I actually agree with what Matlock said. If this was Weezer in 1994, we'd be drooling over this.
I have been a Weezer fan since 1994, ever since Undone hit the radio-waves and Buddy Holly burned itself onto MTV history and all the way to even starting a webpage for them (remember Weezer2k?). And if you think about it, those two singles weren't exactly "brilliant." They were...in a sense...commercial pop-rock fluff. Nothing really major or deep in the lyrics, but damn catchy songs. That is what Weezer is...they rely on melody to drive their success. Now...I consider Pinkerton the anomaly...even Rivers has talked about it written in a very painful time in his life, while he was relatively young. When you're young and you're in pain, you tend to be the most inspired. For some, it ends up being really bad poetry or just general angsty emotion. For Rivers, he wrote an album that most geeks who had grown up with Blue could embrace.
The Green Album was probably the straw that broke the camel's back. Weezer fans had grown up, and were ready to see them return to take the rock crown...right where Pinkerton left off. But Rivers was no longer going through leg surgery, he was out of college, and he was starting to enjoy the success of being a "rock-star" again. It was a summer album, what I consider their "Beach Boys" album. And it very much succeeded in capturing that formula. With Ocasek back behind the producer's chair, Weezer ushered in the summer with Hash Pipe (Rivers trying to gain ground in the increasingly crowded pop-punk radio market) and Island in the Sun (meh...not a personal favorite IMO). Maladroit...well...that's the fan's album. Except...it was an experiment that went horribly awry. Rivers thought it would be fun to actually listen to the fans for once, and let them dictate what sort of album they would make. I think in a way, he knew it would turn out shit. "You guys want more solos? More guitars? A harder sound? Here, I'll let you have it." Rivers has always been Weezer, and Weezer is Rivers. But with the fans controlling his domain, everything fell apart.
Personally, I don't know where Make Believe is headed. I'm hoping it will be a return to Blue-style Weezer, but I know that's probably a long-shot. I know we will never get a Pinkerton, and I'm kind of happy for that. There's only one Pinkerton, just like there's only one OK Computer, and one White Album, or one Yankee Hotel Foxtrot. I appreciate those albums as masterpieces, and I think I would appreciate them less if they just tried to repeat those successes. Lightning in a bottle.
Anyway...those are just my thoughts. Take 'em or leave 'em. I'll turn up the radio if Beverly Hills comes on, and will probably end up buying Make Believe out of old habit, but Blue and Pink will always take the cake. Rawk.