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Tom DeLonge (blink-182): Streaming music = Chinese people killing elephants for ivory

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daegan

Member
Terrible analogy but he is a dude who probably shouldn't talk most of the time.

I pay for Spotify but I also see the point that it conditions people to pay less/nothing for music and that being ok. Reminds me of issues with f2p games and ios pricing...I don't think there's any one answer really. I do like what Wu-Tang is doing.
 

Pikelet

Member
How is streaming killing the industry anymore than radio? It's basically the same damn thing...

No, it's fundamentally different because you can choose what music you want to listen to. You no longer have to buy an album if you want to relisten to it at any time like you did when radio was the only option.

Radio was advertising for buying music. These days streaming is the music, and is basically advertising for (less profitable) other revenue streams.

Interesting all the artists against streaming music happen to mostly all be artists who once made millions on the record industry.

I've heard so many people say something along these lines, and it just doesn't make sense. We hear about it from rich, famous musicians because these are the people that the media pay attention to. You can be damn sure there are heaps of tiny bands and musicians who are against streaming.

Musicians should be allowed to choose their own business models. In this instance Tom came up with a dumb analogy, however.

Musicians are overpaid anyway, this is just a symptom of the free market adjusting itself. :p

No it isn't. This is a symptom of piracy. If there was no music piracy then people would pay for music what they think it is worth. Because there is a free (though illegal and immoral) method of getting music, there is an unnatural downward pressure on the price of music.
 

Beant

Member
Don't blame us for streaming it legally. Don't sign the contract if you don't like the terms. Am i missing something here?
 
His analogy is terrible and its hard feeling sympathy for people who used to make millions but the internet in general (streaming, piracy, ect.) Have killed the industry people at the bottom end where once they might have been able to at least earn an ok living are now making buttons
 

Valtýr

Member
If there was no music piracy then people would pay for music what they think it is worth. Because there is a free (though illegal and immoral) method of getting music, there is an unnatural downward pressure on the price of music.

Piracy exists BECAUSE people are paying what they think music is worth: nothing. The consumer has dictated it. People don't see an inherent value in consuming music.

But convenience is a bigger factor here and that's why streaming is as popular as it is. People are willing to throw some money for convenience.

But it doesn't change the fact that the consumer has decided that music has no value. If artists want to try and fight the future they can. They'll fall behind.
 

Pikelet

Member
Valtýr;140114254 said:
Piracy exists BECAUSE people are paying what they think music is worth: nothing. The consumer has dictated it. People don't see an inherent value in consuming music.

Strongly disagree with you here.

If people didn't see an inherent value in music, how come we paid for albums for so many decades? Was it a complete coincidence that the devaluation of music happened at the same time as the rise of online piracy?

You've got the causation all wrong here.
 

wrowa

Member
I'm sure they would be better off if people went just back to straight piracy.

Seriously though, I don't even understand how services like Spotify make money. I never had a premium account and yet I'm almost never getting any ads, so... Uh... Where's that money even coming from? Feels to me like the real issue of streaming is that not enough people can be convinceced to pay for it yet. You can't really demand more money per song when the company offering the service isn't earning enough money to pay more.
 

Pennywise

Member
Hahaha.

Well, it's not that the poaching of elephants is nonexistent in Asia (it's much more rare, given that the elephant is respected in Asia), it's just the majority of poaching elephants for ivory comes from Africa.

But he's a musician. Can't expect him not to be ignorant about the real world.

I guess he meant one of the biggest markets and consumers are chinese people.
 

Pepboy

Member
Has anyone noticed how most artists who complain about shit like this and piracy are usually once-popular artists who lost relevance years ago?

Eh.. I haven't kept up on it, but I would guess that new up and coming artists are mostly indie (begging for attention) or have given streaming rights to their labels (thus unable to say much on the matter). On the other hand, I read Taylor Swift removed her music from Spotify.

I think streaming helps new songs or bands and probably harms relatively well known bands, on the whole. For example, "What does the fox say", "All about that bass", etc probably benefited from easy searching and sharing. But by this point, what segment of music listeners haven't heard of Blink 182 and decided whether it's for them or not? There are new music listeners born every day, people finding Beatles for the first time, etc, but I think it's a small market. Thus, if streaming takes revenue away from CD sales for these artists without giving the benefit of exposure, I can see it hurting that segment of musicians.
 
'it's killing the industry!"

15 billion dollar industry that grew .5% last year.

Yeah, it aint a 38 billion dolalr industry no more, but it sure as fuck aint going away.

Adapt to new service models and get a better contract with your label, i guess.
 

daycru

Member
Any of you people forgoing a paycheck for progress' sake? No? Of course not. Not that you work in the first place.
 
Oh no, poor industry! She's so fragile!
Can anyone think of her and her feelings? ;.; What are we gonna do if she died?!?!?!?!?
 

daycru

Member
"It's the natural order of things for creative labor to be worth nothing. Except for video games, as admitting to that would get you banned, as we have several Z-grade devs hanging around. Also, your hair is dumb."
 

Moppeh

Banned
I thought Love part 1 and part 2 were both horrible. It's like Tom didn't even listen to what he was making.

At least the 3 songs released off of The Dream Walker are pretty good.

I enjoyed Part 1 quite a bit, but yeah, Part 2 was meh.

The Dream Walker sounds pretty good so far. Rubin seems to be changing up the old formula a bit, which really elevates what would be pretty bland songs.
 
http://www.youtube.com/watch?v=uePsL2ulb3M

"Everything is free now,
That's what they say.
Everything I ever done,
Gotta give it away.
Someone hit the big score.
They figured it out,
That we're gonna do it anyway,
Even if it doesn't pay."

No problem with artists saying this. It doesn't change anything; the industry still has to adapt to technology. And the record industry was never artist friendly. But that doesn't mean artists are making good money with the current system, and doesn't mean they shouldn't speak up about it.
 

ryseing

Member
I thought Love part 1 and part 2 were both horrible. It's like Tom didn't even listen to what he was making.

At least the 3 songs released off of The Dream Walker are pretty good.

Part 1 was fine. Had some interesting songs and was thematically consistent.

Part 2...scattered as hell. Songs weren't that great and felt like a mishmash.

Looks like they're going the multimedia route again with The Dream Walker, which is fine, as I quite liked the LOVE movie. But I hope it doesn't detract from the music.

Edit- oh, fuck me. I'm going to end up buying that vinyl preorder bundle, aren't I?
 

Akahige

Member
I thought Love part 1 and part 2 were both horrible. It's like Tom didn't even listen to what he was making.

At least the 3 songs released off of The Dream Walker are pretty good.
He's got Ilan Rubin on this one, the other members fucked off so maybe it will be good, not that the other members did much in terms of writing but Rubin is heavily involved with it like Stomping thr Phantom Brake Petal.
 

Diablos

Member
Well, he does have a point. If you look at music back when CD's were $17.99 (which is absurd) and compare it to the amount of revenue they get now from online services, I am sure it warps his mind.

That said the alternative is everyone just pirating it again. Times have changed, trends have changed, the economy has changed -- people really cannot afford to pay for music like they used to. It just sucks.
 

Diablos

Member
I feel kinda bad for the music industry sometimes.

But mostly I don't.
It's a double edged sword. Yes, artists got hurt big time which ultimately changed the face and overall relevancy of the industry for good. That said, the RIAA and co. overplayed their hand by deciding to sue people for outlandish amounts of money. I think that in and of itself left a bigger stain on the industry even more profound than the arrival of Napster and the subsequent digital era of piracy. To this day, it's hurting them. Really, they never should have sued anyone -- maybe the 'big fish' that were distributing the material but not everyday users just snatching stuff from P2P/torrents. That was fucking dumb.
 
CALLED THE FUCK OUT GET THAT SHIT OUTTA HERE SOCKSANDSHOES
Lipton_Kermit-630x422.png
 

Arc

Member
Tom gonna Tom. His instagram is a must follow. Plenty of videos of him and his friends getting hammered and going on sasquatch hunting camping trips. Dude is nuts.
 
In majority of the human history artisans were not "paid" for their creative works.

Most of the time they did it for free or were patronized. I argue paying musicians by songs is an anormony.
 

Einhander

Member
This is going to be a frequent occurrence now, ain't it? Established artists coming out of the woodwork to slam music streaming services?

Hey, it's a bad predicament for them, but them's the breaks. One might say that the iTunes boom brought about a natural progression to music streaming services such as Spotify. This is the inevitable trend society is heading in. You can't stop it. You certainly aren't going to get many people buying frequent music albums as they used to.
 
New Angels and Airwaves album December 9th.


Probably gonna be another clunker that I stream.

The irony in this is that he released their third album for free. That's right, you could go to their website and download it absolutely free. He encouraged people to "pay whatever they wanted for the album", but insisted that making it free was the right thing to do because he wanted as many people do hear it as possible and figured most people would download it illegally anyway.

If somebody were to pull some quotes from the interviews he conducted regarding this, we would see the hypocrisy.

Wonder what's changed between now and then? Oh, and the hyperbole here makes him sound like an asshole.

Edit: Okay, I decided not to be lazy: http://www.mtv.com/news/1632245/angels-airwaves-explain-their-free-album-logic/

“We were really interested in the one thing that ties everybody together in a very scientific way but a spiritual way,” DeLonge told MTV News about the theme of Love, which was inspired by research the singer had done on the physiological effects positive energy can have on living things. “There’s a lot about our planet we don’t know — we kind of live on Pandora.”

After the record was pushed back from its Christmas Day 2009 release date, the band decided to drop it on February 14 to continue with the love motif — and giving the album away to fans also ties into the message the band is spreading.

“Love is the connection aspect,” guitarist David Kennedy said. “And if we can empower people, we can actually distribute more records that way.”

Since the band decided to record and release the album themselves, they got promotional assistance from companies ranging from music site Fuel.tv to Accurate Fishing, a manufacturer of fishing reels.

“This is a 100 percent independent record release, and I think because of the help, it will be by far our biggest,” said DeLonge, who has often promised big things from Angels & Airwaves .

To further justify the decision to self-release Love, DeLonge discussed how labels, in their effort to stop piracy and illegal downloading, limit access to the artists’ product to try to sell what they can. This only hinders the band’s potential to reach an audience in the long run, he said.

“If we have a free record and we push it out there rather than try to stop it, not only do we think that we can probably get probably 10, 20, 30 times more people to have it,” he said. “We can also make use of technology to try to change our business model.”

I guess back then he must have had way more money and was feeling charitable and was all into that "connection to the fans through love" thing. Seems like he forgot.

What about the LOVE, DeLonge???
 
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