DNB and Jungle were there biggest casualties, but it's certainly happened with house music, juke, and footwoork as well. Its started to die down, but there was so much bandwagon junk coming out of the UK. Tracks that poorly imitate old music or revolve around gimmicky vocals that come out by the truckload. They suck out everything that made the tracks good. Whens the last time you heard Sicko Cell? A lot of music that barely last a year before its totally written off, so much of it lacks any shred of longevity.
People like Marquis Hawkes making EPs titled, 'Cabrini Green' and tracks called 'Gotta Get Outta This Hood'. Wtf does he know about any of that stuff? People naming themselves Detroit Swindle. Sorry to go off on a tangent and I know a lot of you don't care, but that shit is fucking infuriating to me.
I think your complaints are with an entirely different scene of music. I was probably wrong attributing it as juke, because it's more drawing on dancehall and ragga lineage than anything. A lineage through jungle and dnb. Syncopated garage rhythms which then went on to drive 2-step and grime.
Well grime and jungle have been fusing back together recently. It's been producing some fascinating results. Dancehall naturally but also the lost cousin genres of footwork/juke have been working its way in. Giving inspiration how to lay out tracks. But the sounds breakdowns and everything draw far more from jungle heritage.
This scene is not some fad, it's part of a long heritage. Sounds in all genres roll over after a few years. These particular sound are into their 3rd maybe 4th year and still going strong.
A lot of it spurred from Exit Records from 2010 and onwards.
Stray - Can Of Cancun
Alix Perez - U
Skeptical - Imperial
Fis - Patupaiarehe
Fracture - Loving Touch
Sam Binga AYO! ft. Redders
Fracture ft Dawn Day Night - Get Busy
Dub Phizix and Skeptical feat Strategy - Marka
But then there's a bunch of stuff produced from UK scenes that is directly related to collaborative efforts with Chicago artists and labels. It's not one city or scene that owns it, London and Chicago have long been partners.
Even DJ Rashad as acknowledged embraced the DNB angle on the footwork sounds. Kode9 tries his hand with more Rashad style stuff. These releases mark a sharing of influence and interest in each other's expertise.
DJ Rashad - Let It Go
Kode9 - Kan
Others
Machinedrum - Gunshotta
Boxcutter - Dream Gator (with Ken & Ryu)
Om Unit & Moresounds - Nuff Music
Sully - Blue (my favorite album of last year, more more jungle grime fusion)
Mark Pritchard - Make A Livin never met a soul who liked this, I even hated it at first. Damn though this is a marriage of footwork and jungle. If you can get passed the vocal gore. Adore this song now.
So going back to Itoa, who actually tags his music as dancehall and not juke. Here's another example.
Itoa - Peng
I find it hard to blame anyone from taking inspiration from juke, but there are also clearly other lineages at work here. I don't think any artist is sucking out the soul of house or juke. Things have been beautifully developing. At least from someone coming from the jungle scene.