Oh wait, it's two cours?
Yeah it's a split-cours thing. We get one season now, and another one in Jan.
Oh wait, it's two cours?
Sankarea stopped being good after like three episodes. If Rozen Maiden was the same you would've already heard about it.Same. It looks and sounds excellent but I'm not letting myself get Sankarea'd again.
Didn't you watch the old seasons? It's better than those.
The Girl That God Lets Monologue To Herself 06
Moemoe Shiori episode doesn't disappoint.
Too bad we're now on the part of the Goddess Arc that looking back upon feels like it took forever to get through.
Same. It looks and sounds excellent but I'm not letting myself get Sankarea'd again.
Smile has a clunky introductory five episodes, but yeah, the upside is that you get it all over with at once.
Also, Reika is a robot.
Sankarea stopped being good after like three episodes. If Rozen Maiden was the same you would've already heard about it.
I've explained this at length before, but I'm pretty quick to pick something up if it has promise of a great atmosphere. It's something I treasure in anime more than anything else. Especially when accompanied with stellar sound direction. That coupled with your willingness to compare it to Aku no Hana makes it an easy sell on me. I'll check out the first couple episodes tonight.I would highly recommend checking it out, with the awareness that the first episode is a summary of events and the rest of the show plays out differently. The recent show it reminds me the most of is Flowers of Evil, actually - the material is different, but it shows a similar attention to detail in visual direction and sound direction, with a dedication to deliberate pacing for the sake of realism and atmosphere. Omata isn't as good a director as Nagahama is yet, but he has the potential to reach that level with further refinement of his craft. I'll link to my episode 3 impressions, just to give you a sense of the kind of storytelling skill on display.
If nothing else, at least watch the ED.
Oh, and BTW, what exactly is the deal with Cure Peace and the rock-paper-scissors thing? When did she decide she gets super lucky when she wins? And who is she to decide such a thing? And probably most important of all, am I thinking about this way too much?
I don't understand why it takes so long to upload each part of the sakuga panel from this year.
Yeah it's a split-cours thing. We get one season now, and another one in Jan.
I can't even remember the last Hollywood blockbuster that I watched that had a single truly memorable piece of music. Probably Hedwig's Theme twelve or thirteen years ago. Granted, I am far from having seen most recent blockbusters.
Hanzzzzz Zzzzzzzimmer.Inception?
I haven't gotten to watching Rozen Maiden myself, but if the show randomly plummets in quality, would that really convince you guys to avoid the good episodes? From what everyone had been saying, they seem like worthwhile watches no matter how the rest of the show turns out.
I didn't watch Sankarea so I might not understand the feeling, lol.
An incomplete experience is unsatisfying. You can still enjoy good individual episodes on their technical merits, but they cease to meld into a unified "good" whole. Seeing effort squandered is a disappointment.
Sankarea is a better show when you interpret it as a three-episode OVA aboutanyway.a girl who tragically commits suicide after becoming infatuated with a boy who romanticizes death and promises her rebirth
Evangelion has single tracks that are better than the entirety of Pacific Rim's score.
The only problem I have with the Evangelion score is the use of synth. It makes it sound really dated.
Looks like some people have taste.Anime Sols crowdfunding for the first third of Oniisama e (Dear Brother) is already 20% of the way to its $13,000 goal after less than a day, and there's still a whole three months to go.
I can't accept hating on synth. It's like pointing out that Nausicaa's score sounds dated - so be it!
I definitely see what you're saying. I guess, for me, it would depend on whether I enjoyed the episodes enough individually. It would also depend on the narrative and whether it was episodic out not. If I had watched Rozen Maiden, I'd probably have something more concrete to say. :<An incomplete experience is unsatisfying, and especially so if it was something that theretofore had successfully invested me in the characters and narrative. You can still enjoy good individual episodes on their technical merits, but they cease to meld into a unified "good" whole. Seeing effort squandered is a disappointment.
Sankarea is a better show when you interpret it as a three-episode OVA aboutanyway.an abused, naive girl who tragically commits suicide after becoming infatuated with a boy who romanticizes death and promises her rebirth
I haven't gotten to watching Rozen Maiden myself, but if the show randomly plummets in quality, would that really convince you guys to avoid the good episodes? From what everyone had been saying, they seem like worthwhile watches no matter how the rest of the show turns out.
I didn't watch Sankarea so I might not understand the feeling, lol.
Oh, and BTW, what exactly is the deal with Cure Peace and the rock-paper-scissors thing? When did she decide she gets super lucky when she wins? And who is she to decide such a thing? And probably most important of all, am I thinking about this way too much?
The Pacific Rim score is acceptable but comparing it to the Evangelion one is weird for numerous reasons.
Admittedly, yeah. I just couldn't resist leaping to the defense of one of my favorite anime OSTs. I suppose that, most significantly, it's a purely arbitrary comparison. I suppose that the urge to compare them partially has its origins in the idea that it's a valid comparison because it's a comparison between the (arguably) "best"/most acclaimed/culturally significant/etc. mecha works from their respective cultures, but this doesn't work because Pacific Rim, essentially being the only major Western work of its kind, earns all of these superlatives and titles by default. This isn't to say that Pacific Rim isn't good, but it's not really culturally or critically parallel to Evangelion in any significant sense.
Furthermore, it's understandably unfair to compare a two-hour film to a 26-episode television series because, in most cases, of course the much longer work is going to have more variety in its score. This isn't giving a pass to Pacific Rim because there are many films of the same length with extremely memorable scores, but scoring is also dependent upon the content and tone of the source material. Pacific Rim isn't exactly diversely emotionally evocative, nor does it meander into a wide variety of subplots. It's a laser-focused work with a simple and consistent tone, and in that sense the FUCK YEAH EPIC BLOCKBUSTER sound is functional for what it is.
I suppose it's also worth mentioning that Sagisu took a lot of cues from 80s mecha scores for his work in Evangelion, which I suppose was an important aspect of the genre deconstruction/subversion/whatever the hell it's considered acceptable to call Evangelion in reference to other mecha these days. It was a different time in a different culture and understandably Evangelion's score at least partially reflects what was considered a "mecha store" for an 80s/90s Japanese mecha anime. Likewise, Pacific Rim is scored in keeping with what's considered acceptable or appropriate for an 00s/10s Western blockbuster film score. Two works falling under the extremely wide umbrella of the mecha genre is not in and of itself enough to carry any sort of expectation that the works will have similarities in how they are scored.
Huh, unlike Jexhius, I just skip the 20 pages that I miss so I didn't see this.Anime Sols crowdfunding for the first third of Oniisama e (Dear Brother) is already 20% of the way to its $13,000 goal after less than a day, and there's still a whole three months to go.
All roads lead to this.Fast Five is the best western mecha movie ever made, so PacRim loses out even there.
I can't accept hating on synth. It's like pointing out that Nausicaa's score sounds dated - so be it!
Looks like some people have taste.
Also, happy Birthday DTL!
It seems there will be a Sword Art Online stage as part of the Dengeki Bunko Autumn Festival on October 6. A chance of an earlier announcement than we thought for something new, or will they just hype up the Extra Edition special?
http://moca-news.net/article/20130812/201308121200a/01/
Speaking of Eva and it's music— 3.0! I know it's Animegafs most hated rebuild movie, and speaking of it's name should only be followed by "is the worst", but I really, really loved Shiro Sagisu's score for it. It's operatic in a way that almost comes off as gaudy, but I feel sounds a bit more genuine than a lot of, let's say, video game OSTs that try a similar vocal composition**. It's the perfect anthem for a more bombastic and inflated (and yes shallow) take on Evangelion.
God's Message
The Ultimate Soldier
The Anthem
**I know nothing about music.
Megas XLR > *
Also, I'm interested now. What do you guys think are good anime film scores? Have some:
http://www.youtube.com/watch?v=tTIwbusbN1g (representative tune)
http://www.youtube.com/watch?v=VSrnl7mjUz0