I'm the highwaymaaaaaaaaaaaaaaaan
and I make ends meeeeeeeeeeet
I have absolutely no idea why you have posted this, but it does remind me that I bought the Australian Bluray of Over The Garden Wall last week and it's just as good as I remember it being - not necessarily in terms of narrative, but visually and musically it's wonderful.
At the same time, I bought my second copy of Psychic School Wars[/i]. I wish I could justify why I do these things instead of, you know, watching/supporting good anime, but...
I take it one can watch the Psycho-Pass movie without prior S2 experience ?
You should watch all of the original. 2 isn't relevant.
There will be some characters in the movie you won't recognize, but they're barely in it, and not important.
So yeah, just ignore S2.
You can but why would you? You'll be missing out on some HILARIOUS shit.
Don't forget about True Dick.Only if it's suspenseful like Prison Break or 24.
So after my binging of the Danganronpa stuff that's probably not even gonna be important for the Despair side, I felt like booting up DR2 again to see how many little details I'd notice a second time around.
And man, it's made me realise that the animes have seriously failed to catch the style of the games. The soundtrack of the shows is no where near the godlike stuff found in the games, but what especially stands out to me is that the character designs in future are really... dull in comparison.
So just looking at the DR2 cast I get these weird twisted vibes. Not only are they this weird assortment of misfits, but the builds, the colours, the clashing art directions from character to character all just create this great blend of weird and wonderful that I could look at all day. Add the fact that the DR2 cast specifically are also a twisted parody of the DR1 cast in a lot of ways and I could go on and on about why it might be my favourite looking cast in probably anything.
And then you look at Future and it's like they somehow removed the soul from DR. I mean they all look like DR characters, but I don't feel anything from looking at any of them.
I'm no expert on character designs or anything, but I felt like I just wanted to get these thoughts down.
Yeah, a fine setup for the threeway.Soma S2 - 08
Great episode. Had a good laugh at the post-ED scene.
It'd be pretty hard to match DR's sprites with just animation
Talking about white man's tv and puppet shows in the animu thread? What has the world come to?
2 of the 4 members of the dragon harem gathered. The blue dragon's flashback was really nice, though it sucks that he left the village without changing anything, as the villagers continued to fear and despise him. I wonder how they'll handle his addition to the team, he's a bit too shy and I doubt he'll stand out as much as the others.
So it looks like Kizumonogatari (pt1) is gonna be playing "near" me (its like an hour and a half away) but its only gonna play for 1 showing, at 12:55pm (pst) on the 28th.
Should I go and watch the movie in theaters?
Luckily, what little we've seen of V3 so far looks like it's back on point.I don't think it's particularly hard; it would just require an anime staff led by someone with a soul instead of Kishi.
6. Masashi Kishimoto is a twin—and his brother makes manga too Masashi Kishimoto was born November 8, 1974 and is the older twin of Seishi Kishimoto. The two shared a common interest in anime and manga, both growing up watching Kinnikuman and Dragon Ball. Their mutual interest didn't stop there, as both became manga artists with similar art styles. The older brother penned the internationally beloved Naruto, while the younger brother created O-Parts Hunter and Sukedachi 09.
5. Akira led Kishimoto to become a mangaka Katsuhiro Otomo's Akira manga can be credited for introducing many Americans to manga. The anime film is also responsible for reigniting Kishimoto's interest in manga. In high school at the time, Kishimoto had taken a break from drawing in favor of baseball and other sports. However, after seeing a poster for the anime film in the late 80s, he took up the pen again. Kishimoto has since credited Otomo's work as a major influence ever since.
4. Naruto's favorite ramen shop is real It comes as no surprise that Kishimoto's favorite food is ramen. He passed this love onto his main character, who is himself named after a ramen ingredient. How much does Naruto's love of ramen mirror Kishimoto? Well, it so happens that the character's favorite in-series restaurant Ichiraku also exists in real life! Kishimoto frequented a ramen shop with the same name during his years at Kyushu Sangyo University.
3. Kishimoto is a Gundam fan Outside of Kinnikuman, Akira, and Doraemon, Kishimoto is also a fan of Yoshiyuki Tomino and Sunrise's Gundam mecha franchise. He spent a considerable amount of time in his childhood drawing characters from the shows. His love affair would continue into adulthood and the world of Naruto. The ninja Kakuzu's techniques are named after mecha, for instance his jiongu attack is taken from the MSN-02 Zeong, the zukokku attack from Z'Gok, the gian attack from YMS-15 Gyan, etc.
2. Kissing is embarrassing Plenty of fans were invested in the romantic lives of Naruto, Sasuke, and Sakura, so Kishimoto had more than his fair share of fun teasing fans about it. That said, when it gets right down to it, the creator of these characters had trouble pulling the trigger when it came to PDA. Kishimoto admitted that it was due to his own embarrassment when it comes to writing romance. A glance at the epilogue chapter of the manga shows this to be true, with the main official pairings spending very little time together on the page. This was rectified with The Last -Naruto the Movie-, but Kishimoto stated again that he wasn't sure he'd even be able to watch the film's kissing scene.
1. Kishimoto is worth approximately US$20 million After running for nearly 15 years, spawning a still ongoing television anime, films, video games, and piles of merchandise, Naruto has earned its creator a net worth of approximately US$20 million. He joins the millionaire mangaka ranks alongside Eiichiro Oda, Akira Toriyama, Rumiko Takahashi, Yoshihiro Togashi, Naoko Takeuchi and Takeshi Konomi.
When's your birthday again?
So it looks like Kizumonogatari (pt1) is gonna be playing "near" me (its like an hour and a half away) but its only gonna play for 1 showing, at 12:55pm (pst) on the 28th.
Should I go and watch the movie in theaters?
Yona of the Dawn 10-14
2 of the 4 members of the dragon harem gathered. The blue dragon's flashback was really nice, though it sucks that he left the village without changing anything, as the villagers continued to fear and despise him. I wonder how they'll handle his addition to the team, he's a bit too shy and I doubt he'll stand out as much as the others.
I hoped the show would delve more into the situation in the capital, the tribes' politics and Soo-won's reformation of the government, but they didn't appear at all on these episodes.
Long over.
I don't think it's particularly hard; it would just require an anime staff led by someone with a soul instead of Kishi.
I see. I guess the show ends a bit after Yona manages to find all the dragons, but I'm now curious about the manga's focus after that. As far as I know, it's a pretty long manga, how many chapters have they adapted?The show does delve into the political situation in the country a bit more in the remaining episodes, but that never becomes the main focus in the material the anime covers.
Wouldn't you just end up with copy/pasting sprites like with the DR1 anime
I see. I guess the show ends a bit after Yona manages to find all the dragons, but I'm now curious about the manga's focus after that. As far as I know, it's a pretty long manga, how many chapters have they adapted?
Macross Delta - 11
F
Handa-kun 07
That ending to the Library skit. LMFAO
I see. I guess the show ends a bit after Yona manages to find all the dragons, but I'm now curious about the manga's focus after that. As far as I know, it's a pretty long manga, how many chapters have they adapted?
Battery 6
Wow. I feel like I say this every episode, but this episode was unquestionably the best one yet. The storyboarding was so good. While still fitting into the general low-key grounded tone of the series, it was overflowing with subtly creative shots. A lot of attention to close-ups, particularly ones which illustrated a character's emotional turmoil, as well as several point-of-view shots. It sold the unfolding drama completely. This is definitely my favorite episode of the summer season up to this point.
I don't really understand why baseball would be such a barrier for this show when it rarely gets specific with the sport or spends much time showing it. Baseball matters only so much in how it affects the characters.You know, I still can't help but feel a bit lukewarm on this show. It's far from bad, but it's not resonating with me very well. A big part of it might just be the subject matter; I just don't care about baseball. Plenty of other shows that I like deal with mundane subjects, but I at least am interested in them, whether it be fashion or university life. If I have no interest in the subject at all, there's usually still something that keeps me watching. Dezaki's melodrama in Aim for the Ace kept me engaged despite my lack of interest in tennis, for example.
Then there's the matter of visuals; when it comes to animation, I always have a preference for more surreal or abstract visuals. They can elevate even a story dealing with something entirely mundane to fantastic heights (look at Ping-Pong, for example). It really helps me get engaged with a show. It also helps me connect with the characters better, to understand their obsessions a little more. Obviously not all shows have or need that, but it often makes it more appealing to me.
It might be one or both of these things, but for one reason or another it's just not clicking with me. I feel that it's definitely good, but I certainly couldn't bring myself to call it the anime of the season.