Fluffhead14
Member
The greatest trick Lindelof ever pulled was convincing the world you didn't need to explain what the fuck is happening in your show.
What, exactly, are you not understanding about The Leftovers?
The greatest trick Lindelof ever pulled was convincing the world you didn't need to explain what the fuck is happening in your show.
What, exactly are you not understanding about The Leftovers?
("Actual" being the operative word.)Dafuq? This show is seriously 90% character development.
Is this a trick question?
Just in the last page people are going on about how the mysteries don't actually matter and it's all about the journey. This whole show is about not answering questions and you're wondering what I don't understand about The Leftovers? Everything, everything that they setup and then never actually told you the purpose, that's what I don't understand about The Leftovers and you can say "that's the point", well, that's a dumb point. At least Lindelof tried answering the mysteries in Lost, even if some of the answers weren't satisfying.
So if a set up serves a character and doesn't involve intricate plotting of some grand plan, that means there was no payoff?
The world Kevin goes to is in service of his character, not stopping a flood that was never going to happen, or finding Evie, or finding out where the shoes of those 5 children went.
What, exactly, was brought up as a mystery, wasn't paid off and served no purpose?
Please, please don't say the Departure.
Is this a trick question?
Just in the last page people are going on about how the mysteries don't actually matter and it's all about the journey. This whole show is about not answering questions and you're wondering what I don't understand about The Leftovers? Everything, everything that they setup and then never actually told you the purpose, that's what I don't understand about The Leftovers and you can say "that's the point", well, that's a dumb point. At least Lindelof tried answering the mysteries in Lost, even if some of the answers weren't satisfying.
"and you can say "that's the point", well, that's a dumb point."
"Let the mystery be" doesn't really work for me when you like giving me a mystery every episode and then never actually explaining why it happened.
When I'm saying "this show isn't satisfying to me and that's why I don't like it all that much" telling me "that's the point", doesn't really do much. I "get" the point, the point isn't going over my head, the point just isn't that good.
Say that then, not that Lindelof didn't explain anything on the show. Debating it's effectiveness seems more worthwhile than saying it makes no sense, because I'm not confused at all about what's happened on this show.
I'm a simple man. I just want Kevin and Nora to be together. lol
I mean I'm not sure exactly what "mystery" doesn't make sense, but if, for instance, you don't buy Kevin having to kill himself to rid himself of Patti, then sure, I can understand where you're coming from. There's a certain level of buy in inherent in the show. To me the writing, acting and world building they've done helps in a situation where you may ask why or how a character would do something like that, or "how it works". I may be wrong but I don't think there have been plot points introduced that were completely left hanging, though, like the outrigger or the temple on LOST.I thought it was clear that when talking about the mysterious, and they not resolving them, that when I said "purpose", I was talking about the in-universe reason for why that happened and what it meant. Of course the writers put it there for the purpose of advancing the plot or a character's arc, that goes without saying, everything has a "purpose", even if that purpose is just to be entertaining, but that's not the purpose I was talking about.
So, the point of the show is to let the mystery be, but when I say "that mystery didn't make any sense and I wish it did, and because it doesn't, it's unsatisfying to me", that's somehow odd? The character arcs make sense, there's nothing confusing there, it's the mysterious that don't make sense and that's by design, that's "the point", and like I've said multiple times now, that's a point I don't like.
I guess it depends on whether or not you'd say stuff like the Dog Man plot have been resolved ("he was just some loon!")...I may be wrong but I don't think there have been plot points introduced that were completely left hanging, though, like the outrigger or the temple on LOST.
Ah yeah, forgot that.Kevin met Wayne in the toilets of a restaurant in the season 1 finale, he granted Kevin a wish just before he died.
I'm just curious why someone who wants questions answered would even watch this show. Didn't Lindelof state multiple times that it's not the point of the show, and that those looking for answers should look elsewhere?
And then you add Kevin's immortality and what makes him visit the 'other world' (He didn't go when he was deadly-shot by John. And was he ever successful in traveling when he tried to choke himself with the plastic bags?).
What are you talking about? Kevin went to the 'other world' when John shot him last season. And Kevin told Nora that he never went all the way through with chocking himself.
Please, please don't say the Departure.
Thanks for correcting. I actually didn't remember that last season (and can't recall what happened -- that's when he sang the song?).What are you talking about? Kevin went to the 'other world' when John shot him last season. And Kevin told Nora that he never went all the way through with chocking himself.
Thanks for correcting. I actually didn't remember that last season (and can't recall what happened -- that's when he sang the song?).
Damon Lindelof said:Everybody has already seen the pyrotechnics, the big resolution of the season long arc of what is going to happen on the 7 year anniversary of the great departure and the answer is; a whole lot of nothing, but hopefully watching the run up to nothing was exhilarating. The finale does not feel like an epilogue, it does feel like a finale but is does not rely on pyrotechnics. I also hope it is very surprising because it was very surprising for us as it revealed itself. Certainly from a writing standpoint I lack complete and total objectivity on every level but I can say that I can assess that from a directing standpoint it is the greatest work Mimi Leder has ever done.
So, again:
Are we forgetting how Kevin literally came back to life after his hotel adventures, last season?
Or how he briefly managed to communicate with his father?
I can't believe people are still hoping for answers regarding the Departure. The show is about the people, not the event. As viewers we don't need those answers.
I actually don't really remember the details on this. What critical information did he get from his father in the hotel?
Yes that happened but I don't think that gives any increased plausability to the hotel being a "real" afterlife and not something imaginary.
Sometimes I have weird dreams and I wake up at the end of then. Does that make the dream world real?
I actually don't really remember the details on this. What critical information did he get from his father in the hotel?
He told him to take Patty to the well.
Yes, he went back to the hotel and sang Homeward Bound
Lindelof teased the finale episode on the Entertainment Weekly Twin Peaks podcast (leftovers talk starts at 38:19)
He saw his dad through the TV in a hotel in Australia tripping on God's Tongue with a bunch of Aboriginal Australians. Which is exactly what Kevin Sr said happened to him in real life in his episode earlier this season.
He also saw God from the boat in Matt's episode.
He also knew what Christopher Sunday looked like without ever meeting him.
He also interacted with the Kevin the ladies killed by mistake, and knew what he looked like without every meeting him.
It's really odd to me that so many people are still clinging to this "it's all in his head" thing. The show has clearly been showing us all season that it's definitely NOT all in his head.
One can expect some answers about Kevin without expecting answers about the departure. The dude was shot, poisoned and drowned. I'm not hand-waving that away so I can pretend it's all in his head when there were other people who saw this stuff.
I love the show. I'm not Erigu. I do think falling back on, "it's the journey, man" each time there's some inconsistency is silly. The show can be great while still poorly executing some of it's parts.
The argument for Kevin having fever dreams would be valid if
1) He wasnt poisoned and burried in the ground for hours
2) He wasnt shot in the chest and died, only to wake up like nothing happened
3) Has drowned multiple times and somehow not died
You need to suspend more disbelief for him not being dead at this point than simply recognising he is going to some type of afterlife
Life of Pi, what do you believe?
Leftovers: Are there supernatural events and forces? what it's real and what's not? What is a ridiculous thought and what's plausible?
That's how I see the show, Kevin is clearly an special human beign for the series, do I need a concrete answer of what he is? Do I need a Christopher Nolan character to explain me in detail his character? Well no, I can form my own opinion and interpretation of what I've been told and that's all I need.
When I'm saying "this show isn't satisfying to me and that's why I don't like it all that much" telling me "that's the point", doesn't really do much. I "get" the point, the point isn't going over my head, the point just isn't that good.
The argument for Kevin having fever dreams would be valid if
1) He wasnt poisoned and burried in the ground for hours
2) He wasnt shot in the chest and died, only to wake up like nothing happened
3) Has drowned multiple times and somehow not died
You need to suspend more disbelief for him not being dead at this point than simply recognising he is going to some type of afterlife
Kevin has always been God. Have you seen that guy?
yeah shame on you if you actually want to know why the premise of the show happened.
Pretty much where I'm at. I don't care that we're never going to know what the departure was, or where they went. The problem I have is that they've also introduced the whole Kevin thing throughout multiple seasons, and it's just become more evident that he is not like everyone else. You cannot explain that away by just saying "well, it's just his journey" and leave it unexplained. Everyone is on their own journey, that doesn't mean everyone can survive death.
The departure was a single event. Not explaining how it happened is fine because it's not necessary to the story they are telling, but everything else that's been unexplained and miraculous (bird in box, Kevin, Matt's wife awakening from coma, etc) are PART of the story. It's not unheard of to expect more consistency from the story being told. If they didn't want people to be unhappy with this, they didn't need to do it to begin with. These unexplained parts of the story are not necessary to the story anyways, so if they feel no need to explain them, we can simply write them off as cheap tricks to keep people interested, which isn't all that interesting.
Then Lindelof should stop raising question or act as if he isn't. I can accept the event of the Departure as the framing device and launch-pad for what he is trying to tell. The issue is that The Leftovers continues to put forth mysteries and questions that are unrelated to the Departure.
Lindelof is the one cultivating this kind of discussion because he's purposefully trying to hold the stick at both ends instead of giving clear definition or tackle the subject head-on.
On one hand, i can't blame him. He has done poor job giving answers. He failed to establish how a body like GR can exist and gain a foot-hold in the would he's describing. He failed to explain how GR can still operate freely in light of their type of actions (his proposed answer for that was the most asinine moment on tv last year).
He gave up on the GR this season and just blew them to hell, probably hoping we forget about the major part of the show they played so far and how you can't just gloss-over this kind of a turn (and partly because he had less eps).
The episode last season elucidating Meg was unsatisfactory; Last week's Laurie's episode and how her character was treated was unsatisfactory. Kevin's realization this episode seems to me to be too 'bare-bones' for the build up and too familiar from past seasons 'conclusions'.
And then you add Kevin's immortality and what makes him visit the 'other world' (He didn't go when he was deadly-shot by John. And was he ever successful in traveling when he tried to choke himself with the plastic bags?). Kevin in the 'hotel' talking to his real-world dad. Real shared afterlife? Real personal afterlife? Made-up in his thoughts world? How to the 'facts' of the experience align with any of these three options (talking and seeing real-world Kevin Sr. , seeing hundreds of people that he either haven't seen before or would have no way to know if each one was dead or alive, seeing Matt's wife).
On the other hand, not being good at resolving things isn't an excuse to be intentionally vague and shunning from picking one or the other. And you probably should stop raising more questions. He seems competent at promising beginnings but later appears as not have given due thought for the rest.
Hahaha, okay. Let's say the whole thing was completely unrelated, the stakes absolutely nonexistent, and Kevin would have come back to life regardless.Yes that happened but I don't think that gives any increased plausability to the hotel being a "real" afterlife and not something imaginary.
Kevin Sr. also confirmed the burning bed.He saw his dad through the TV in a hotel in Australia tripping on God's Tongue with a bunch of Aboriginal Australians. Which is exactly what Kevin Sr said happened to him in real life in his episode earlier this season.
Sure you can want to know, but if someone has decided that the only way they are going to find the end of the show satisfying is if they find out how the departure happened, then they're setting themselves up to be angry. That answer isn't coming.
Hahaha, okay. Let's say the whole thing was completely unrelated, the stakes absolutely nonexistent, and Kevin would have come back to life regardless.
... Man, why would you want to make the show even worse than it already is?