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The Night Of - new crime limited series - HBO Sundays - 90 on Metacritic

JABEE

Member
I think there is also something to be said about the advantage the state has in holding someone and placing them in a cage while awaiting trial. This pressure helps incentivize plea deals etc. The isolation before conviction and the conditions for most people in the prison seem designed to favor the prosecution. You have to have a lawyer (money) who is actively walking you through every step, for example, not having you walk out in a jumpsuit. Not talking to officers of the law using your ignorance to make you incriminate yourself.
 

Vire

Member
Really dissapointed in the direction (or lack of) that this show is headed in. Feels like so much wasted potential based on the first episode to mainly end up as a half baked prison drama.
 
I didn't get this episode. The consistency is off. Exactly how long has it been since the last episode in the show's time? Because the last episode ended with John chasing Duane Reade through an alley and now his name is never mentioned in this episode all of sudden and they are focusing on hearse driver now.
 

Dmax3901

Member
It felt like this episode's primary goal was to set up several distinct suspects that all feel likely, including Naz.

We never really KNEW Naz. Now we do a bit more, and he's a pretty different character than we assumed he was. The discovery of the stair pushing incident drives that home. As did the undisclosed amphetamine use last episode.

He isn't just some clean cut kid at his core. He's the type to take things too far, who seems to enjoy chaos, who only says "no" to dangerous things maybe once before his curiosity gets to him.

And he appears to have zero hope left. Hence the tattoos, the increasingly erratic behavior, going from simply needing protection to being a willing henchman.

Maybe part of my reaction to this is that I can believe it. My older brother literally came out with gang membership and his own tattoos after less than a year of incarceration. He was less clean cut than Naz, but he also didn't have old school immigrant parents keeping his every move in check.

Yeah we as audiences of crime dramas have been programmed to assume innocence when given very little information about a character. If the show merely suggests innocence, we go along with it. Just like a jury, we watched the first ep and immediately judged Nas. I personally thought he was innocent based on what I saw, but now I'm wondering if that's the case. This whole time I've been expecting some breakthrough, Turturro or Chandra will find some lead or witness or something that will exonerate him. But now I'm thinking that's the exact trope this show is turning on its head. Innocent or not, the system is flawed and not every person who goes to jail deserves to (and vice versa).
 
Between stepdad, Duane Reade, and the hearse dude, it's going to be a cakewalk to inject reasonable doubt. The only real questions left are who actually did it, and what happens to everyone in the time it takes for the justice system to get to the verdict.

The secret villains of the story are the cop and the DA lawyer who keep trying to cut corners to pin the murder on Naz instead of actually trying to find out who killed her.

Villains? I dunno - the evidence seems pretty stacked against Nas, to the point where it doesn't make a ton of sense to explore other options. They have limited resources. You only think he didn't do it, because you were following him on that night and he's the main character.
 
Man I continue to think theveryone show completely lacks the consistency that the first episode showed. There have been pieces that come close but there hasn't been a truly great episode where everything fit together.

Hope the last 2 make up for it.
 
Watching this now, it's good... but very imperfect. I have a lot of criticisms despite the fact that I'm still intrigued by the central mystery.

  • The eczema side story is focused on FAR too much. Is it supposed to be funny? I really don't get where they are taking this and why it's been the focus of 40+ minutes of footage.
  • There is no levity, no humor. None of the characters have much to redeem them - most are just assholes. I'm comparing it to something like The Wire here - The Night Of lacks those little "slice of life" moments where you see the humanity of the cast. No one is likable, the whole tone is exhausting and bureaucratic. Maybe that's the intention? But at some point you need to give a little life and a little levity to these situations.
  • Too slow. I mean, I watched Bloodline, I watched a lot of slow shows. But shit like him riding the bus to Riker's, etc - it takes too fucking long. No two ways about it.
  • The prison story feels very shallow. The whole point of prison dramas is that they thrive on the dynamics between different groups and characters, but so far we have.... one character in the prison. Freddy. There's no tension, no interesting choices - basically just "take this offer or you're dead." It's not particularly interesting just watching a character who has no agency in anything be forced through a bunch of situations.
  • What about the investigation? The body? The house? Anything about Andrea? It feels like that whole side of things has been completely abandoned in favor of some half-cocked prison drama that I kind of never expected or wanted here. It feels like she had so many secrets, so much going on that we never knew about, and I was intrigued by that. Did she know someone was going to kill her? Why did she not want to be alone? They need to get back to those questions for a little while.
  • THE BIG ONE: I don't care about Naz. Who is he? There is nothing there, we know nothing. He's a college student? OK. What else? I understand that he's not really in a position to be chatting about his life and his personality to everyone he meets, but give us something, some reason to care a little. Maybe the show is trying to make me, the viewer, feel like the jury or something? Having to make a decision based off of little information? I don't know, it just feels weird to have a character we should ostensibly be rooting for be so shallow and underdeveloped.
At this point, I'm feeling that the best plot twist of all would be having Naz be guilty. It would almost function as a lesson to viewers to be careful rooting for characters who they know virtually nothing about. But I don't think that will be the resolution, and frankly I don't think they have the chops to go there.


I agree with a lot of your points.
However I think Stone trying to take care of the cat as well as the eczema parts are meant to fit the levity part. I found the payoff to be funny ; he brags to his group about the cure and is so happy to wear his shoes.

I'm also starting to get the impression that Nas is not who we think he is. He might of not killed the girl but he might end up killing someone in prison, showing that he's capable of murder. Maybe the writers want us to end up rooting against Nas even if he is innocent because he learn what type of person he really is.
Not really sure though.
 

holygeesus

Banned
I don't really agree with people saying the 'cliffhanger' from last week wasn't addressed - it was...last week! He chased the guy and lost him. End of episode.

Also, you could argue that Naz's transformation feels contrived, but it is a TV drama, at the end of the day, not a documentary, and it has a lot of ground to cover in just 8 episodes. Of course some aspects will feel rushed. If you accept that Naz was a bit of a scally to start with, then it feels far less forced.
 

scabro

Member
I don't really agree with people saying the 'cliffhanger' from last week wasn't addressed - it was...last week! He chased the guy and lost him. End of episode.

Also, you could argue that Naz's transformation feels contrived, but it is a TV drama, at the end of the day, not a documentary, and it has a lot of ground to cover in just 8 episodes. Of course some aspects will feel rushed. If you accept that Naz was a bit of a scally to start with, then it feels far less forced.
thought it was pretty obvious with the flash of the uv light at the end that john just lost duane and went home as well lol
 
I don't really agree with people saying the 'cliffhanger' from last week wasn't addressed - it was...last week! He chased the guy and lost him. End of episode.

Also, you could argue that Naz's transformation feels contrived, but it is a TV drama, at the end of the day, not a documentary, and it has a lot of ground to cover in just 8 episodes. Of course some aspects will feel rushed. If you accept that Naz was a bit of a scally to start with, then it feels far less forced.

I think something like this would take time to get to trial, anyway. We're seeing a condensed timeline, I think.
 
I'm also starting to get the impression that Nas is not who we think he is. He might of not killed the girl but he might end up killing someone in prison, showing that he's capable of murder. Maybe the writers want us to end up rooting against Nas even if he is innocent because he learn what type of person he really is.
Not really sure though.
I dunno I got the opposite feeling last episode. Seeing that guy getting blown kinda shook him. I think that sets off things in motion.
 
This episode kinda reminded me of Serial actually. Similar to Serial, we start off the show not really knowing anything about Naz and then we find out he's done something any other dumb high school kid would do and then we all start to suspect him.

Another thing, I know a lot of people are bringing up the whole Naz breaking bad thing is happening way too fast but we just aren't sure how much time is going by each episode. It has to be over the course of awhile because no one is going to go through such a drastic body change in a couple days.

They only have 8 episodes to do this so I'm sure that's the reason why it feels a bit rushed for us.

Also, he's just a dumb high school kid in prison who's basically being told what to do.

Completely understand the complaints though.
 

cLOUDo

Member
How much time Naz have been in prison?
This kid is dumb, what's next had sex with the other two guys he discovered?


At this point even if he won the trial, he is fuckup
 

UrbanRats

Member
I'm also starting to get the impression that Nas is not who we think he is. He might of not killed the girl but he might end up killing someone in prison, showing that he's capable of murder. Maybe the writers want us to end up rooting against Nas even if he is innocent because he learn what type of person he really is.
Not really sure though.

Possible, but it's hard to do that effectively in 8 episodes.
They didn't give us much on Naz to begin with, as we're more in the eyes of Turturro here, discovering Naz as we go along, so it'll be hard to completely 180 the character, when we're not even sure in what direction we're going in the first place.

To see an example on how to do this well, look at Breaking Bad: It starts off with Walter White getting kicked by life while he's down, from all sides; you root for him at the start of the show, despite some bad decisions, he's still a good guy trying to salvage whatever he has left in his life, or so it seems.
Then they slowly but surely push his arrogant side out, a seed that they had planted early on, until it becomes a damn tree of megalomania, and by the end of season 6, you're almost sad he's "only" dying, and not having more coming to him.
And of course, Breaking Bad is set in a pulpy, exaggerated reality, so you have to account for that, but that only proves my point further, if anything, as a more realistic show, should take even more time to develop.
 
he's not "breaking bad".

he's trying to survive. you think he wanted to shove drugs up his ass? what do you think was the alternative if he were to say "no" to freddy?
 

lamaroo

Unconfirmed Member
Naz confronted Bodie and Duane when he was with Andrea too, so it's not like they only showed him to be meek until prison. He was always capable of this stuff, and now he's being encouraged to use it, but I agree on the tats, I don't believe he would have gotten knuckle tats.

Shouldn't the defence have built up a case before trial started however? They're only now looking at security footage and following leads?
 

CHC

Member
I thought this episode was the weakest so far, didn't feel the continuity from the previous scene, the hearse man and the house guy at the end both felt contrived and acted poorly, Nas is acting far too braindead to be believable, and I felt as if the defense had no case when the trial came up.

Soooooo contrived. You have one guy who is basically like the fucking r/TheRedPill version of Hannibal Lecter, and speaks only in the creepiest of metaphors; then the stepfather is spun into another bullseye suspect for the killing. Both in the span of 20 minutes....

I was actually joking as I watched the show during the finance office scene. When he was like "oh and another thing" I said out loud "he mentioned that he was going to murder her" and then the actual line was "over my dead body." That shit was pure network TV stuff right there, definitely not good at all.

Yeah we as audiences of crime dramas have been programmed to assume innocence when given very little information about a character. If the show merely suggests innocence, we go along with it. Just like a jury, we watched the first ep and immediately judged Nas. I personally thought he was innocent based on what I saw, but now I'm wondering if that's the case. This whole time I've been expecting some breakthrough, Turturro or Chandra will find some lead or witness or something that will exonerate him. But now I'm thinking that's the exact trope this show is turning on its head. Innocent or not, the system is flawed and not every person who goes to jail deserves to (and vice versa).

I sincerely hope at this point that that is the direction they are going. I have my doubts that they have the balls to sort of.... betray (?) the viewers like that. But I would appreciate it so much more than pulling some perfect suspect outta the hat at the last minute. Which seemed to be the focus of this week's episode. But I hope those really were just red herrings.

Naz confronted Bodie and Duane....

Glad I'm not the only one who still calls him that.
 

BlueTsunami

there is joy in sucking dick
Surprising to see people find Naz's transformations as unrealistic. If some career criminal throws you a lifesaving deal you bet you'll conform. Naz is still in a precarious position too. All it would take is a request from Freddy that goes way out of bounds for Naz for this whole prison family facade to crumble. The trial at this point feels like a race against time before Naz actually gets into bad shit in prison.

As far as the actual murder, I dig that its still very ambiguous as to what really happened with Naz that night. This show wouldn't be as compelling as it is if we knew from episode two or three that Naz was completely innocent.
 

Holden

Member
Surprising to see people find Naz's transformations as unrealistic. If some career criminal throws you a lifesaving deal you bet you'll conform. Naz is still in a precarious position too. All it would take is a request from Freddy that goes way out of bounds for Naz for this whole prison family facade to crumble. The trial at this point feels like a race against time before Naz actually gets into bad shit in prison.

As far as the actual murder, I dig that its still very ambiguous as to what really happened with Naz that night. This show wouldn't be as compelling as it is if we knew from episode two or three that Naz was completely innocent.

It's not that it's unrealistic it's that it's just not shown on screen

The show goes from a kid that kicked some dude out of revenge who burned a part of his skin to literatly almost killing him. Then the next part he's just acting like a huge douchebag standing infront of the TV blocking the view like he's the king... like really?

The spectator isn't supposed to imagine what is going on off-screen, you don't become a douchebag once you have the liberty to beat somebody up. The show needs to show how and why he is acting like this, which is failing in my opinion. This isn't a movie like StarWars TFA where you can just have (imo) terrible characters like Rey who is unjustifiably overpowered. The Night Of is about 8 hours, there is plenty of time show this.
 

Vyer

Member
I didn't like hearse guy. Came across way too over the top.

It's not that it's unrealistic it's that it's just not shown on screen

The show goes from a kid that kicked some dude out of revenge who burned a part of his skin to literatly almost killing him. Then the next part he's just acting like a huge douchebag standing infront of the TV blocking the view like he's the king... like really?

The spectator isn't supposed to imagine what is going on off-screen, you don't become a douchebag once you have the liberty to beat somebody up. The show needs to show how and why he is acting like this, which is failing in my opinion. This isn't a movie like StarWars TFA where you can just have (imo) terrible characters like Rey who is unjustifiably overpowered. The Night Of is about 8 hours, there is plenty of time show this.

While there is a bit of a rushed feeling, I rather appreciate that the show isn't holding the viewer's hand to walk them through everything, myself.

We know the kid has been bullied a long time. We know he's had people come at him both in and out of school. We know there is a desire to strike back. We know there are questions that he's not as squeaky clean as we had expected. We know he fought off getting Freddie's help for as long as we could. And we know he isnt very good at thinking through how what he does/how he looks might come across to others.

All of these pieces are things the show has presented in some way, not only to lay the groundwork for how he would give in when thrown into the prison situation, but also to keep the question of how innocent he may be up in the air. I'm ok with how that's presented, along with considering some of the concessions for time.

Totally disagree about SW too, but that's a topic (that's already been beat to death) for other threads, lol.
 

UrbanRats

Member
he's not "breaking bad".

he's trying to survive. you think he wanted to shove drugs up his ass? what do you think was the alternative if he were to say "no" to freddy?
?
That's beyond my point, I'm talking about how you can have a character the audience is supposed to root for, turn around and have the audience despise them by the end, in an organic way.
It's not about "breaking bad", it's about revealing a part of yourself that was always there, and let it grow out, in a manner that feels natural.

It never really felt like Naz had a real beef with Freddy at all, infact, Freddy seems like a pretty reasonable guy so far.
Sure he probably wouldn't have done it in a situation with less pressure, but the way it's presented in the show, it really feels like it took very little mental pressure for him to let that change happen.
Psychologically speaking, i think they should've pushed him to the brim of sanity more, to make everything else feel more believable.

Also, he didn't shove drugs up his ass, he swallowed them, but that's irrelevant, i guess.

It's not that it's unrealistic it's that it's just not shown on screen

The show goes from a kid that kicked some dude out of revenge who burned a part of his skin to literatly almost killing him. Then the next part he's just acting like a huge douchebag standing infront of the TV blocking the view like he's the king... like really?

The spectator isn't supposed to imagine what is going on off-screen, you don't become a douchebag once you have the liberty to beat somebody up. The show needs to show how and why he is acting like this, which is failing in my opinion. This isn't a movie like StarWars TFA where you can just have (imo) terrible characters like Rey who is unjustifiably overpowered. The Night Of is about 8 hours, there is plenty of time show this.

Exactly.
You can imply a lot of stuff in a show, sure, but what they skimmed over offscreen, is essentially some of the pillars of this character's development.
I don't think anyone is saying prison can't transform a person, but you still have to sell it, when you're representing it on screen.

While there is a bit of a rushed feeling, I rather appreciate that the show isn't holding the viewer's hand to walk them through everything, myself.
I wouldn't call it hand holding, it's simply the stuff that it's important to see, because a lot of other scenes they had, had little value in comparison.
 

Vyer

Member
I wouldn't call it hand holding, it's simply the stuff that it's important to see, because a lot of other scenes they had, had little value in comparison.

I disagree for the most part. I think there's enough there, for example, to lay the groundwork for the TV scene. Not hard to believe someone like him, who has been through what he's been through, would react like that when he's suddenly a person with power and protection, especially in a place where his initial helplessness was magnified.
 

UrbanRats

Member
I disagree for the most part. I think there's enough there, for example, to lay the groundwork for the TV scene. Not hard to believe someone like him, who has been through what he's been through, would react like that when he's suddenly a person with power and protection, especially in a place where his initial helplessness was magnified.
Yeah see, the problem is i don't think they sold that well.
The most distressing moment felt like the one in the police station, with the cop pushing him around, telling him to get naked.
Even the boiling water scene, could've been pushed a bit more, to really sell his psychological struggle.
It doesn't help that Freddy immediately takes a liking to the guy, and asks very little in return (and doesn't come off as very threatening in general).
 

CHC

Member
Yeah see, the problem is i don't think they sold that well.
The most distressing moment felt like the one in the police station, with the cop pushing him around, telling him to get naked.
Even the boiling water scene, could've been pushed a bit more, to really sell his psychological struggle.
It doesn't help that Freddy immediately takes a liking to the guy, and asks very little in return (and doesn't come off as very threatening in general).

All that is true. But the biggest thing with them not adequately showing his transformation is this: If it's going to be the kind of show that doesn't spell things out for the viewer, it has to be consistent. And it isn't. Episode 6 was probably the worst with respect to this. The interviews with other potential suspects were so completely on the nose and obvious it wasn't even funny.

The hearse driver who was basically a cookie cutter serial killer woman-hater.

The stepfather who is a violent and threatening money-grubber.

The man whose criminal calling card is using a knife in all his crimes!

So, you can't really justify Naz's hasty transformation by being like "it's just the kind of show that doesn't spell everything out for the viewer" because in other parts of the show, the viewer is treated like a total idiot.
 
I was absolutely hooked from the very first episode, but every subsequent ep has made me like it less and less. I'm still going to watch the final two but I'm hard pressed to be as invested as I was in the beginning.
 

Rockyrock

Member
  • There is no levity, no humor. None of the characters have much to redeem them - most are just assholes. I'm comparing it to something like The Wire here - The Night Of lacks those little "slice of life" moments where you see the humanity of the cast. No one is likable, the whole tone is exhausting and bureaucratic. Maybe that's the intention? But at some point you need to give a little life and a little levity to these situations.

completely disagree with this point.

Is this not what Jon Stone's entire character and almost all his scenes entirely about?
 

UrbanRats

Member
All that is true. But the biggest thing with them not adequately showing his transformation is this: If it's going to be the kind of show that doesn't spell things out for the viewer, it has to be consistent. And it isn't. Episode 6 was probably the worst with respect to this. The interviews with other potential suspects were so completely on the nose and obvious it wasn't even funny.

The hearse driver who was basically a cookie cutter serial killer woman-hater.

The stepfather who is a violent and threatening money-grubber.

The man whose criminal calling card is using a knife in all his crimes!

So, you can't really justify Naz's hasty transformation by being like "it's just the kind of show that doesn't spell everything out for the viewer" because in other parts of the show, the viewer is treated like a total idiot.
i would add that manifesting Naz's change with tattoos and a shaved head, isn't the most subtle of approaches, neither was the tv scene.
 

Vyer

Member
Yeah see, the problem is i don't think they sold that well.
The most distressing moment felt like the one in the police station, with the cop pushing him around, telling him to get naked.
Even the boiling water scene, could've been pushed a bit more, to really sell his psychological struggle.
It doesn't help that Freddy immediately takes a liking to the guy, and asks very little in return (and doesn't come off as very threatening in general).

I feel they did. I certainly felt like I was seeing the helplessness of the situation from the moment he was
in the cop car to his first few scenes in prison. I think they did a good job showing all that and building to it as well, capping with the officer basically telling him he was going to die when he was getting processed
.

Also feel like the Freddy stuff is a good example of what I mean about giving the information without walking the viewer through it. Freddy is not a good guy. Freddy is most definitely threatening.
He's threatening enough to control all those inmates. He beats half to death those he is unhappy with. Theres's a reason he choose Nas, and it has as much to do with his vulnerability as it does his intelligence. And of course he immediately starts to use him for stuff like being a drug mule.

I don't think it's an accident he uses the same 'make a proper convict out of you' line as the other guy.

Freddy isn't necessarily Nas moving from a threatening situation to a stable one, it's him moving from to a different type of threatening situation. And between the beatings and the drugs and him putting Nas in just as bad a position as he does a good one (of course a guy who knows what type of shirt you should wear in court would know how the shaved head and tats would come across) I think the show has presented that.

All that is true. But the biggest thing with them not adequately showing his transformation is this: If it's going to be the kind of show that doesn't spell things out for the viewer, it has to be consistent. And it isn't. Episode 6 was probably the worst with respect to this. The interviews with other potential suspects were so completely on the nose and obvious it wasn't even funny.

The hearse driver who was basically a cookie cutter serial killer woman-hater.

The stepfather who is a violent and threatening money-grubber.

The man whose criminal calling card is using a knife in all his crimes!

So, you can't really justify Naz's hasty transformation by being like "it's just the kind of show that doesn't spell everything out for the viewer" because in other parts of the show, the viewer is treated like a total idiot.

I disagree. Tthat just means not all of them are handled well. I agree with the hearse guy stuff, as I mentioned before. But the other two don't really seem like problems, as they aren't the type of thing that is stuff you wouldn't just present anyway. That a guy uses a knife isn't exactly anything but a 'present to the viewer' situation. Those are things that are just met through the eyes of Stone.

Ultimately this is still a murder investigation show with only 8 episodes. If we were dedicating a whole season to the stepdad or Reade then yeah you can go a long way around to finding out he uses a knife, I guess. I agree some aspects are going to be more compressed because of time, but I don't see that being something that needs to be focused on or hidden away, nor does it really take away from other areas it is concentrating on.
 

CHC

Member
completely disagree with this point.

Is this not what Jon Stone's entire character and almost all his scenes entirely about?

I've definitely become more endeared to Stone, actually. I didn't intend for my criticisms to sound so harsh - by and large I'm enjoying the show. It just comes up pretty short on rich and / or likable characters. Obviously, like I said, Stone is endearing but at this point he's about the only character in the show who I feel I know and like.
 

Socreges

Banned
I've definitely become more endeared to Stone, actually. I didn't intend for my criticisms to sound so harsh - by and large I'm enjoying the show. It just comes up pretty short on rich and / or likable characters. Obviously, like I said, Stone is endearing but at this point he's about the only character in the show who I feel I know and like.
Eh. The prison scenes are pretty bereft of humour. But they're supposed to be. In fact it's kind of essential to Nas' development that they not try and make the climate seem lighter than it really is.

Otherwise the show is largely Stone interacting with different people which is punctuated by moments of levity. And Bill Camp as well, I think, does a fantastic job with Box in being dour and serious, yet also gently mocking people like Stone or the cop that really doesn't want people to know he puked. In fact we need more Box. Great character.
 

Dmax3901

Member
It's not that it's unrealistic it's that it's just not shown on screen

The show goes from a kid that kicked some dude out of revenge who burned a part of his skin to literatly almost killing him. Then the next part he's just acting like a huge douchebag standing infront of the TV blocking the view like he's the king... like really?

The spectator isn't supposed to imagine what is going on off-screen, you don't become a douchebag once you have the liberty to beat somebody up. The show needs to show how and why he is acting like this, which is failing in my opinion. This isn't a movie like StarWars TFA where you can just have (imo) terrible characters like Rey who is unjustifiably overpowered. The Night Of is about 8 hours, there is plenty of time show this.

I already disagreed with you but then I read this part and my disagreement was 100% solidified. Opinions like this show a complete lack of imagination.
 
The complaints are all justified. The show has taken a strange turn into a weird whodunnit. I'm still pretty hooked, but my girlfriend is getting pretty restless at some of the weird scenes.

And yeah what the fuck with the no follow up from last episodes cliffhanger.


Has he only been in prison for a fee weeks? I'd guess months

Preview Image of next episode:

8G95Jsv.jpg
 

Goreomedy

Console Market Analyst
Enjoying the series as far as being a procedural, but the whodunit aspects are pretty funny. The mortician reminds me of Candyman from the Final Destination movies.

I want the kid to be guilty, honestly.
 

wapplew

Member
A little disappointed on the courtroom drama.
They went all in with little details on the whole precinct process, I thought the show is about nitty gritty of the judicial system.
What's the defend angle?
Hope last 3 episode doesn't turn into who is the killer type of criminal show.
 
- Sepinwall notes that The Night Of is set for a lengthy finale:
This Sunday, HBO airs the 7th of 8 episodes of The Night Of, its outstanding limited series about the arrest and murder trial of a college student after the first evening of his life. (We've reviewed every episode here.) Without spoiling anything, it's another excellent hour of TV, but one that leaves a whole lot to be resolved in the finale on August 28...

...which perhaps explains why the concluding chapter will have a running time of 95 minutes.

This will make the finale, titled "Call of the Wild," a bookend to the series premiere, which ran close to 85 minutes.
 
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