Toradora 1-13 Rewatch-
So I ended up burning through the first half of the series accidentally, in that I only intended to watch the first three episodes. However I wanted to see Ami's introduction, then Ami's resolution and so on and so forth. It's been an interesting rewatch as I've picked up on things I didn't when I was younger such as the quality of the animation, directorial cues, and foreshadowing. The show really lays out a heavy amount of foreshadowing where if you go back after finishing the show, there's a lot of hints that tie into future arcs.
The first half of the show has held up remarkably well, much better than I could have imagined. This is mostly aided by the fantastic pacing, in that events don't seem to drag and there are strong resolutions to the arcs, which seem to last two to three episodes. For a show I haven't seen since it aired, I remembered a surprising number of scenes. The comedy for the show early on is excellent and a lot of the jokes are still stuck in my mind. Things like Diet Warriors and Minori Angel/Devil are funny as hell despite already being familiar with the material. It's a much better comedy than I remembered, as the dramatic elements are what I primarily remember the show for. Earlier parts of the show are rough though especially episodes 3 and 4 in that they're pretty dry and don't really advance anything. Now I can see that these two are setting up Minori's job drama arc in the 2nd half but by themselves they're pretty boring episodes. I just can't find Taiga trying to get the perfect picture of Kitamura as compelling material. Not to mention they're plagued, along with much of the first half, with violent tsundere Taiga. Yes, I understand she's a Kugimiya DFC tsundere in the 2000s where this garbage was all the rage but it's still somewhat annoying. Fortunately the tsundere violence isn't anywhere
Zero no Tsukaima or
Shana level. Not to mention the show largely grows out of in Taiga's rage is channeled towards to the 'Baka Chihuahua' instead of Ryuuji.
Primarily though, the biggest champion of the first half has been the pacing. Once an arc starts, there is very little bloat and things resolve decisively in a quick manner. For example, Taiga confesses in the 2nd episode which threw me for a complete loop. It seems like most shows would have held off until either half way through or right before the finale. Instead here Taiga at least tries to progress things forward before she gets friend-zoned. This quickness helps prevent the work from becoming tiresome despite the melodrama. The strong climaxes serve to not only give a feeling of catharsis to the audience but wrap things up pretty nicely so the show can move on and focus on something else.
One of the highlights has been the overall writing, which has proven a remarkable contrast to Okada's future works as well as the own author's (Yuyuko Takemiya) labor in
Golden Time. The background for the characters are simple, compared to Tada Banri's amnesia, as Ryuuji is a fairly normal character with very basic issues. One of Ryuuji's primary character trait is his desire to clean which is a natural extension of having to take care of his mother. This accessibility makes the material more emotionally engaging in that I'm sure there are audience members who've also suffered from absentee fathers. Similarly Taiga's issues are a complication from being deserted by her own father and so she's clingy as a result.
I thought this was just the usual tsundere shtick but it turns out that she has abandonment issues as a result of her father neglecting her and so she's latched onto him. Similarly Ryuuji's issues, from a father that walked out on him and his mother, lead him to try and live vicariously through Taiga when her dad comes back. You can see how he instantly rejects other viewpoints that state the relationship isn't healthy and that Taiga was actually correct in ignoring him, until it slaps him in the face during the beauty pageant. What type of asshole sends a text to their child's friend, asking for the friend to apologize for the father? The dad wasn't even man enough to send the text to his daughter, which mind you is already at the bottom in terms of callous behavior. The only way he could have gone lower than that is if he faxed an email to Ryuuji. Ryuuji's hangups are very normal in this arc and really knock him down from being a Gary Stu as it shows he's dealing with his own family problems even if he doesn't bring them up. His mother, idolizing the man who walked out, surely didn't help things either as he lashes out at her as well.
This leads into the direction which most of the time was serviceable at best but when the drama kicks up, the direction has excelled. I've found the serious emotional moments to be handled very well, not only in how particular shots are framed such as when Taiga is kicking the pole in episode 2, but also sound elements such as the voice acting. The show harnesses the perception of space, particularly the notion of absence. For example, Taiga possibly fills her house with garbage as it's a way of her utilizing the dead space surrounding her and therefore it doesn't feel so empty. Ryuuji's apartment is smaller and the camera focuses on the usage and damage inside, which give it a lived-in feel. Many camera angles emphasize either the proximity of objects to each other or conversely the distance.
This shot for instance establishes Ryuuji's desire for order compared to the chaotic aspect of his mother's shoes laying haphazardly. Not to mention it's used in close proximity of shots inside Taiga's apartment as a way of showing Ryuuji's connection with his mother.
I was underwhelmed with the show's visuals so far as I remember it looking much better than how it actually is. The backgrounds are definitely in line with mid 2000's productions in that they're somewhat flat and sometimes have this bad processed effect to them. That was something I wasn't actively critiquing my first time through but it's much more apparent now. Not to mention the show itself has a somewhat soft look to it that hasn't held up that well in a HD era, and I'm not referring to upscaling as I'm watching the DVDs. I'm sure part of that can be attributed to the low resolution but elements like the bright light work add to this.
It's apparent that the primary focus is on the character animation but until episode 13 it wasn't that notable. The show utilizes large amounts of smears for quick bursts like the above shot but there has been very few cases of long high quality animation cuts. Instead there might be a super quick cut involving a smear and then the show would go back to a middling level of animation. That's not to say that the show looks bad though. There's also a few cases of stills being abused for production related purposes but that's fairly unusual. Episode 13 though...
It's like everything kicked into overdrive and worked out perfectly. I actually checked the staff list for this episode to see if some famous director had worked on it but nothing staff-side jumped out at me as notable. The character animation in particular was on point in a way not seen before in the show, in particular the lighting. One major issue I've had with the show was the character designs in that the characters don't appear to have noses at all from the front, more so than usual, and it can be really ugly occasionally. However the way Ryuuji's face was animated this episode denoted how unusually serious he was. Just as Ryuuji was 'harder' in both expression and action, Taiga became much softer and feminine. This juxtaposition underlines the changes both characters have undergone since the start of the show.
It's fascinating looking at this episode and comparing it to Okada's original tripe as it partially highlights why much of Okada's drama falls flat. That's because she can't nail the landing and have her climaxes be cathartic. Instead either the conclusions are too abrupt and weird in nature (
Black Rock Shooter) or they're dragged out far too long (
Anohana). There isn't any sort of release for the audience and so it leaves a bad aftertaste.
I'm glad I did the rewatch as I have a better appreciation for Minori as I remember not liking her that much my first time through. In some ways she's been the star of the show so far with all her jokes but also her love for Taiga. I know going into the backhalf that it becomes much more drama centered but I'm more than fine with that as the show has done a great job of handling the melodrama so far. I'm curious to see if the production values start to go up and stay at the episode 13 mark or whether they'll drop back down.
Ami is still best girl tho.