I love when Tom Sizemore was sobbing and saying he wanted to confess-and Dougie said "Confess."
👌
"Thank you, Dougie!"
"Thank Dougie."
"Apologize to Dougie"
"I will Dougie. I will."
Anyone have a pic of this Big Ed glitch?
I love when Tom Sizemore was sobbing and saying he wanted to confess-and Dougie said "Confess."
👌
"Thank you, Dougie!"
"Thank Dougie."
Yall reaching HEAVILY with that owl business.
man fuck you man I was just about to go to sleepMFW vacillating between waiting for it to be Sunday and looking for Part 14 leaks every night this week, but I have to wake up in the morning and pretend everything is fine.
MFW vacillating between waiting for it to be Sunday and looking for Part 14 leaks every night this week, but I have to wake up in the morning and pretend everything is fine.
Sunday TV is maddening. I can't wait for it to be Sunday night but I dread having to go to sleep and wake up for work on Monday.
Dougie was so self satisfied when he said that. That was some Coop peaking through. He always relished in twisting the screws on his "suspects." Remember "She never loved you anyway"?I love when Tom Sizemore was sobbing and saying he wanted to confess-and Dougie said "Confess."
👌
"Thank you, Dougie!"
"Thank Dougie."
I was wondering if they didn't make such a big stink about Norma's pie being so good for a reason. The way Dougie seems to be seeking out cherry pie makes me wonder if one of Norma's pies doesn't end up triggering Coop's mind coming back.
Prediction: This goes down in Part 15.
I think Lynch has done an excellent job of painting this picture of loss and decline. The original series was pretty much presenting a picture of small town America and showing the hidden darkness within, and it culminates with that darkness escaping (quite literally).
And this is basically a show about what happens when 25 years have passed with this kind of darkness in the world. When the moral compass and child like innocence of a Dale Cooper is no longer present, and there's no longer someone like Laura Palmer to resist it.
And you get a Twin Peaks overrun by drugs and corrupt cops. A logging town where there's no longer a mill. Slightly off-brand cherry pie tainted by regional expansion. Tragedies repeating themself in the case of Shelly and Becky. Guys who run down children in the street while people stand by with their phones filming the whole thing. The inability after all these years for Big Ed, Norma, and Nadine to find any happiness. Jacoby going from a philosophy of peace and love to one of anger and hate.
You have Carl as this kind of this last embodiment of morality and decency but so worn down by life he can't affect change on any great scale, he can just be decent in the moment.
It's building to this crescendo of a world that needs Dale Cooper. The question is whether Lynch will give it to us.
I've been of the mindset that the cherry pie and coffee will start bringing him back (as most have). It makes sense that the best coffee and cherry pie are the ones that have to do it. Don't really know why I haven't thought that it has to be Norma's before.
We better god damn hope that Norma sticks to her guns and doesn't change the recipe.
I've been of the mindset that the cherry pie and coffee will start bringing him back (as most have). It makes sense that the best coffee and cherry pie are the ones that have to do it. Don't really know why I haven't thought that it has to be Norma's before.
We better god damn hope that Norma sticks to her guns and doesn't change the recipe.
I've been doing the same- I've seen a lot of them but it's been several years or longer in most cases, and for some- like Elephant Man- I didn't even know until recently that Lynch was the director. Blue Velvet, Mulholland Drive and Lost Highway were great, I can't find Inland Empire available for streaming though, need to track down a physical copy.So last night I finally watched Eraserhead and what was severely fucked and I loved it.
Still trying to get through every Lynch film before the season 3 finale. I've got The Straight Story, The Elephant Man, and Inland Empire left.
So last night I finally watched Eraserhead and what was severely fucked and I loved it.
Still trying to get through every Lynch film before the season 3 finale. I've got The Straight Story, The Elephant Man, and Inland Empire left.
Haha I need to know what you think of your first viewing of Inland Empire. It's basically the cinematic equivalent of your brain swallowing itself.
I feel like that would go past the point of being funny to me. The Fuscos throwing away Cooper's print results was one thing, this would be too much lolLol, now that would be something!
We see Dougie to be taken to the RR. There's the perfect cherry pie. We anticipate Dougie eating it. We anticipate him 'changing' into Cooper because of that.
Then Dougie eats it.
And...
We are told Norma changed the recipe because of pressure. And Dougie remains the same for the rest of the season.
There's a guy on Reddit theorising that we might have seen parts of the finale or the more important bits already in earlier episodes, given things are non linear. What do you make of that ?
So last night I finally watched Eraserhead and what was severely fucked and I loved it.
Still trying to get through every Lynch film before the season 3 finale. I've got The Straight Story, The Elephant Man, and Inland Empire left.
actually that's not a given. It's been speculation that lately some things were not linear, but overall the season has been linear and there's been no concrete proof anything is out of order. All except the very first scene of the season.
I think Becky's last few scenes - from the fight with Steven to her phone call with Shelly this week - have played out in reverse though.
Edit - in fact, that's probably the point. It's a vicious cycle - her scenes can be played in any order (apart from when Bobby has to go and tend to a kid with a gun, a crazy screaming driver and her zombie vomit child passenger). Net result is the same and the cycle continues.
I think the only scenes we've seen from close to the end are the opening scene with Coop and ???????, and Hawk at the Grove. Oh, and I would wager Part 8, while mostly set in the past, is foreshadowing the end of the season (is it future or is it past?).
I'm not convinced that Hawk at the Grove is out of sequence. Yes, it's weird how he says "something is supposed to be happening" and it's weird how he never brings it up again... but I don't think the coordinates point to the Grove, and I don't think it'll be part of the finale. I think somehow Hawk was tuned into something at the time when Cooper was supposed to be released from the Lodge, but Cooper never came out that night.
If the coordinates pointed to the Grove, Evil Cooper wouldn't need the coordinates.
K so... I could be in the high gaf thread, or the drunk thread... but I landed here, in Twin Peaks thread. The reasons are twofold, first I'm high and slightly drunk...and like this new Twin Peaks. The other is I was re watching episode one with my GF and she says... we should probably watch this stoned.
I can only confirm ... that she liked it and wants to see episode 2. I can also confirm that at least for me, smoking a joint before this show does the opposite of what I want! Lol. Maybe I should try again with episode 2 cuz I haven't seen it...?
K so... I could be in the high gaf thread, or the drunk thread... but I landed here, in Twin Peaks thread. The reasons are twofold, first I'm high and slightly drunk...and like this new Twin Peaks. The other is I was re watching episode one with my GF and she says... we should probably watch this stoned.
I can only confirm ... that she liked it and wants to see episode 2. I can also confirm that at least for me, smoking a joint before this show does the opposite of what I want! Lol. Maybe I should try again with episode 2 cuz I haven't seen it...?
The key being mailed to the Great Northern kinda disproves it, but I wonder if the whole town of Twin Peaks is in some kind of time loop/spacial anomaly and can't be found without specific coordinates. Why wouldn't Albert just say "hey these coordinates point to Twin Peaks, the last case that Cooper worked was there." instead of just saying somewhere in the pacific northwest?
Big Ed with that hipster haircut.
The one scene that I can recall, that I don't see a lot of debate over, is Hawk's scene in the forest where he's on call wiht Log Lady, and he approaches the entrance to the Black Lodge. We do see red curtains appear there. Now that we know scenes are being shown out of order, this could very well be a really important bit and could play into the later episodes. What do you some of you think?
EDIT: Just saw it being discussed up there. My bad.
now that we know? how do we know this?
It's obvious, isn't it? Bobby's scene is one. There are most likely others too. Even if there's no concrete evidence, there's good reason to believe it's the case. Atleast for how I saw it.
I don't think it's obvious enough to be proven. Bobby's scene doesn't connect to anything else. It could be anytime.
https://www.reddit.com/r/twinpeaks/comments/6supgh/s3e13_summary_of_loops_discontinuities_and_cycles/
I thought this was interesting in this regard.
It's obvious, isn't it? Bobby's scene is one. There are most likely others too. Even if there's no concrete evidence, there's good reason to believe it's the case. Atleast for how I saw it.
It's not obvious. It's possible, I suppose. But Bobby's comment if you ask me is likely a continuity error in the editing/placement of the scene. Just like Dougie playing catch with Sonny Jim in episode 12 yet coming back from an all nighter on episode 13.
Bobby's comment being a continuity error doesn't make a lot of sense to me. There is no reason for Bobby to be in that scene, let alone to mention the stuff of his dad's that they found. It feels like a very deliberate hint from Lynch that we aren't always being given the story in sequence. How much is out of sequence? Why? Will the payoff be satisfying? Those are the questions I am most interested in at this point.
Meh. I'm in the camp of "people are overthinking things" with that. Very likely he couldn't fit everything into episodes where he had to stop at 59 minutes and he still wanting to use them in a narrative. At least with most of it. The loop in the Palmer house with the TV is an actual loop. The thing with baseball and Dougie likely just means he went home after the dinner. Then the next day, they went and got Dougie and brought him into work - when it was the next work day and his boss was there.
MFW vacillating between waiting for it to be Sunday and looking for Part 14 leaks every night this week, but I have to wake up in the morning and pretend everything is fine.
Meh. I'm in the camp of "people are overthinking things" with that. Very likely he couldn't fit everything into episodes where he had to stop at 59 minutes and he still wanting to use them in a narrative. At least with most of it. The loop in the Palmer house with the TV is an actual loop. The thing with baseball and Dougie likely just means he went home after the dinner. Then the next day, they went and got Dougie and brought him into work - when it was the next work day and his boss was there.