I always like to be able to draw on influences from other works when I'm watching something, but yeah, watching one or more series just in case there are any noticeable directorial similarities with a short OVA is unfeasible. I'm also aware of the good reputation of both Bubblegum Crisis and El-Hazard, so that's enough to give me confidence that Ai no Kusabi might be legitimately good as well.
Only selecting bishounen/shounen ai series that have staff associated with works outside of the genre sounds like a wise course of action if my intent is to seek out legitimately good works anyway.
Oniisama e is excellent! I credit that with Dezaki's penchant for backbiting and melodrama being able to flourish to its fullest in that kind of setting, though. Without his particular kind of flair, I would have easily been put off by stuffy rich people doing stuffy rich things.
After beginning to follow weekly Japanese releases, I was actually much more selective than I am now due to having so much less free time in college. Much like the days when I could only afford a few video games a year, I kind of miss being able to savor the experience more.
I suppose I'll post my personal anime fandom timeline and other people can follow with theirs:
~1990: unnkowingly watched dubbed versions of 70s children's programming as a toddler, notably Fushigi na Koala Blinky (The Noozles) and Mitsubachi Maya no Bouken (Maya the Bee)
- 1998: watched the original English-language run of Pokemon, parents warn me about the corrupting influence of "Japanimation"
~ 2001: watch other anime that air on KidsWB, including Yu-Gi-Oh!, Cardcaptors, and Sailor Moon (until my parents barred me from watching Sailor Moon for fear it would turn me gay)
~ 2003: watched the first wave of anime to premiere on FoxBox, including Kinnikuman Nisei (Ultimate Muscle: The Kinnikuman Legacy), Kakutou Ryouri Densetsu Bistro Recipe (Fighting Foodons), and the infamous 4kids-butchered One Piece.
- 2004: cable company finally adds Cartoon Network to the lineup, and I experience Toonami for the first time. This was my first exposure to anime for teenagers such as Rurouni Kenshin, Mobile Suit Gundam SEED, and some other stuff.
- 2004: begin sneaking in viewings of [adult swim], where I'm exposed to scattered episodes of Wolf's Rain, Inuyasha, and Ghost in the Shell: Stand Alone Complex. Anime with blood where they say damn and hell and ass? AWESOME.
- 2004: catch an airing of Spirited Away on the Disney Channel. Mind is blown, discover Miyazaki on the internet, immediately get Princess Mononoke, Castle in the Sky, My Neighbor Totoro, Nausicaa and the Valley of the Wind from the public library.
- 2005: begin watching [adult swim] in earnest. I watch Fullmetal Alchemist as it airs in the US for the first time alongside repeats of Cowboy Bebop, Trigun, Big O, Evangelion, and new series like Paranoia Agent, Scryed, Samurai Champloo, and Eureka Seven.
- 2006: enter full-on "I wish I was Japanese" weeaboo phase, wardrobe is half anime shirts, I get into Naruto for a while, start buying DVDs (they all end up being bootleg though. Fuck you ebay!), purchase terrible quality figurines made specifically for the US market and sold at Hot Topic, obnoxious poser otakuism consumes my life for a while.
- 2006: watch anime not broadcast on US television for the first time, beginning with Gankutsuou. Last Exile and Chobits become the first two anime I drop due to not enjoying, the former because I hated the ugly CG. I've had a vendetta against this shit from way back!
2006: Death Note becomes the first anime that I watch weekly alongside its Japanese release. I guess it's tied Le Chevalier d'Eon as that was from the same season, but I dropped that after a few episodes.