Da fuck does a blue rose mean? Shit has been bugging me since watching fire walk with me.
It's basically this universe's "X-Files".
Da fuck does a blue rose mean? Shit has been bugging me since watching fire walk with me.
I feel pretty dumb for not guessing that.
Another big question. Who the hell let Bobby become a police officer? And what's up with the cock officer that was talking shit about log lady. Does he know where he lives?
I feel pretty dumb for not guessing that.
Another big question. Who the hell let Bobby become a police officer? And what's up with the cock officer that was talking shit about log lady. Does he know where he lives?
I feel pretty dumb for not guessing that.
Another big question. Who the hell let Bobby become a police officer? And what's up with the cock officer that was talking shit about log lady. Does he know where he lives?
When will Julee Cruise appear on stage
Who best to police the drug-smuggling across the border than someone with first-hand experience?
But Bobby of all people. Most likely he did turn a new leaf. Kinda felt bad after him looking at the Laura picture.
Hmm, when this creepy thing jumps inside the glass box, you can see its POV.
It's less of a second, and still it's there.
Fuck that scene is so good and hopefulRemember Major Briggs' dream?
Remember Major Briggs' dream?
As sad as that would make me, having to wait for so long, it would also be the sweetest thing everFinale probably haha
Michael Cera as Lucy and Andy's son acting like Brando in The Wild One is almost too perfect of a casting.
Can you imagine if Wally was Dick Tremayne's kid the whole time?
You do realize that article goes on to say why the audience was flat wrong and what a triumph FWWM was?
I didn't like him in this role at all. The best characters on the show play their roles straight, even if their character is a loony. Cera had that "i'm just fucking with you" tone in his voice the whole time. I like Cera, but his performance made the scene more like a parody of Twin Peaks.
Agent Jeffries was David Bowie.yeah and the fact it's cera too is a little distracting
original twin peaks was mostly unknowns
I keep getting the feeling Wally's supposed to be a parody of James.
Can you imagine if Wally was Dick Tremayne's kid the whole time?
When Lynch directed it was usually wide shots. Sometimes ultra wide.I feel like the reason some may think it doesn't feel like "Twin Peaks" is the DP (Frank Byers) isn't back. His tight shots and depth of focus is definitely different than the new series. In the original, most shots are closeups with shallow DOF. In HD now, the show is wide, further back, less depth of focus.
When Lynch directed it was usually wide shots. Sometimes ultra wide.
I don't know where else to write this so I'm going to do it here.
If it weren't for this season of Twin Peaks, I'd never have heard the absolutely incredible "SHADOWS" by Chromatics. Hell, the song may have never existed if not for this show.
It has, put into an incredibly simple song, a wide range of emotions I haven't been able to properly verbalize for the better part of three years. I'm actually tearing up writing this post.
The instrumental of the song makes me envision a life in which events play out like a movie, that everything that has happened to me in the last few years would resolve and all the strife and heartache would turn on its head like the climax of a romantic film.
I'm going to keep this fairly vague, as to not turn into a girl-gaf post, but my wife and I separated a few years back, and I'm still dealing with the emotional turmoil from the fallout of it all. We've both changed as people, but her more than I. To the point where I'm very much trying to figure out her actions and reasons for why things ended up the way they did (she's gone complete radio silence, and cut me out of her life entirely, even though things ended amicably).
The lyrics of SHADOWS, while limited, work in an incredible tandem with the sound of the song and the emotions I struggle with in trying to figure out what changed in our lives, its like some weird credits sequence playing over my life.
I don't really know where this post is going to be honest, but already being a fan of Twin Peaks prior to all of this, the mere fact this song exists and affects me so strongly is some weird side effect of amount of influence this journey has had on my life.
Music has always affected me strongly. A random lyric or song coming on the radio or random on spotify will set me into a nostalgic and reflective mood. And every time I think of or hear SHADOWS, It gives me incredible pause, like waves of understanding crashing over me.
It doesn't make anything better, or worse, actually. It just makes me feel.
I just hope it doesn't take 25 years for her to tear down the walls she's since put up.
Meanwhile.
"I've been writing it for ten years, since I finished Eraserhead. It's an absurd mystery of the strange forces of existence. It's about electricity."
"about a three-foot tall guy with red hair and physical problems, and about 60-cycle alternating current electricity."
"Its not really a violent film, but in some ways its completely abstract, like Eraserhead, I need to work with people on it who are not looking for a tremendous commercial return."
"It's the absurd mystery of the strange forces of existence...and...that's..that's..."
They're done in Lynch's style, but I don't think they're supposed to look bad. You're talking about the man who believed that his crappy DV camera's video quality actually added something to Inland Empire, giving you "lots more room to dream."of course the bad effects are intentional, all of them 100%
do you think Lynch is an amateur and/or a buffoon?
[citation needed]Mulholland Drive is basically a redo of Lost Highway, which Lynch himself considers a failure.
Yeah, I couldn't take him seriously until he started throwing up. He's much more interesting in his current, broken state. I hope he never regains his awkward swagger.Also, Evil Cooper's wig and whole demeanour are too ridiculous to take seriously.
Wouldn't be the first time. The lyrics to "Sycamore Trees" were originally dialogue written for Ronnie Rocket.BUT, I decided to re-read both scripts, and not only am I now more certain that Lynch might of been pulling this scene from how he's envisioned Ronnie Rocket, but I realized a line from the episode is literally directly lifted from the Ronnie Rocket script. There's a few lines that are used as the 'prologue' of Ronnie Rocket to introduce the world which are the same in both versions of the script, which talk about a strange world in kind of a poetic way. And literally one of the lines from this opening that's in both Ronnie Rocket scripts is said by Albert in the episode itself, The absurd mystery of the strange forces of existence, which is literally the subtitle Lynch used for his script for Ronnie Rocket. It's not a line, it was literally Ronnie Rocket's slogan which also popped up in both scripts openings.
I'm having a sneaking suspicion that Lynch is sneaking in elements of screenplays he always wanted to make but never came to exist in this new season where he's given complete creative control.
(...) He's on a street
with large low class hotels. He stands in the shadows
in front of one of the hotels and overhears a part of a
conversation between a hard low class girl and a smooth
greasy tatooed man.
GIRL
I got idea, man...you take me for a
walk ( she moves closer to the guy)
under the sycamore trees (closer)
the dark trees that blow, baby. In
the dark trees I'll see you and you'll
see me...I'll see you in the branches
that blow in the breeze...I'll see you
under the trees.
They're done in Lynch's style, but I don't think they're supposed to look bad. You're talking about the man who believed that his crappy DV camera's video quality actually added something to Inland Empire, giving you "lots more room to dream."
Lynch is an amateur animator and visual effects artist. All of his animation projects look like this or worse. He also isn't his own best editor, casting director or cinematographer. Even visionary auteurs can benefit from collaborating with people who are more experienced in their fields.
There's absolutely nothing that could be gained by intentionally making even simple stuff like the Silver Mustang Casino logo look like a joke. It's distracting and it's not something that would have happened back when it required more effort. Digital effects are a dangerous tool in Lynch's hands.
[citation needed]
I'm curious about this. When did he say that?
Yeah, I couldn't take him seriously until he started throwing up. He's much more interesting in his current, broken state. I hope he never regains his awkward swagger.
Wouldn't be the first time. The lyrics to "Sycamore Trees" were originally dialogue written for Ronnie Rocket.
Also, the other script ends with Ronnie (and the golden city with all of its characters inside him) turning into a golden egg, which is kiiiinda pushing me towards the theory that Dougie exists in a manufactured reality, even though I hope it's not true.Code:(...) He's on a street with large low class hotels. He stands in the shadows in front of one of the hotels and overhears a part of a conversation between a hard low class girl and a smooth greasy tatooed man. GIRL I got idea, man...you take me for a walk ( she moves closer to the guy) under the sycamore trees (closer) the dark trees that blow, baby. In the dark trees I'll see you and you'll see me...I'll see you in the branches that blow in the breeze...I'll see you under the trees.
Sooo anyone thinking the weird blackened guy who disappers in the cell in ep 2 = Douggie?
I know, but he was pretty flexible to the episode director. When Duwayne Dunham directed it was all really telephoto compressed shots, for example, and Tim Hunter tended to go wider for a 40s inspired style (including canted angles).I'll take your word for it, but Byers was on all 29 episodes.
Lynch was aware that the quality of that wasn't objectively the best. He said that he liked how the soft and messy look reminded him of film from the early days of cinema. I guess he came to like that look after Premonitions Following an Evil Deed.They're done in Lynch's style, but I don't think they're supposed to look bad. You're talking about the man who believed that his crappy DV camera's video quality actually added something to Inland Empire, giving you "lots more room to dream."
I was thinking the same after the opening two episodes. The way they jump between fragmentary story pieces reminded me a lot of Mulholland Drive .Also I am sort of imagining he might be pulling from some other unfinished projects, like I wouldn't be surprised if tinges of the never made Mulholland Drive TV show pop up in here in some form as an example since that was originally supposed to be a Twin Peaks spin-off.
Gold suddenly has such a major presence in the show, especially in the Dougieganger subplot (even spotlights in the roadhouse switch to golden yellow at the end of Part 3), I wouldn't be surprised if the Gold Box DVD set design became an actual part of Twin Peaks iconography.You know what, I had actually forgotten one of the Ronnie Rocket scripts ended with the main character turning into a Golden Egg. I remembered the script which ended with a Gold Planet, but forgot the egg part. Gold is playing a pretty big role so far in this season of Twin Peaks this season, and Gold played a big role in that version of Ronnie Rocket that even the ending went that way. Ronnie Rocket was also about Two Worlds which Twin Peaks ended up being about, so I'm getting the huge sensation I think this season of Twin Peaks may be Lynch finally making some of Ronnie Rocket he wanted to for years. I vaguely remembered the Sycamore Tree stuff from the Ronnie Rocket script too, but it's been a while since I read them.
We'll see where it goes, it's obvious this isn't just Ronnie Rocket but I'm thinking Lynch maybe decided to finally explore some things he wanted to explore in that film in this new season. Also I am sort of imagining he might be pulling from some other unfinished projects, like I wouldn't be surprised if tinges of the never made Mulholland Drive TV show pop up in here in some form as an example since that was originally supposed to be a Twin Peaks spin-off.
It's funny how that design used to make absolutely no sense and here we are, ten years later and gold is on its way to taking over from red and blue as the most significant color in all Twin Peaks.
Oh, wow, you're right. Somehow I never realized how unusual that looks.Chester Desmond found the ring by investigating the gold adorned RV in Fire Walk With Me.
Part 5 has popped up streaming on German Sky Go: https://www.skygo.sky.de/serie/sky-atlantic/twin-peaks-3x5--ov-/asset/seriessection/764810.html
(Obviously you have to be a subscriber to their service, in Germany, to watch)
Oh, wow, you're right. Somehow I never realized how unusual that looks.