A great representation of the Sentai hour. A whole lot of nothing. Plus Fat Fuu...wonderful sketch. It's so bland but best represents what this block was.
Later ToonamiGAF.
AGK is one of few shows that kills off "big" characters.. and all I want to focus on is how goofy the setup was, ha.
The AgK/Bebop sketch is golden. lmao
The whole church setup feels like a poor man's "Ballad of Fallen Angels"! I'm glad my really oddly crappy drawing of Vicious didn't detract from getting the point across, lol.
The AgK and DBZ sketches killed me.
Haha, glad you liked the DBZ one too. It would have been funny if King Cold somehow got awesome whenever he held a sword... He OBVIOUSLY made it grow like 3 time's it's size just by holding it!
Who are you?
Heh, Vicious. >:B
I knew you were going to draw Fat Fuu, LOL
History's first baka gaijin weeb with his Dutch accent.
*hums Bebop Music* I had to squeeze FatFuu in there somewhere, lol. Her metabolism is nuts, gaining no weight while eating, dumping all of it around her body after losing, and being skinny 10 minutes later!
If I saw the Dutch man at an anime con, I'd wonder if he was cosplaying, or just being himself...
I wish KLK was represented more in the sketch. however, i don't blame someone for sleeping thru the Sentai Power Hour and trying to remember wtf happened to the rest of the block
It's actually kinda the opposite problem, lol. The Sentai Hour is pretty much when I'm paying the most attention lately, which means I suck at drawing until the later half of the block. Which makes it really hard to get in some KLK artwork.
And I think I might still be burnt out on KLK art after last year's multi-week Mega-pic (and 4/1 parody) for it, lol.
You need to watch the Monogatari series to see how she talks, then you'll finally understand.
I liked they way they said "FIYA!", heh. I don't think the Platinum stuff stuck with me as much, but I think part of that is because, being a guy with sisters, I was more distracted by how I'd never want to get into many of the questionable situations he fell into with his sisters, with my own, lol.
I swear no one who writes Sis-com situations must actually HAVE sisters.
So, I try to not join the mob mentality too much (I enjoyed Michiko and Hatchin way more than most, it seems), but I really do think Akame Ga Kill is another layer of awful.
Sword Art Online is junk, but at least there was some level of coherency to the conflicts there. It's undeniably a novel concept at least. AGK is just so bland in comparison. 'Stop the corrupt government!' Is about an vanilla as you can get. We also fail to see too much of this corruption first hand, or how it impacts the main cast of characters, so the empathy just isn't there. Especially when the main character isn't even from the area (so we lose anything sense of 'home' here) and doesn't have much stake in anything anyway.
Don't get me wrong, both SAO and AGK are filled with cruddy writing. It's like SAO steps up to the plate and strikes out hard, where AGK falls on its face coming out of the dugout.
I can't take AGK seriously enough to really feel it as awful, in a way? I mean, the poor moments really rub me the wrong way, sure, but I'm long past expecting better. It's just really "meh", even though I really like the drawing quality of the show at times.
I don't mind that Tatsumi isn't from the area. Everyone else is, and he just lumped into their situations, and somehow became the main star... because we need male leads, I guess?
I kinda like that Akame and Kurome have been raised with killing as a main part of their expression, and the only times they can expresses themselves to each other is through fighting to the death. But it's so... meh otherwise. I'm glad to see the manga takes this in a different direction. They were WAY too good at explaining out exactly why they felt as they did, and nothing they mentioned seemed like it truly was worth killing one another over. It would have fit the story style better if, say, after Akame left, their old friends brutally turned on Kurome, physically and sexually assaulting her until she killed them, and made them her puppets. This whole downfall was brought about because Akame left, without thinkign about how she'd shatter their mental states, leading them to all breaking down to their worse actions and desires. At least THEN I could see how she'd think her leaving was unforgivable, leading her to wanting to see her dead.
But what they showed in flashback was so... bleh.
Which also brings up the fact the second death of her Re-animated slaves was also really crappy. The laziest way to get rid of Kurome's super weapons, so that Akame could fight her on near-even ground.
I did find it funny how Wave's scream over his inability to save Kurome was pretty much perfectly cloned with Captain Puzzle in One Piece too, though, heh. David Matranga characters just couldn't get a break last night.
That's the one thing I don't understand. For a place that's supposedly mideval most of the way through, they sure have some things that are from the modern times. Pocky, ice cream, and whatnot.
Not to mention the understanding of Video game leveling, Justice Girls use of crazy near sci-fi like weapons, etc.
Basically, the lore is as poorly put together as the story: they include elements from whatever the creator finds cool, without any attempt to explain how these things exist in apparently medieval Japaurope.