Anyway there was a while where I didn't have streaming access, so I watched some older stuff.
Garo: The Animation 11-25
I had left off on this series just before it really started heating up. Individually, episodes could be inconsistent, both in terms of production quality and in how interesting they are. But as a whole, I found it really satisfying, especially after the mid-season climax shakes up the status quo. Leon's journey from hot-headed kid out for revenge to protector of the people felt earned, and the show really knew how to sell a hot-blooded fight when it counted. Definitely felt worthwhile once I got down and finished it.
Speaking of shows that improve a lot in their second half...
Nichijou Rewatch
I started with an episode from the middle, and I wound up watching pretty much the entire series. I forgot how much I enjoyed this once it really got going.
The most obvious thing that sets Nichijou apart is its unbelievable production values, and that actually adds a lot to the show and its comedy. Nichijou often leans pretty heavily on the dreaded manzai dumb action-absurd overreaction trope for its humor, but while most comedies are rather limited in how they can show someone shocked or frustrated, here Kyoto Animation constantly lets loose. No two outbursts are the same, and that allows the show an element of almost slapstick physical comedy that you rarely see in shows of its kind. If I were more dedicated, I'd illustrate this with more examples. It's really remarkable to see in motion. The show uses so many different artistic styles for its gags, all executed at the highest level.
The other thing in the show that holds up for me (and I've mentioned this before) is that I think it does a good job building the town as a connected place where all the characters live. This is less true at first, when the cast is smaller and the Professor skits are kind of limited in where they occur. But eventually, everyone is meeting everyone else, and you often see bit players show up in the backgrounds of other skits for no other reason than to add color. That, combined with some of the smaller recurring bits such as the (adorable) "Love-Like", gives me that warm fuzzy mono-no-aware feeling that makes slice-of-life so precious.
It takes a bit of work to get going, and its sense of humor is rather... odd sometimes (some parts are practically anti-humor). Still, there's really nothing else like it. For me, it's one of Kyoto Animation's strongest shows.