometimes I get to have my cake and eat it too.
I went to art school in the states, and I just learned how do classical drawing and such. Later at home I applied what I learned to my own drawings. I like to think I can change styles or create a mix between styles when necessary, or just when goofing around. I always thought the best anime art had a good style, but a basis in necessary shit, like perspective and anatomy. Just take what you need but apply your style to it. That's how I try and approach it anyways.
A part of me knew all this was coming, but I didn't actually think it would happen.
It's all an elaborate prank? Some asshole got an entire town built and lured thousands of people there to prove a point? They built a stereotypical anime plot to keep Saya docile, and used heavy-handed exposition to reinforce her artificial personality?
I saw all the signs, but there's a difference between knowing and understanding.
Though I swear I had no idea about those rabbits.
Now I want to see the movie.
Could you imagine if Mine Fujiko were more like this show?
I really liked the climactic battle in the dojo. The fight felt really forceful and fast-paced.
Hmm, it seems they changed the intro to the Nen one again. It seems rather fitting given the subject manner of this episode. It looks like we'll be waiting another ep or two for the inevitable shitty recap.
A part of me knew all this was coming, but I didn't actually think it would happen.
It's all an elaborate prank? Some asshole got an entire town built and lured thousands of people there to prove a point? They built a stereotypical anime plot to keep Saya docile, and used heavy-handed exposition to reinforce her artificial personality?
I saw all the signs, but there's a difference between knowing and understanding.
Now I want to see the movie.
Could you imagine if Mine Fujiko were more like this show?
I don't know if all of it was good, but looking back, I'm glad I experienced this.
Terrible terrible bit of Korean anime that's salvageable only by the amazing delivery and writing of the English dub. I think they blatantly ripped off some other anime too but I'll get to that later!
Hilariously awful writing (especially for the villains), classicly bad English dub and power-ups galore in an otherwise lame adventure that revolves around "free flying."