So there's actually going to be a new episode this coming weekend right?
Yessir. Ep 5 on June 4th!
Any fellow Canadian fans here watching on CraveTV? Seriously never heard of this service until I found out it was the only legit place to stream the new episodes in Canada.
I think a lot about how Margaret, and Carl Rod, and Major Briggs, were pure of heart, but Coop was not. Perhaps because Coop was involved in infidelity. We know him to be a good person of high moral character... but we know he wasn't pure of heart, if we presume Hawk's speech about the lodge to be accurate.
And they *did* include that in the 3 minute recap showtime put out to get people up to speed for the new series. We have to presume Margaret, Carl and Garland all faced their shadow selves right?
Yes. The picture quality is terrible. Terrible.
TERRIBLE.
It is, but I've seen people say this about the new season in general? I don't care too much tbh
"Small minds"
Sorry people didn't like a movie you like. Geez.
God I'm so thirsty for me why can't it be Sunday already.
I am sort of stressing a little bit about the Blu-Ray release.
If it doesn't have both versions of Part 1 and 2 and Part 3 and 4 I am going to be upset.
I presume we'll have the same thing with 17 and 18 too. I'm definitely enjoying them more as two hour long pieces. It's really interesting to me that there are these slightly different edits already.
I just hope to heck the physical release offers BOTH versions.
I'm ambivalent about this. It's more of an homage to Lynch's filmography than an homage and successor of Twin Peaks. It's lost sight of the strong characters that accentuated the original and is focusing almost solely on the supernatural transcendental elements that was sprinkled into the original to give it mystery and an eerieness. Expanding that element onto the world stage also removes the uniqueness of the town of Twin Peaks. It's rough watching because there are hints and gleams of the original. Interactions between Lucy, Hawk and Andy bring back the quirkiness of the original, and this isn't to say new characters cannot bring back this charm, but a lot of them have no purpose other than to be killed as of now. The 3rd episode in particular made me think it was an an imitation of a Guy Maddin film, which is such an odd thing to say about Lynch's work, typically others are the imitators not Lynch.
We're 4 episodes in, give it time. Still 14 episodes to go and Lynch has said that it's essentially an 18 hour film. Episode 4 already showed signs of shifting back to some more of the old Twin Peaks feel.
Yes. The picture quality is terrible. Terrible.
TERRIBLE.
I really don't think this is ever going to shift into being like 'the old twin peaks'
It's pretty clear that Lynch went head first with the supernatural shit in the first 3 eps because well, what else do you do when your main character is stuck in the Black Lodge at the end of the last season?
Do you think the doppelganger stuff would have been wrapped up in a couple of episodes? I don't. The rumour always was that Major Briggs was supposed to go into the lodge to rescue Coop.There are countless other ways to follow up on the ending of the original series.
If the show had been renewed for a third season back in the 90s, do you think the start of season 3 would have been remotely like this?
Nobody said it's going to suddenly shift into full on old 90s Twin Peaks. All I'm saying is episode 4 had more of the humor and Twin Peaks vibe than the first 3 episodes did, and I'm sure that'll continue to come through as it progresses (along with the supernatural and abstractness we've seen as well). It's pretty clear that Lynch went head first with the supernatural shit in the first 3 eps because well, what else do you do when your main character is stuck in the Black Lodge at the end of the last season? Wouldn't make sense if they didn't double down it.
While I think the extreme emphasis and show of hand of the supernatural elements are a detriment of the first three episodes, I think the bigger issue is the scope and scale of the supernatural elements that is no longer contained to a sleepy misty logging town in Washington, but is now spread throughout America.
I am sort of stressing a little bit about the Blu-Ray release.
If it doesn't have both versions of Part 1 and 2 and Part 3 and 4 I am going to be upset.
I presume we'll have the same thing with 17 and 18 too. I'm definitely enjoying them more as two hour long pieces. It's really interesting to me that there are these slightly different edits already.
I just hope to heck the physical release offers BOTH versions.
Why is that actually a problem though?
I'm ambivalent about this. It's more of an homage to Lynch's filmography than an homage and successor of Twin Peaks. It's lost sight of the strong characters that accentuated the original and is focusing almost solely on the supernatural transcendental elements that was sprinkled into the original to give it mystery and an eerieness. Expanding that element onto the world stage also removes the uniqueness of the town of Twin Peaks. It's rough watching because there are hints and gleams of the original. Interactions between Lucy, Hawk and Andy bring back the quirkiness of the original, and this isn't to say new characters cannot bring back this charm, but a lot of them have no purpose other than to be killed as of now. The 3rd episode in particular made me think it was an an imitation of a Guy Maddin film, which is such an odd thing to say about Lynch's work, typically others are the imitators not Lynch.
Do you think the doppelganger stuff would have been wrapped up in a couple of episodes? I don't. The rumour always was that Major Briggs was supposed to go into the lodge to rescue Coop.
There are countless other ways to follow up on the ending of the original series.
If the show had been renewed for a third season back in the 90s, do you think the start of season 3 would have been remotely like this?
If we're talking about missed opportunities in the original, I just wanna say screw Annie and screw John Wheeler. Those dorks got in the way of the OTP the show spent two seasons building up to, Audrey and Cooper.
It's created a fractured format where no one place or character is important. The new characters that have been introduced have mostly be fodder, and the uniqueness that was the town of Twin Peaks has been diminished and in a way demistified.
I know and it suuuuuuuuuuuuuuuuuuucks.Kyle Maclachlan shut that shit down because his girlfriend at the time was upset about it
Kyle Maclachlan shut that shit down because his girlfriend at the time was upset about it
It's only fractured relative to the original series, not so much compared to many other modern television dramas. By episode four we're really only following three sets of characters through three different locations.
Yes there are infinite ways to make a sequel to anything. Of course. The difference is, this is Lynch/Frost telling us exactly what they want to tell us. Why should they consider what someone else may want from the show? I just don't understand fans that question the artists', the people that created the show in the first place, understanding of their own work. You don't have to like it, but that doesn't make what they are doing wrong.
We can't play the what if game. There is no way to answer those questions.
Yeah 3 and 4 aired as a feature length thing.Wait, was 3 & 4 broadcast as a continuous piece like 1 & 2? I caved and watched the episodes on the Showtime website, and it felt like each episode had finality to it, with Bang Bang Bar bookends on each episode (something Part 1 doesn't have).
But yeah, I hope that the physical version has options. Hell the Blu-Ray for the show/movie has options for each episode: With or Without Log Lady intro or "International" or normal Pilot, with and Without Log Lady Intro.
What did you make of Cooper's dark doppelgänger when you first encountered him in the script or when David and Mark told you about him?
I felt challenged, immediately. When we met initially, David said, ”We're doing Twin Peaks, I need Cooper, are you in?" And I said yes — that's a no-brainer — and then he said, ”Well, there will be a few other things, too," and he didn't go into great detail about the ”other things" that I would be doing that I can remember. But when I read it, I went, ”Oh, wow, okay." I was nervous, but I was — and am — also incredibly humbled that David would give me this opportunity to play a character that is so unlike me and anything I've done, that he believes in my ability enough to trust me to do it. Because he's got no choice! He's got me! I'm Cooper! But that he has the trust that it would work meant a lot. I still didn't know if it would work until I saw it the other night. I mean, I remember the filming of it, I remember feeling pretty good about it, but to actually see it, and see if it was successful, I was really pleased.
How did you construct the look and tone of this Dirty Cooper?
I remember in the early stages, I said to David, initially out of my own insecurity, that I thought one thing that would help would be black contacts for the eyes. I had seen it done before, used to make it feel like there was an entity in there, behind the eyes. I ran it by him. I half expected him to say no, we don't need that, but he said that might be good. So we tried a variety of contacts, from very dark to not so much and different styles. I kept asking David, ”Is this taking you out of the process, is it taking you out of the journey of this character?" And he said no, it's working great. It looks like there's a darkness there, but you're not completely sure. Everything about him is dark. My skin is mottled, my hair is greasy and kind of long. You know how Javier Bardem did it in No Country for Old Men, where he had that very specific look, where he was almost angelic, but in a demonic kind of way? We wanted something that was like that, but not too over the top. No long scraggily hair, for example. This is kind of coiffed in an awkward way. That was an important part of the look, as well. We found all these elements separately and it worked. It was a great process. I don't usually get to do that.
And obviously, we're supposed to be getting a hint of demon BOB in there, right?
Oh, yeah. Yeah.
How about the wardrobe, the shirt and jacket?
That was David. We tried a few different ones before we found the one we really liked. We went through some jewelry options that were all discarded and rightfully so. Simple is always better. It's always about finding the character without cluttering the character. In my mind, you want to put in just enough salt. You want to come up from underneath him and stop just when you find him and not go any further. Knowing when to stop is really important.
You also lower your voice, and while we get intensity, even interest in the game of staying alive and in the world, you don't play his evil with much joy for it.
Yes, I thought there should be gravity there, there should be stillness there. Rhythmically, he should be different, different on so many levels. I tend to be a little more animated in real life and when I work, and Cooper is certainly animated in life and my work. This guy doesn't have any of that. He is there to be served.
How do you conceptualize a character like this in your head? Do you think of him as a human being? A demon? An idea?
He's a shark. There's no remorse, there's no happiness, there's that quality when the shark is feeding and relishing it, the frenzy — the inhaling of someone's soul — that's him. He, for me, was real, insofar as being a living thing. But it was more about playing his force, his energy, his will. Those were the things that I hung onto, as opposed to making him real. He goes to places I haven't been much as an actor. There was a thing I did several years ago called Where the Day Takes You (1992), where I was a drug dealer. This character is kind of in that direction, but it was a long, long time ago, so this was a new place for me to go. Thank god it did. I remember thinking, if I'm going to go someplace new, who better to take me there as a director than David? Because I know I am going to be completely protected and cared for. And that's great for me as an actor I don't have to self-monitor.
New interview with Kyle at EW discussing his multiple roles in the new season
He touches on Dougie and Droolcoop as well, worth a read!
Agent Cooper is back on Earth, but he's not yet the Cooper we know. Can you describe a bit how you make sense of this Cooper?
This is a guy that is a child — not even a child, a baby, who has the focus and the capability of a baby. So if something is interesting to him, all his focus and attention is on that object for as long as it's there or until something else gets his attention. Everything is new for this character. Just the exercise of it was fun, and finding the funny quirky moments, too. And to play with tempo — how long can you play something out? And that plays into one of the things that David is so brilliant at, which is rhythm. Rhythm and tempo. So it was just great playing in that space and style that he does.
There's that moment in part 4 when Cooper takes the drink of coffee, and I thought maybe, in that moment, his mind would come rushing back.
Yeah, I thought that too. It's going to be interesting to see how that tension plays out and how the audience responds to it. I was thinking about this and how people are responding to it right now — there is just so much more to come! Each time, each part, there's going to be such new stuff. And people will go back and start to put the pieces together, they'll start assembling this story. It's unlike anything I've seen before on TV.
New interview with Kyle at EW discussing his multiple roles in the new season
He touches on Dougie and Droolcoop as well, worth a read!
This is kinda dumb and I think it might be a case where Lynch's secretive direction hurt the show. You could tell that the actors had no idea what was supposed to be happening in the red room scenes which had Kyle MacLachlan and Sheryl Lee reacting to and wildly gesticulating at an X on the curtain.What was it like to act with talking trees in the Red Room scenes?
I had no idea. It was an X on the curtain. The first time I saw the trees was when I saw it on screen at the premiere.
Was there a description in the script?
No. it was just a voice. I dont think there was even any dialogue. Yeah, that was odd.
This is kinda dumb and I think it might be a case where Lynch's secretive direction hurt the show. You could tell that the actors had no idea what was supposed to be happening in the red room scenes which had Kyle MacLachlan and Sheryl Lee reacting to and wildly gesticulating at an X on the curtain.
Yeah, but he usually doesn't direct people reacting to a special effect. I don't think he's ever done it like this, and so far all scenes of that type have been among the worst-performed/directed parts of the show. That includes the part where the couple is killed by motion blur.I don't really think it's an issue as Lynch directs in a way that's more about mood than about specifics anyways, he usually gives the actors enough to work with while not giving them everything about it. It's interesting to watch some making of videos by Lynch as he describes scenes to actors or actors who talk about working with him. Many love working with him but they're almost never given more than they need to know to be able to do the scene, but he does create an atmosphere that's fun and safe to work in and experiment with things.
I actually had read another interview recently with the actress who played Tracy who mentioned this as well, the scene where the thing in the box kills them there was just an X she mentioned as well they were reacting scared to. Lynch did actually give them a description of what was attacking them, but there was nothing actually there of course. She also mentioned that what ended up in the final cut was different than what was described to them, but she likes the final cut better than what was described. She mentioned when working with a director like Lynch you just sometimes have to trust these things mean more on a bigger scale, her exact mention was in the death scene there she is just sitting around naked and being blasted with a hose of blood and wondering how this will fit in the grand scheme of things, but she's very happy with how it turned out.
Kyle certainly makes it sound like 'Baby' Cooper won't be around for too much longer and that extended scenes with him are completely the intent, and seems he's excited for us to see what's coming up and suggest to pick up on things that start to connect.
Well /tv/ looks just as cancerous as ever.Seems at the momemt with the wait for the next episode, other than HeLLLooooOOO posting, we now have the rise of Phillip Jefferies posting hitting the madness of Twin Peaks. I am dying here.