Rumors of a power struggle between Pizzolatto and Fukunaga -- who directed all eight episodes of the first season and is responsible for the show's rich cinematic look -- have circulated since production got underway in early 2013. And they grew more intense when word got around that Fukunaga would not be back for season two. The director, who declined comment for this article, will remain attached as an executive producer.
Stephens says all the talk has been overblown, noting simply that tension often arises when you have a helmer from the world of film -- known as a director's medium -- working in TV, more of a writer's medium. That both men were invested in every episode added another layer of complexity. "You have two people who want to be in charge of things," he says. "But I've been in this environment before with a film director in a television world, and the results and the process were far more difficult than they were on this show.
It was always very collaborative on set, and despite the dark material we were producing, we were able to keep it light for the actors."
Several others who spent time in Louisiana suggest those occasional clashes -- which were said to have intensified during postproduction, when the two were working on opposite coasts -- could be attributed to innate differences in style as well. Pizzolatto, a more vocal, aggressive creative, thrives on discussion and debate, and New York-based Fukunaga is a calmer presence whose laid-back nature could be construed as aloof.
Pizzolatto, for his part, flatly denies any bad blood. "Cary and I worked together really smoothly," he says. "There was never any contention. Of course, you're going to have discussions and difference of opinion, but what matters is that everyone is working without ego toward the best realization of what we have." He'll be bringing in multiple directors to helm the show's second season, a decision he says is about being able to move more quickly through production. Pizzolatto might try directing an episode, too. "It's just the question of if I want to," he says. "It's certainly an ideal field to test oneself, yet at the same time I might not want to mess up my own show."