schlongdog
Banned
#BringBackRust
- Slate: Angry at the WorldSo here's the surprise twist: Rachel McAdams makes a hell of a cop. She's easily the best thing about the second season of True Detective. Her transition from mean girl to bad cop is amazing: She's a tightly wound, sarcastic loner with a thing for knives and no particular desire to hide her rage.
It's one thing for the doe-eyed starlet from The Notebook to cut it as a hard-boiled Southern California cop. It's quite another for her to be the most credible and convincing thing about the show but here we are. The new-model True Detective would be lost without her. It's an old-school anthology series, where every season is a different story with a different cast no more Matthew McConaughey and Woody Harrelson on the Louisiana bayou. Instead, it's an L.A. County criminal-conspiracy story full of philosophical speeches basically The Chinatown Monologues.
- Warming Glow: True Detective Season 2 Review: So Is This Thing Good Or What?The new season of True Detective is, especially given the burden of expectations, remarkably solid. Its not a belly flop. It lacks the obvious hook of its predecessor, but I still am eager to see how it develops. And while watching the first three episodes, all that were made available to critics, I realized it was a kind of insanity to expect more. It is a sign of how fartoo farauteur theory has come in television (and also a sign of how greattoo greatsequel mania has become) that any sane person could reasonably imagine that season two would be able to recreate the most magical and essential aspect of season one on command: the alchemical pairing of an actor like Matthew McConaughey at the height of his drawling movie star powers with a character as substantial and singular as Rust Cohle. Even the most powerful writer-king cant summon the force of the McConaissance at his will.
Heres what Ill say: I was pretty skeptical heading into this. I had real doubts about the shows ability to re-invent itself, and some of the casting, and whether Id be able to get past all the hype of the first and fatigue of the whole #TrueDetectiveSeason2 thing. But after watching the first three episodes, I can safely say Im in. There are some things that worry me a bit, sure. I watched all three episodes in a 24-hour span, and it might feel like its moving a little slow in one-hour increments spaced a week apart. And each of the four main characters is teetering a line between being complex/interesting and being a bit of a caricature. Right now theyre all on the good side of the line in my ledger, but I reserve the right to update that as the series progresses. A lot could go either way.
But is it good? Yeah, its good so far. If it all lands, it could really be something. And if it doesnt, it could really get messy. Either way, its definitely worth watching.
Damnnn. I like Sepinwall a lot, bummer.
Hudsongameoverman.jpg
Fukunaga may have worked himself to exhaustion shooting all of season 1(*), but the end result was a show that looked like incredible and distinct, and that had two magnificent performances at its heart. His replacements don't bring nearly as much to the table visually, other than a fascination with overhead shots of the LA freeway system. And where the show last season went out of its way to avoid showing you the many horrible things its heroes paid witness to, the new season has no compunctions about being graphic, including a loving glimpse of a corpse missing both eyes and its genitals.
(*) There were reports of discord between Pizzolatto and Fukunaga last season, and one of the new episodes features a visit to a film set with an Asian-American director styled to resemble Fukunaga, in a manner meant to be unflattering to one man, but which reflects more poorly on the other.
That Sepinwall review is pretty brutal.
Sounds like Pizzolatto takes a shot at Fukunaga too:
What a fucking manbaby.
Looking forward to it. Found it interesting that Colin Farrell's character works for a fictional police department compared to McAdams and Kitch's real-life police depts. Wonder why they wrote it that way.
It's mentioned in a couple of other reviews, too:That Fukunaga thing can't be true. Whaaat the hell. Awful.
Slate said:Velcoro and Bezzerides work a movie set, because, this being California, the dead city manager was also a movie producer. The detectives briefly question the director, whose film appears to be a piece of schlock. He is a tall, trim Asian fellow with, yes, a handsome man bun, making him a not particularly pointed in-joke at Fukunagas expense.
Telling a good police story is an art: The job and nature of the characters allow you to put them almost anywhere, but like a rat in a cage, once youve got em youve got to figure out what to do with them. As my video review above says, the very hardboiled and very good Season 2 debut of True Detective on HBO on June 21 very deftly takes us to some very familiar and very different places.
In distinct contrast to the testosterone-fueled Season 1 of True Detective, McAdams is the real powerhouse here in a startling performance of sheer steel and raw wounds.
That Sepinwall review is pretty brutal.
Sounds like Pizzolatto takes a shot at Fukunaga too:
What a fucking manbaby.
Going straight is a struggle for True Detective
C-
What’s lurking in the shadows of downtown L.A. is just a rack of dull suits. Corruption is a drag.
Season two is serious people doing serious things all the time. None of these characters have ever found anything funny in their lives, and none of them have anything interesting to offer one another (or us) beyond solving the case.
That Sepinwall review is pretty brutal.
Sounds like Pizzolatto takes a shot at Fukunaga too:
What a fucking manbaby.
It's mentioned in a couple of other reviews, too:
psychological horror? why you using these meaningless buzzwords brah? this show never ventured into that.
it was a straight up detective show, set in louisiana backwoods. philosophical at times though for sure, but never really ventured into psych-horror. i'd love it if he did for a season though, and gave one director control again.
i hope william friedkin directed the later episodes. the list in the OP is a bunch of flunkies.
That Fukunaga thing can't be true. Whaaat the hell. Awful.
The depiction can't be that unflattering, surely? What a stupid, petty thing to do.
That Sepinwall review is pretty brutal.
Sounds like Pizzolatto takes a shot at Fukunaga too:
What a fucking manbaby.
It's mentioned in a couple of other reviews, too:
Not really surprised if Pizza Man has flown off the rails. Idk, still hyped for Sunday but he definitely gives off an asshole vibe lmao.
What I wanna know if has it been announced if the opening song has been changed?
I don't understand this at all. I really want to believe it's just some poorly executed homage or non-malicious in-joke which went badly. It just seems so unreal. Fukunaga is still an executive producer on the show, his contributions to the first season is unquestionable. Why would Pizzaman need to take a potshot at him for no reason? Steinbeck would never have done this! T_T
EP is mostly just a title in TV. Probably just a contract thing that he gets his name on it.
Right, but you don't decide to fuck with someone who contributed to making your show a success and is still credited on it for contractual reasons. It's unprofessional and really bad form!
Right, but you don't decide to fuck with someone who contributed to making your show a success and is still credited on it for contractual reasons. It's unprofessional and really bad form!
I wonder if this will end up being the TV version of a one hit wonder.
Kind of seems generally positive, but definitely a step down. Sepinwell and AV Club being two standouts of particularly harsh opinions.