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Summer Anime 2016 |OT| Makes Me Happy When Skies Are Grey

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Ace Attorney 9

Not sure why the last part of the episode
showed the parrot say "Don't forget DL6 when it was going to say it anyways not even 5 minutes into the next episode but whatever.
Episode was meh overall.
 
Berserk 2016 11

Huh, I actually enjoyed the fight between Guts and Mozgus.

91 Days

Yikes, the return of studio Shuka quality.

That said, I appreciate the slower pace. A lot of series would have exploded with action after the last episode, but the distinct quiet impact of
Fango's death
gives it a sense of weight.
 
Ace Attorney 10

I'm not feeling the emotion that the game had with this episode. It felt so lifeless and I don't think it's going to improve with these last two episodes.
 
Cr9zGcIVIAAeMQY.jpg
 

Sterok

Member
Full Moon o Sagashite 1-3

12 year old girl Mitsuki Kouyama wants to become a singer so she can fulfill her dream and reunite with her crush Eichi. Just one small problem. She has throat cancer. And her parents are dead. And her grandma is very restrictive on her life and hates music. And Eichi (who is six years older than her) moved to America two years ago and hasn't contacted her at all since. And to top if off, two Shinigami visit her and reveal she is going to die in one year.

I mean, I like suffering, but that seems like an awful lot to throw on a young girl in what seems to be a fluffy shoujo series.

But the Shinigami through a whim, pity, or something more decide to help her fulfill her dream in the year she has. They can temporarily transform her into a 16 year old girl, and in that form her cancer is gone and she can become an idol. Mitsuki cares more about singing than her life, which is why she doesn't want to get surgery as that could ruin her voice. Seems dumb, but 12 years old. The Shinigami Takuto (he might have feelings for her) and Meroko (she has feelings for Takuto) help her with their magic, but tricking her doctor and manager seems really tricky. Like how Meroko just kept transforming into different people and confusing everyone until they apparently gave up. The tone doesn't feel like this is going to be a tragedy, but it's hard to see how this can have a happy ending. Interested in seeing where this will go.
 

Clov

Member
I'll never understand why these people won't tolerate criticism. Recognizing that there's something problematic about something you enjoy doesn't mean you have to stop enjoying it. Criticism can only lead to the medium making progress.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
Picking on moe is low hanging fruit.

Why not talk about something more interesting like the use of gay subtext in anime for the titillation of female audiences; subtext that's rarely addressed in an overt and straightforward manner, which can be considered a kind of subtle homophobia.
 

sonicmj1

Member
Critical Discourse time

(Please note that as often occurs on the internet the author of the original piece immediately attracted a harassment campaign against her for this relatively light analysis on moe's bullshit. Don't do that and fight against it if you see it, please.)

So I don't think the article itself is spectacularly new to anyone in here, since being honest, I think people in here (especially those of you who have greater knowledge of what girls/women actually experience in day-to-day-life, either through living arrangements or actually being a woman) probably already know most of the points this brings up. TLDR: Moe is infantalising of its characters and non-threatening for the most part. But some of the twitter chatter is interesting:

This old-ass interview with former Gainax President Toshio Okada, Professor Kaichiro Morikawa and the artist Takashi Murakami is also interesting:

As is this translation of Gundam creator Tomino's thoughts on male/female Gundam fans from 1998 (original JPN interview here)

Interested in looking into those interviews.

This isn't a new phenomenon, nor is it something that's escaped notice. The first interview that comes to my mind (well, this interview always comes to my mind) is Hideaki Anno talking about the suggestion he got from Kunihiko Ikuhara to burst the bubble of fanatical Rei supporters.

Hideaki Anno said:
Anno: Everyone understands that it's a fiction, but precisely because it's a fiction you have a pure feeling, you fall for the character to an even greater extent. You assume that an anime character will not betray you. Iku-chan said [to me], "in the last episode, please have Rei Ayanami get married and become pregnant. Just please betray the Ayanami fans. The Rei Ayanami they are thinking of is not real. The real Rei Ayanami gets married, and her belly..."

Oguro: (laughs) Ah, if Ayanami really existed.

Anno: He told me something like, "please, make them realize that, If she were real, she would get married, become pregnant, have a child, and grow older." I was thinking, "we don't have to go that far..." (laughs).

Of course, Ikuhara did something similar himself in Revolutionary Girl Utena.

The "purity" of the fictional character is a complicated thing, as much about what the viewer brings to the work as it is about the content itself. But it can be something that creators take advantage of if they choose. I think this kind of thing (not specifically applied to moe) comes across most clearly with some of these mobile/browser games like Love Live, Kantai Collection, or Cinderella Girls where players are presented with masses of female bodies containing loosely defined personalities and traits, and then given free reign to map whatever expectations they want onto those characters, with no framework of "plot" or "motivation" to disrupt the fantasy.

That's only half the story, I guess, because the childlike values of innocence and purity that so many characters (or casts) take with them build their own kind of value system, which might have very little relationship to the world we actually live in. It's that kind of thing that I think firehawk12 had been trying to get at when he compared Free's representation of male group bonding with other cute-girls-doing-cute-things shows. I don't agree with all of his analysis or assumptions, but there are some important points that apply here.

I think that speaks to the fact that the protective homosocial bubble is burst by the intrusion of sexuality that threatens the active and engaged observer. If Free is very much about a window into how boys might live their lives, then a presumably female viewer doesn't want to see them talk about the girls they want to have sex with or the sexual desires that they might have. That's not to say that the female viewer necessarily thinks that these characters are their "husbandos", but that they can just see these characters as idealized men absent of any of the negative connotations that can come with being attracted to a real live human being.
...
The Love Live girls have sleepovers and pillow fights, but never play truth or dare about the men that they might want to make out with. They just exist as signifiers of idealized feminine behaviour, much like the men of Free are idealizations of masculine behaviour.

This also goes to show that the same sorts of flattening and purifying of characters can be applied to a male cast as much as to a female cast.

As with any sort of systemic critique, something that can be harmless in small doses can become alienating when it turns into a norm. I don't have a clear sense in my head of where anime lies on this continuum, but I can certainly name some shows (Kiniro Mosaic sticks out) where the girls are infantilized and tropified to the point that it both impacts the comedy (the jokes get predictable over time) and seems jarringly unreal.
 

Jintor

Member
Picking on moe is low hanging fruit.

Why not talk about something more interesting like the use of gay subtext in anime for the titillation of female audiences; subtext that's rarely addressed in an overt and straightforward manner, which can be considered a kind of subtle homophobia.

Probably because anime fans can't handle even this mild criticism so fuck ittttttttt let's talk about it
 

Jintor

Member
(I am of course fully aware that those of us in here and probably many of us lurking are also, indeed, anime fans, but ye ken what I mean)
 
Idol Jihen anime announced, coming winter 2017.
MAPPA joins the idol age.
http://idoljihen.jp/anime/
https://www.youtube.com/watch?v=n73eJ1p_DiI

http://www.animenewsnetwork.com/new...t-gets-tv-anime-premiering-in-january/.106307
The game was slated to take place in a Japan where the economy is in tatters and the distrust of politicians is at a record high. An idol named Kagura Mikazuki who has the support of the Japanese people steps in and establishes a new government and gives positions of government administration to idols, which results in a quick recovery for the Japanese economy. More than 20 years later, Kagura is still leading Japan's idol government, but she suddenly decides to retire from the political world. The 47 idols who serve as Diet members must now vie to become the next Prime Minister.

The current website for the franchise features a slightly different premise where idols stand up against a corrupt government as "idol Diet members," and then work to bring back the smiles of the Japanese people through song and dance. The idol Diet members belong to seven different political parties, including the Heroine Party, the SOS Party, the Subculture New Party, the Bishōjo Party, the Wakaba Party, the Starlight Party, and the Sanrai Party.
B8t7lHt.jpg
 

SuperSah

Banned
So I am now on Ep 23. of TTGL. I may finish it today and report my overall feelings on it. So far though, I actually liked KlK more but we'll see.

What should I watch afterwards? Looking for a change of anime pace actually. Maybe something focused on general day-to-day life or something similar to TTGL/KlK. Any suggestions AnimeGAF?
 

Line_HTX

Member
HanaKana is overrated doo-doo, just like Nadeko.

Miyazaki is washed up, Kappa.



The article was fair and is shedding a light on moe, but I doubt that every criticism of it has to be sexual. Someone brought it up earlier that Flying Witch is moe and that one is NOT even sexual in the least.

Also, that OAF thing or whatever stupid ass Chuunibyou delusion that person is trying to do is just childish and needs to be denied posting privileges. There's nothing wrong with a little criticism when it serves to have us talk about it just a little. You never know what positive things can come out of a discussion.
 

Eila

Member
So I am now on Ep 23. of TTGL. I may finish it today and report my overall feelings on it. So far though, I actually liked KlK more but we'll see.

What should I watch afterwards? Looking for a change of anime pace actually. Maybe something focused on general day-to-day life or something similar to TTGL/KlK. Any suggestions AnimeGAF?

Watch Giant Robo OVA. Spread the love.
 

Mailbox

Member
Oh boi what a time to come back to this thread :3

Slight thing I noticed in the article is that this sentence is weirdly placed and seems incomplete... can anyone figure out how moe actually started, because I'm actually curious now.

Moé began with adult men consuming cartoons and comics designed by toy companies and marketed to young girls, then forming fan communities and saying publicly “This is meaningful to me too.”

I have a feeling this is a bit of a broad stroke, but whatever...

Regardless, I think there are some big takeaways from the article on moe (for me, at least):

1: Yeah, we are definitely in a moe over-flux and we really need more diversity in anime character design as well as more diverse emotion/ scenario design.

I have no real issue with moe in and of itself, but the fact its so prevalent and so... samey is annoying and weird. There are ways to have characters act adult or at least their age and still have ways to fit that weird market of moe. People just don't wanna make the creative effort i guess.

2: Yeah, even I roll my eyes at those shitty moe tropes.

Women and teenage girls acting like children or (worse yet) over sexualized children is grating and often times messes with any episode pacing or structure the series might have. Its a mess of tropes that don't belong. If you're making a titillating anime like Highschool DxD or something then that's whatever, but otherwise why even bother?

3: For all my complaining on the design side of things, iterating on the same few moe tropes CAN be alienating; and its OKAY to not be okay with that.

Ever watch a specific genre where you want to like it but a good majority of the movies in that genre do something that just bumps you the wrong way and you can never get into it even if you think you could otherwise? Maybe the constantly messed up structure of Hollywood rom-coms? Maybe Greengrass' shakycam? Imagine that but for a whole meta-genre. If you're response to this kind of critique is "then just don't watch it" then you miss the whole point. Critiquing a media you enjoy is a way to better it. You know the saying "communication is good in a relationship"... yeah that!


4: Subtext in this article will be missed and no one will bother to try noticing it. The real issue is artificiality (which is a result of scenario design, character design, etc and the tropes they have) which moe very well may be a part of.

The big problem is that we have these character running like clockwork at this point. Again and again we see the same damn shit because "wooo its so damn moe, right". Sometimes its fine (still not completely sure why Sweetness and Lightning is used as a picture in the article... regardless) but sometimes we get bra comparison or boob and bath comparison or other utter bullshit that no one ever does. There was one show I watched... a while ago i guess where even the teacher did this shit to students. That's straight up a felony ffs.



5: Those quote in the article are weird, unless you use context.

I mean, I get what they are saying. Its about why they exist and their point and whatnot. But its definitely a weird set of blanket statements. I enjoy an occasional moe show once in a while, but it sure as hell isn't because I want completely pure characters or something. But when you look at the context, the quotes are about people INTO it not people who occasionally stumble or might even just like those shows and the tropes or whatever. Maybe... i haven't read that book. idk :S The problem in many anime I think is that it uses moe as an excuse for warmth and good-feeling etc when its not hard to actually make those things legit.

Take Usagi Drop for example. It doesn't bother with dumb moe tropes and actually has an interesting art design and character who feel and worry and have depth (even Rin who is a kid who lost her primary father figure, and all that entails) and yet that anime (not the manga and YOU KNOW WHY) is still heartwarming and pleasant and great. Watching Usagi drop, now that I think about it, gave me the same feeling I felt when watching Pixar's Inside Out. Characters act as they should in those instances.

Anime needs to develop better stories or if not, better narratives with better characters and a good first step into doing that is to ditch moe for at least a while.

6. There are bigger fish to fry, but why not talk about the "smaller" stuff first

If we only ever cared about the big stuff we would all be neutral about everything and only worry about the heat-death of the universe. But instead half of us break into a panic when Hawaiian pizza is mentioned (which I utterly love). If pizza can create such back and forth conversation and intrigue, why can't smaller issues plaguing anime?

I mean if we really want to talk about big fish to fry lets talk about the fetishism of highschool and how many ecchi anime have 15 year old basically just short of a vag hanging out. No, don't wanna? Then lets stop moving the goalposts of "what I think we "should" talk about" when people wanna critique the media you love. No one is taking away your Lance n' Masques or your Upotte!!!'s (even though each should be considered a war crime, but whatever), so don't think of it as an assault. Many people online constantly talk about "moe-shit" or "why is everything so 'moe'" etc, but when someone talks about why moe might ACTUALLY be an issue, idiots get up in arms. Its ridiculous and annoying!


Lets actually read PAST THE TITLE and understand what its ACTUALLY trying to say, okay? Okay!


The article is about the fetishism of the artificial "cuteness" present in MANY anime we watch today; why it can be seen as a problem, and why we may want to grow past it. Discuss.


And if I missed anything of got anything wrong, feel free to critique me.
:///3
 
If you define moe as genre of cute girls pander to a specific male audience then there isn't anything to be done.
In a radical example it would be like saying porn shouldn't be about fucking anymore.

But moe isn't anime so there are more than just several shows which aren't part of the me genre every season.
 

Szadek

Member
The greatest calamity of them all.

Heartcatch Precure! - Ep 25
A beach episode and the only one in swimwear was fucking Kumojacky.
Looks like the chnaged the op a bit for Sunshine,which is nice.
The fight between the precures and all 3 Desert Apostles was pretty good.
Sunshine almost manged to "save" Sasorina, which is interesting since it wasn't clear before that something like this is even possible.
The new ED is nice, too, even if the song isn't too great. I also found this on mal:

Monster - Ep. 41-42
Grimmer is an intersting character. There is certianly more to him than meets the eye.
Espically after the Higurashi-ish torture scene and after his apperent transformation into the Amazing Steiner.
He probably also was in Kinderheim 511 or at the very least has a similar past.
The next big revelation seems to be coming soon, but for the moment the mysterious killer is more intersting.
Is it really Anna/Nina? Murdering that many people seems a bit out of character for her.
 
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