I'm not watching Made in the Abyss because...fuckin Amazon, but watching clips of it, I can't help but enjoy the animation on the monsters.
Great effort seems to have gone into making the monsters these creepy threatening things that still move in a believable manner.
Monster Musume OVA 2
Nary a kobold in sight, just a lot of whatever the hell that thing is in the screenshot. Bad.
Watching Code Geass from the very beginning since I pretty much forgot almost everything.
First OP is still fire. Jibun Woo.
Its funny how its 2017 in the anime and I am watching it during 2017.
Vicious wildlife for sure... Reg is OP af... Also, great aesthetics with the abyss as usual and great sense of adventure. However, WTF, can we keep fucking clothes on these kids.. please and thanks.. No need..
Too bad Wakamoto didn't actually get to rule most of the world by now like he does there.
Did the spider lady use her legs to do things.Monster Musume OVA 2
Nary a kobold in sight, just a lot of whatever the hell that thing is in the screenshot. Bad.
Did the spider lady use her legs to do things.
They know.She put on a whole lot of panty hose.
I still feel like the happy ending is responsible for the film's financial success. lolYour Name
Yes, I can see now what all the hype was about and it was absolutely warranted. This is truly a gorgeous film from start to finish and even if the pacing felt a little awkward at times I was still engrossed all the way through. I'll admit I got a little misty eyed at points, especially during the ending when.they finally turned around to look at each other.I don't think I could've withstood another 5 cm/s situation
Yet I can't find your Saekano S2 impressions anywhere. I guess the GAF search engine is failing me once again.They know.
What's good from the new stuff this season? The only things catching my eye are Abyss and Ballroom.
Add Princess Principal to that. (The name is misleading : P)What's good from the new stuff this season? The only things catching my eye are Abyss and Ballroom.
After thinking about it for the past few hours, I feel this might be one of the best storyboarded if not the best storyboarded show I've ever seen. From a direction standpoint, this could be the best work I've seen out of Gainax and that's really fucking high praise. Good lord and it feels like it's getting better as it goes along (except for episode 6 which they clearly did in a week). So let's talk about the direction techniques in the show a bit.
1.I already talked about this but it's worth repeating. The show treats gags and jokes as if they have an actual existence inside the show. The audience might see something in a frame and treat it as a visual embellishment however a character inside the show will interact with the item and treat it like a prop in a stage performance.
2.There's meaningful usage of space and separation inside an individual frame. Look at the above frame in which the gap between Maho and Yukino grows which represents not only the feelings of detachment Maho is experiencing but how she's slipping further and further behind Yukino. There's also scenes between Yukino and Souchiro where the two might be physically separated as a way of representing the emotional distance between the couple and then later the two coming together to show them reconciling.
3.There's really smart usage of color such as the above two frames which happen nearly back to back as a way of contrasting Maho and Yukino's mental states. Maho is without color, and hugging herself, which is a representation of her loneliness and she's only surrounded by black which is isolating her in the frame. Yukino on the other hand is colored in and surrounded by white and warm colors despite being bullied. It's a good approach of visually distinguishing Yukino from Maho and quickly adds characterization to both. Despite the harsh treatment from her classmates, it's not bringing down Yukino's mood. The anime also might not color in classmates in particular scenes which is a way of showing Yukino's emotional distance from her colleagues. She views them more as accessories (up until the recent arc), not worthy of attention and hence color.
4.The anime is good about messing around with the frame itself and using said frame in a surprising but effective manner. This happens repeatedly in the show in that a frame might be squeezed out or compressed. Maho is literally crushing a picture, or frame to the audience, which matches her words. It's a way of putting the audience into that character's perspective. The show also occasionally does this sort of manga panelling such as in the above image which is a way of playing with the audience's perception of Hiroyuki (Yukino's father) in that he doesn't seem to be thinking of a serious response to the teacher's challenge but the final frame shifts his character art style away from the usual SD style to a more serious adult-like form when he gives his momentous answer. While this could have been done in a more normalized approach complete with more animation, it's more effective by highlighting that shift in perception of the character into a solitary frame.
5.The show will frequently alter the art style of the show and either take a more illustrative/manga approach or shift to a chibi style. Not only is it a good way of visually segregating certain sequences from each other, as the anime will quickly shift back and forth from a serious and comedic atmosphere, the shifts in style can also be used to give more of an emotional punch at precise moments. For example the artstyle of Yukino's father shifted to a manga design just as he's giving out a serious line. Also above the frame on the left has a 'dreamy' perspective to it which is representative of how her classmates view Yukino's relationship with Souchiro and Hideaki, which laters feeds into their jealousy.
6.There's a lot of fun symbolism in the episodes. I'll admit I don't understand the point of all of the setting shots but a number of them do reinforce something a character will be saying or feeling. For example there will be repeated shots of a drainage pipe overflowing when Souchiro is in a bad mood which could be a reflection of him emotionally draining all the garbage in himself. There is a lot of scenery shots though. They all look absurdly well drawn too, which makes them stand out compared to the art in the rest of the show.
7.A good director knows a heroine is judged by the quality and quantity of her reaction faces.
I have no clue how the hell the staff at Gainax storyboarded all of this. It's sort of maddening to imagine people worked on this show in an organized and coherent fashion. Quick note on the characters, Yukino is the smuggiest person to ever live which makes her the best. That's all. Oh and Tsubasa sounds like a seventy year old grandma.
Princess Principal. It's fantasy steampunk with magic element and spy stuff.What's good from the new stuff this season? The only things catching my eye are Abyss and Ballroom.
Monster Musume OVA 2
Nary a kobold in sight, just a lot of whatever the hell that thing is in the screenshot. Bad.
His and Her Circumstances 1-10
After thinking about it for the past few hours, I feel this might be one of the best storyboarded if not the best storyboarded show I've ever seen. From a direction standpoint, this could be the best work I've seen out of Gainax and that's really fucking high praise.
*snip*
That's too much nerd wankery to sit through for some 2d legs. lolYet I can't find your Saekano S2 impressions anywhere. I guess the GAF search engine is failing me once again.
Yet I can't find your Saekano S2 impressions anywhere. I guess the GAF search engine is failing me once again.
That's too much nerd wankery to sit through for some 2d legs. lol
Looks like another one has seen the light!
It really is just so damn good, though. Easiest 10/10 in my life if the production didn't fall apart for some of the later episodes (even those were still pretty creative) and it didn't end in the middle of nowhere.
I mean there's lots of rumors as to who's responsible for all that but if it was in part because the mangaka wasn't fond of this godly adaptation then she needs to be slapped. Like, how could you not be happy with this for crying out loud.
His and Her Circumstances 1-10
Anime is trash etc etc. lolWell, luckily for you guys I remembered a suprisingly very highly upvoted reddit thread and after a quick search: [NSFW] enjoy the feast [NSFW]
I watched it a few months ago and I agree with you.
I find fascinating what they took, and while other mediocre studios would have taken a look and thought "just another school romantic comedy" and they would have done a mediocre anime with mediocre direction, here they gather all the creativity they can muster so they can to make it as engaging as possible. They change styles (from more 'realistic', to deformed, to super deformed, to manga illustrations, to anime style in b&w, to literally paper cutouts), they play with the framing, with the perspectives, with the stuff used in gags, etc. And it's all so full of energy it's a blast to watch.
So, January for Japanese Netflix and spring for the rest of the world? I guess that would once again mean the entire series at once for us after the last episode aired in Japan.
Well...that's not how you tackle anime piracy Netflix, that's for sure.
Netflix isn't tackling piracy. It's not their job and they don't care.
TOGAAAAAAAAAAAAAAAAAA
Subscriptions they do care about, though. This won't serve as an incentive for people interested in anime simulcasts. Of course, at this point, that audience might only be a drop in the bucket anyway, but still, they seem overly adamant about adhering to their release model, in the west anyway. It will roll out weekly in Japan, I imagine?
Subscriptions they do care about, though. This won't serve as an incentive for people interested in anime simulcasts. Of course, at this point, that audience might only be a drop in the bucket anyway, but still, they seem overly adamant about adhering to their release model, in the west anyways. It will roll out weekly in Japan, I imagine?