AbsoluteZero
Banned
I've never seen any of these films, come to think of it.
I remember this. I specifically remember saying "don't worry about it" to somebody on the way out of the theater! heheI remember when Fellowship first came out and people were leaving the theater crying that Gandalf had died. I just lol'd.
What saves the cave troll is his personality. I always feel remorse when he dies.It's really a shame that the CG in these movies has aged so poorly, considering how good a lot of the practical effects in the movie are. I was blown away by the cave troll at the time. Now? It's a bit painful to watch.
Still love this film series. Fuck the extended editions though, they should be called the Desperate Plea for an Editor editions.
The Extended Editions add some much needed backstory and dialog. Particularly regarding Saruman. He gets a lot more screentime in the EE's. They're really long, but the theatrical versions are vastly inferior, IMO.It's really a shame that the CG in these movies has aged so poorly, considering how good a lot of the practical effects in the movie are. I was blown away by the cave troll at the time. Now? It's a bit painful to watch.
Still love this film series. Fuck the extended editions though, they should be called the Desperate Plea for an Editor editions.
It's really a shame that the CG in these movies has aged so poorly, considering how good a lot of the practical effects in the movie are. I was blown away by the cave troll at the time. Now? It's a bit painful to watch.
Still love this film series. Fuck the extended editions though, they should be called the Desperate Plea for an Editor editions.
Don't understand how people could think Fellowship is better than RotK, but to each their own. >_<
Absolutely amazing movie.
And while I understand most of the changes as being done to make it easier or more dramatic and entertaining for an audience to understand and consume, there's still one change in the trilogy that will always bother me: Sauron as a literal giant flaming eyeball. I understand, conceptually, why they did it. They had to show the antagonist (the one the books and films are named after), physically present during the action. But it's just so goofy, it contradicts the books in several places so they had to remove those parts, and in ROTK it devolves into a pretty laughable scene in which Sauron's all-seeing gaze apparently gets downgraded within Mordor itself to Bad Video Game Stealth Section Spotlight status.
They (poorly) chose NOT to show Sauron manifest himself at the climax, which I think detracted big time. the all-seeing eye became a lighthouse and that wasn't very threatening. They had the work to show this already started...
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This should have been left in the film, even for a brief moment.
Taking it out was a great choice. That's one of those book changes that did not have to be made.
Agreed. Sauron was always scarier when he was just an abstract thought.
Except that he wasn't very scary and was just a lighthouse by the climax. I see what you're getting at...but the giant eye just wasn't intimidating.
But to suddenly have him appear in physical form at the end, with no explanation, would be better? If he could do it, why didn't he just do it before and maraude around Pellinor Fields with the rest of his army if he was that unstoppable? If they had talked through the first two movies that he was almost at enough power to take physical form again and hinted that it might happen, then it might work. But they didnt, and having him just materialize in front of Aragorn just to have a smack down would be dumb as hell.
Except that he wasn't very scary and was just a lighthouse by the climax. I see what you're getting at...but the giant eye just wasn't intimidating.
That would have been far too dramatic a change from Tolkien's writings. Sauron lost the ability to take fair from at the climax of the sinking of Atalante (the Númenóreans home), he could never again take that form even with the power of the ring, plus Sauron lost every physical encounter he was ever in and with the weakened physical form he wrought for himself prior to the start of the War of the Rings, he would have been foolish to engage in the battle against an Aragorn with Anduril.They (poorly) chose NOT to show Sauron manifest himself at the climax, which I think detracted big time. the all-seeing eye became a lighthouse and that wasn't very threatening. They had the work to show this already started...
![]()
This should have been left in the film, even for a brief moment.
Enjoy.guess who's watching the entire trilogy today and pretend as if they had just been released and I somehow got a legit blu-ray rendition of them all a decade before anyone else?
I am.
It's a graphical illustration of what that scene may have looked like if they decided to go in that direction. No actor, but if did go with someone, it may have been one of the extras playing an Elf.Woah...i've never seen this before, who's that actor btw?
I agree completely, this would have been many times more questionable than the men of Dunharrow sweeping across the plains of Pelennor. Whereas that was an issue of introducing a tinge of anticlimax (though it was built up to), this would have fundamentally ignored a foundational aspect of Sauron's character and the flavor of the final battle. The Black Gate is not about Aragorn fighting Sauron one on one, it's about the gathered hosts making the ultimate gamble to safeguard the West's best and last hope at defeating Sauron (Frodo). Centering the drama on Aragorn would only serve to weaken the focus on the climb up mount Doom, the confrontation, the ring's ultimate demise, and the theme of "even the smallest person can change the course of the future". It's really for the best that they backed away from the boss fight concept.Edmond Dantès;33734780 said:That would have been far too dramatic a change from Tolkien's writings. Sauron lost the ability to take fair from at the climax of the sinking of Atalante (the Númenóreans home), he could never again take that form even with the power of the ring, plus Sauron lost every physical encounter he was ever in and with the weakened physical form he wrought for himself prior to the start of the War of the Rings, he would have been foolish to engage in the battle against an Aragorn with Anduril.
It was never about Sauron and the heir of Númenor, it was always about Frodo and Sam's journey.
Sauron has his time in spotlight in the Silmarillion.
Absolutely amazing movie.
And while I understand most of the changes as being done to make it easier or more dramatic and entertaining for an audience to understand and consume, there's still one change in the trilogy that will always bother me: Sauron as a literal giant flaming eyeball. I understand, conceptually, why they did it. They had to show the antagonist (the one the books and films are named after), physically present during the action. But it's just so goofy, it contradicts the books in several places so they had to remove those parts, and in ROTK it devolves into a pretty laughable scene in which Sauron's all-seeing gaze apparently gets downgraded within Mordor itself to Bad Video Game Stealth Section Spotlight status.
They (poorly) chose NOT to show Sauron manifest himself at the climax, which I think detracted big time. the all-seeing eye became a lighthouse and that wasn't very threatening. They had the work to show this already started...
![]()
This should have been left in the film, even for a brief moment.
Edmond Dantès;33734780 said:That would have been far too dramatic a change from Tolkien's writings. Sauron lost the ability to take fair from at the climax of the sinking of Atalante (the Númenóreans home), he could never again take that form even with the power of the ring, plus Sauron lost every physical encounter he was ever in and with the weakened physical form he wrought for himself prior to the start of the War of the Rings, he would have been foolish to engage in the battle against an Aragorn with Anduril.
From a distance it seems like this is your typical good vs evil fantasy story with elves and what not, but it is actually far from it. There is a lot of complexity here, I can see why it inspired writers like George RR Martin. Deathly Hallows also seems to take inspiration and ideas from the LOTR story.
My favorite character by far is Gollum:
"Taters precious, what's taters?"
"They are young, they are tender, they are nice, eat them, eat them!"
"Stupid Fat Hobbit"
"Give it to us raw and wiggling."
http://www.youtube.com/watch?v=tMlR55Dr4RU&feature=related
That's all in just one scene. Second place has to go to Sam.
What does Legolas say when he sees those dark birds approaching the group, "Crabeye from Dundlen?"
What does Legolas say when he sees those dark birds approaching the group, "Crabeye from Dundlen?"
Not really.