uncelestial
Member
I do think it's a bit sloppy. I haven't ever heard of a director doing an 18 hour long feature before though. I mean, damn. At any rate, I'm not 100% convinced on any of this "out of sequence" talk. We'll see.
Alright I watched The Elephant Man. Pretty powerful movie, felt a lot different than everything else I've seen from Lynch. He's a far more versatile filmmaker beyond a surrealist of Americana.
Alright I watched The Elephant Man. Pretty powerful movie, felt a lot different than everything else I've seen from Lynch. He's a far more versatile filmmaker beyond a surrealist of Americana.
I do think it's a bit sloppy. I haven't ever heard of a director doing an 18 hour long feature before though. I mean, damn. At any rate, I'm not 100% convinced on any of this "out of sequence" talk. We'll see.
See this is my thing though—The Elephant Man is pretty surreal! There are so many deeply abstracted and disorienting images, shimmering lights and magical dissolves and harrowing blacks; Splet and Lynch's sound design there is as terrifying as Eraserhead's. Plus the story isn't conventionally structured, it's very loose.
I'm still missing Lost Highway, The Straight Story and Inland Empire. But so far the films I had heard weren't "as Lynchian" absolutely have been. Dune included—Dune's thematic obsessions are thoroughly Lynchian. Harkonnen's perverted masculinity, an obsession with the subconscious, the banal horrors of industrialization.
See this is my thing though—The Elephant Man is pretty surreal! There are so many deeply abstracted and disorienting images, shimmering lights and magical dissolves and harrowing blacks; Splet and Lynch's sound design there is as terrifying as Eraserhead's. Plus the story isn't conventionally structured, it's very loose.
I mean--define hard to follow. Eraserhead is certainly not an A-B-C story but it's not forbiddingly difficult. It was a midnight circuit hit after all. Mulholland Dr you exit not being able to explain what was dream and what was real, but you can sure as hell figure out what the movie is about, what it makes you feel.Will watch The Straight Story soon. The idea of Lynch doing a Disney film still sounds funny.
I mean sure, it's still Lynch. But Elephant Man is still much more easy to follow than of his works. There are moments of surrealism and his signature style, but it's not really a tought movie to follow or anything like that.
Just a couple of days away from Part 14, and reading spoilers for it only has me even more excited.
I can't believe we're quickly approaching the end and the ride is nearly over.
I mean--define hard to follow. Eraserhead is certainly not an A-B-C story but it's not forbiddingly difficult. It was a midnight circuit hit after all. Mulholland Dr you exit not being able to explain what was dream and what was real, but you can sure as hell figure out what the movie is about, what it makes you feel.
being hard to follow isn't what defines Lynch's oeuvre. The warped masculinity, the exaggeration of the damsel/femme fatale dichotomy, the power of the subconscious, and blending the ordinary with awful violence are.
I absolutely don't want to know any spoilers, but where are you reading these? I thought even the cast doesn't really know what's coming (unless they were specifically in a scene still to come)? It sounded like at the Comic Con panel that most of them were still in the dark as far as plot goes.
I absolutely don't want to know any spoilers, but where are you reading these? I thought even the cast doesn't really know what's coming (unless they were specifically in a scene still to come)? It sounded like at the Comic Con panel that most of them were still in the dark as far as plot goes.
I'd actually be alright with that.It just occurred to me, and I'm sure it's been said before, but what if this season ends with Cooper asking "How's Annie"?
He's going to want to know right?
It just occurred to me, and I'm sure it's been said before, but what if this season ends with Cooper asking "How's Annie"?
He's going to want to know right?
Black hole sun...won't you come...
The Straight Story is wonderful and is basically one of those 90's inspirational Disney flicks but made by Lynch. His "toolset" of film techniques were largely refined by this point in his career, and his trademarks are all over the movie. These include his love for quirky characters and small towns, sentiment, and his incredible sound design. For all of his talents, I believe his ability to shape sound is my favorite. He can make a scene of a guy veering off-road on his lawnmower sound like something out of my nightmares. It's top tier Lynch.
I just watched it, pretty wonderful stuff. The final scene was one of the best endings I think I've seen in a movie in recent memory. You're right about the riding mower nearly veering off-road, the way it was edited it felt like something out of Lost Highway. hah
Now all I have left to see of Lynch's filmography is Inland Empire.
I firmly believe that the James we're seeing is his doppelganger.
Is this is a common theory?
I firmly believe that the James we're seeing is his doppelganger.
Is this is a common theory?
Is there any significance to the white powder on Anthony's jacket when Dougie starts touching/massaging him and then Anthony decides not to poison him? Or is it just Dougie getting distracted by something?
Is there any significance to the white powder on Anthony's jacket when Dougie starts touching/massaging him and then Anthony decides not to poison him? Or is it just Dougie getting distracted by something?
I wonder if Kyle actually ran into the glass door with his head? It certainly seemed very real.
Did anyone else notice Audrey reflection being slightly off when she sits down this episode? She looked younger and hardly moved, while the nonreflection was pretty erratic. Creeped me out. Maybe it was a double, or it just looks that way because it's unclear.
Is there any significance to the white powder on Anthony's jacket when Dougie starts touching/massaging him and then Anthony decides not to poison him? Or is it just Dougie getting distracted by something?
I wonder if Kyle actually ran into the glass door with his head? It certainly seemed very real.
I just watched it, pretty wonderful stuff. The final scene was one of the best endings I think I've seen in a movie in recent memory. You're right about the riding mower nearly veering off-road, the way it was edited it felt like something out of Lost Highway. hah
Now all I have left to see of Lynch's filmography is Inland Empire.
Is there any significance to the white powder on Anthony's jacket when Dougie starts touching/massaging him and then Anthony decides not to poison him? Or is it just Dougie getting distracted by something?
I wonder if Kyle actually ran into the glass door with his head? It certainly seemed very real.
Up to episode 6 in the binge watch. First time Linda has been mentioned since the opening lines of this season. She still hasn't appeared 13 episodes in.
Up to episode 6 in the binge watch. First time Linda has been mentioned since the opening lines of this season. She still hasn't appeared 13 episodes in.
Linda? you mean Diane? Why would Linda appear?
Charlene Yi maybe?
I really loved the scene where he goes in to the bar and take a drink with the other old man. The way it was filmed and paced always stays with me as the favourite part of the movie.
Episode 8 aka What The Fuck Did I Just Watch...
I love the work of David Lynch.Lucky fucker watching it for the first time. It's an orgasm.
Edit: That floating thing that puked out the straight "stuff" with Bob's head on it in Episode 8, was it the same thing that was inside the glass box?
Episode 8 aka What The Fuck Did I Just Watch...