We need a Holly Taylor - Kiernan Shipka vehicle.
I'd watch the fuck out of this regardless of the show's theme or genre.
We need a Holly Taylor - Kiernan Shipka vehicle.
The E3 gif the world needed.
I'm warming up to Pastor Tim. Past seasons I kinda despised him with very little cause. He just seemed a tab bit too intrusive and a little creepy, but it seems like the dude is on the level.
I'm warming up to Pastor Tim. Past seasons I kinda despised him with very little cause. He just seemed a tab bit too intrusive and a little creepy, but it seems like the dude is on the level.
Elizabeth could of easily disarmed that guy without killing him.
Decided to get it on the fun. S01E11 atm. So far so good.
But if it was an accident it wouldn't have the impact. Paige watched her mother kill a man without much of a sweat. The writers did that so now Paige is starting to think they kill people.Exactly. That's my biggest problem with it. Whatever her state of mind, she surely could control herself? If this was random (paige wasn't there) I doubt she would just randomly start leaving a body trail because she is upset one evening. It's very against the spy training... completely unnecessary risk.
If they really wanted to push that scene through, at least make it more like an accident, like she was going to disarm him but he falls awkwardly on the knife etc.
But nope, straight for the neck.
it only gets betterDecided to get it on the fun. S01E11 atm. So far so good.
Joining the CIA wasnt exactly the done thing in our liberal family, says Jacob Weisberg, chairman and editor-in-chief of The Slate Group.
At a May 23 live event in Washington, D.C., Jacob spoke with his brother, Joe Weisberg, a former CIA officer now known as creator of The Americans, the hit FX series. Though the brothers both came of age during the Ronald Reagan era, their careers and politics took them in opposite directions. In their discussion, Jacob asks Joe about his travels in the former Soviet Union, his decision to leave the CIA, and his work in television. And Joe asks Jacob how the experience of writing a Reagan biography changed his view of the presidents legacy.
My mom sent me a text this morning that said "The Americans had their baby," and I understood exactly what that completely generic statement meant.
Side note, they've done a really good job hiding Keri's pregancy this season, as I haven't once thought "Oh, they obviously chose that shot/costume to hide her belly."
This sounds sketchy. They need to figure out who owns those vacant buildings that they skipped over as potentially using for staging ground for the cleanup instead of seizing the studio. Or, who's pushing for using the studio and hoping to buy the property/lease afterwards.
A Roy Rogers in Franconia
Paige begins to see her mother in a new light.
Exactly. That's my biggest problem with it. Whatever her state of mind, she surely could control herself? If this was random (paige wasn't there) I doubt she would just randomly start leaving a body trail because she is upset one evening. It's very against the spy training... completely unnecessary risk.
If they really wanted to push that scene through, at least make it more like an accident, like she was going to disarm him but he falls awkwardly on the knife etc.
But nope, straight for the neck.
More via the link.So after all that, why would TV writers even try to pull off a TV death? Two from recent months may point toward why writers keep hitting what Grillo-Marxuach sardonically calls "the death button."
Take one character whose death came up over and over again in my conversations: The Americans' Nina.
"[It] was about as perfect as they come," Lost's Lindelof told me. "Brilliant performance, direction, and writing, as shocking as it was inevitable. More so, it reminded us of the stakes for our heroes and played fair, if not brutal. Cold or not, every war has casualties, and this one haunted me."
The character, who had been sent from the Soviet embassy in Washington to a Siberian gulag after spying for the Americans in the show's first two seasons, found herself with a chance at freedom, thanks to the influence of the rich and powerful father of her lover, Oleg.
Yet Nina couldn't seem to stop putting herself in dangerous situations. She befriended a scientist named Anton, who had escaped to the US but was forcibly returned to the USSR, and helped him smuggle a message to his son, which ultimately sealed her fate and doomed her efforts to secure her release from prison.
In the fourth episode of the fourth season, after a short fantasy sequence that teased Nina's release, the character was deemed guilty of treason in a swift, jarring sequence that apexed with her being shot in the back of the head. Then the camera pulled back as her blood oozed onto the floor, and a cleanup crew arrived to ensure no sign of her remained. Life, dark and full of dead ends, went on.
"[Death] was the only place she could end up, but it was still surprising to me," recalls Jane the Virgin's Snyder Urman.
What's remarkable about Nina's death and The Americans' treatment of death in general is the way it suggests that death is almost a relief, a release from a life in which she had rarely controlled her own destiny. Her choice to help Anton contact his American son became her first act in ages that wasn't motivated by either her American or Soviet handlers. It was something she did because she knew it needed to be done, and because it was the right thing to do.
The result was that Nina's death marked not only the end of her life but also a moral victory of sorts. She died with a clear conscience, with a sense that she had repaid whatever debt she owed the universe, in some tiny form.
It also preserved the series' historical verisimilitude. Says Weisberg: "We've got this thing about the KGB and trying to keep them real in terms of that historical time period."
His co-showrunner, Joel Fields, adds: "In Nina's case, there was this very moving character transformation, but it came at a price. And it certainly was clear after all she had done, they weren't going to let her return to the United States."
The second Nina was sent to prison, there was little doubt as to how her story would end up. The fact that she was able to find some measure of inner peace before it happened made her death almost hopeful. But that makes sense. On a show that suggests life is an unending struggle, death isn't an antidote. It's a method of escape.
Lengthy Vox article from VanDerWerff on the overuse of death in TV shows that holds up Nina's demise as a positive example:
- TV is killing off so many characters that death is losing its punch (note that this spoils just about every tv death from this year and beyond)
The part about Nina:More via the link.
It seems like she didn't put on much weight, either, which probably went a long way in helping them hide her pregnancy. Or perhaps, unlike most women, all of Keri Russell's weight went to her face veins.
That was how I read it - someone threatened one of her kids with a knife, so I wasn't very surprised that she went that far given her capabilities.In regard to Elizabeth (foolishly) killing the mugger, it never stood out to me as a problem. I just assumed she was on edge because of the situation with Young-hee. We've also never had to see her defend her children directly, which may also explain it.
Great news. Love Dirden and the character of Aderholt.
Seems like a lifetime ago.EDIT: Also, remember that Phillip stabbed a guy with a BBQ fork in the pilot for threatening Paige.
Teenage supporting characters are also increasingly being given material that directly affects the outcome of the leads, as opposed to operating in a disconnected B storyline.
Thats always been one of my favorite parts about playing this role. Its such a common storyline to see the teenage girl whos obsessed with a guy or in a relationship, says Holly Taylor, whose character Paige Jennings on FXs The Americans has spent the bulk of this season making amends to her KGB spy parents for a major breach of trust. I mean, not everybodys parents are spies. But there are teenage girls out there who maybe dont get the attention they need at home and have to find it elsewhere like she does with [religion]. Shes a real kid and she focuses on so many things other than drama in school or relationships.
I have a feeling they're gonna make the Jennings go in there in his place somehow.so much for trying so hard to get that Level 4 Cleareance
that hang up was coldbloidedAll together now: Poor Martha's parents.