Don Draper's Hat
Member
The only bad thing about this show is that English bloke. Terrible, terrible actor.
I think I read too much GAF... Found the first episode to be pretty weak. I'm sure you're all praising its setup and not the actual content, correct? Because the dialog and half the characters are yeeeesh, I can't believe they spent so long in production and this is the final result.
You all throw around brilliant, perfect, and hyped!1! way too much with some properties.
The only bad thing about this show is that English bloke. Terrible, terrible actor.
I think the manager woman is pretty bad. I swear she's a robot.The only bad thing about this show is that English bloke. Terrible, terrible actor.
The only bad thing about this show is that English bloke. Terrible, terrible actor.
I'm telling you, it's the writing! Listen to what they're having to deliver. At least in the pilot, it was some boring tit-for-tat going nowhere false conflict stuff to set up "the secret" and establish that they're "players in the deep game".I think the manager woman is pretty bad. I swear she's a robot.
I'm really more of a movie person so I think that affects my standards... I also grew up with cheap nineties sitcoms on cable television repeats so I burnt out young on a lot of procedural drama... On HBO alone I think Boardwalk Empire seasons 1 through 3 are perfect, da David Simon discography of Treme, The Wire, Generation Kill, and Show Me a Hero with a shoutout to The Corner are all mind meltingly wonderful, True Detective Season 1 slays as the true Twin Peaks successor, Veep and Flight of the Conchords and the first seasons of Vice Principals and Eastbound and Down are all very fun with Curb being the GOAT, Six Feet Under makes me weep and didn't have a bad season.Out of curiosity, can you name some shows that you'd consider up to your standards?
SlashFilm discusses a few different Westworld theories (most (all?) of these have been discussed in the thread already)
About the location:Ep 2 spoilers and Series speculation:
Location:So the way they entered the park doesn't really settle anything in regards to the actual location. Thet could have been a short tram ride from a spaceport, or it could have been an intercontinental bullet train going underwater. I was watching this in less than ideal conditions so I may be wrong, but I thought some of the backdrops looked like a starry sky in either the scenes with the Host, or when the two employees were hooking up.
Man in Black:Being a known quantity is not surprising to me. The fact that he has free reign is interesting. Why would he have exceptions made for him? Is he super rich and simply pays for the special treatment? If so, it seems a little odd that he wouldn't be recognizable to other guests/employees. I'm thinking of something like Bill Gates visiting Disneyland. This is possible, but kind of boring. Doesn't tie him into the event 30 years ago very well. If he was a problem, they'd probably stop letting him in. If he's a victim, it goes back into my thoughts below.
Is he a shareholder with connections? I could see a partial owner of the company being allowed to run rampant like this, but it raises questions about the maze and his goals. It would mean Ford or someone put in this special content specifically for him to solve, so he's doing it entirely for his own amusement. It removes the question of WHY the maze or whatever exists, which kills some of the mystery. The other option is he thinks the maze is a problem and he's trying to uncover it, but if he's an owner or whatever, there has to be more effective ways he could do it. How would this tie into him being involved with the event 30 years ago?
Or my favorite theory, he's a victim/casualty of whatever happened 30 years ago. Part of whatever settlement they came up with is giving him free access. Now he's just obsessed with figuring everything out, because he's mentally scarred, or he thinks he can prevent it from happening again, or is after some sick revenge. Of course, this maze being sanctioned within the game is odd. We haven't seen any employees acknowledge it though, so it could just be Ford. Maybe he's actually trying to lead the Man in Black to some specific knowledge, but has to do it circumspectly. No idea how other employees wouldn't notice the scalped host though.
Finally, he could just be a Host who registers as Human to other Hosts. In this case, it has to be something that's a secret to some employees. Again, I'd lean towards Ford fucking around behind the scenes. Maybe the Maze stuff is just a bit test he's having the Man in Black go through to prove a point of some kind.
Ford:After ep 1, I thought he might simply be a figurehead they kept around due to loyalty, but he clearly still holds power since he was able to veto that new storyline so easily. He's also apparently allowed to roam the park at will, in costume. Every other employee we've seen in the park was in normal clothing, with all nearby Hosts shut down.
The kid was strange. Not sure if him being there is a normal storyline that Guests can find, or if he's yet another exception Ford has. I forget the line about being bored, but it seemed to imply he was created by Ford. We've only seen two kids, right? This kid, and the one in the flashbacks?
Other:The stuff about the non-existent town was interesting, especially in conjunction with the black "monument". Is that the site of whatever happened 30 years ago? What could the new storyline be? How does it relate to the maze?
I was confused about the Man in Black because he seemed to imply that it was the first time he had visited that particular town, or at least, it was the first time he had known about the Host's family, yet he knew exactly what the innkeeper was doing. I may have misunderstood something in that scene.
The buried gun. This was probably artistic license, but we already know that the bullets are what really matter, not the pistol. Regardless, it's origin is what really matters. I assume what guests bring into the park is strictly controlled, so my assumption is this was left by an employee(or a Host under directions from an employee).
God help them if this really is underwater, cause the design of this place is fucking horrendous. There's no bulkheads or hatches or anything to really separate sections in the case of a major breach.
That's enough rambling for now.
I'm really more of a movie person so I think that affects my standards... I also grew up with cheap nineties sitcoms on cable television repeats so I burnt out young on a lot of procedural drama... On HBO alone I think Boardwalk Empire seasons 1 through 3 are perfect, da David Simon discography of Treme, The Wire, Generation Kill, and Show Me a Hero with a shoutout to The Corner are all mind meltingly wonderful, True Detective Season 1 slays as the true Twin Peaks successor, Veep and Flight of the Conchords and the first seasons of Vice Principals and Eastbound and Down are all very fun with Curb being the GOAT, Six Feet Under makes me weep and didn't have a bad season.
I still haven't seen Deadwood, OZ, Rome, or The Sopranos so I'm still padawan status.
That's just HBO material mind ye- still haven't seen Breaking Bad or Mad Men despite the acclaim.
Talulah Riley, Elon Musk's on-again-off-again wife.I have to ask the name of the actress who plays the blonde host. I'm not normally struck by looks or lack thereof but she is absolutely stunning.
I have to ask the name of the actress who plays the blonde host. I'm not normally struck by looks or lack thereof but she is absolutely stunning.
Talulah Riley, Elon Musk's on-again-off-again wife.
Evan Rachel Wood? She's definitely attractive.
I was wondering where I had seen that actor before. Now it all makes senseYou know Jimmi Simpson's characteris going to get corrupted by all that sin and start acting like everyone else. You don't hire Jimmi to play a straight man.
You know Jimmi Simpson's characteris going to get corrupted by all that sin and start acting like everyone else. You don't hire Jimmi to play a straight man.
Tangentially related, there's an amusing note about a Westworld TV trailer on the Delos Inc website, as well.That presentation about the new campaign was some straight up E3 DLC announcement. I guarantee the writers watched some announcement videos for inspiration.
Kinda meta with respect to HBO's programming and marketing these days, too.Youve got to be fucking kidding me This has his stink all over it. We were clear with these guys. Admissions are up, but families are down. Strategy wants a family based spot. Not some arthouse approach. Besides, Strategy is nervous that the perception of the park is just guns and sex. Big turn-off for newer guests. How about something for kids? Horses and farmers and some wholesome shit.
Ok, though, something is bothering me.. how do you regulate melee weapons such as knives? Especially when you don't know whos real or not? Like, if you were in Westworld to go on a murder spree, what happens if you assume someone is a host, stab them, and turns out they're a guest?
Replace them with something scientific so they only interact with hosts while bouncing off guests?This show is fucking great.
Ok, though, something is bothering me.. how do you regulate melee weapons such as knives? Especially when you don't know whos real or not? Like, if you were in Westworld to go on a murder spree, what happens if you assume someone is a host, stab them, and turns out they're a guest?
It just seems like something that would happen WAY too often when you consider the rate people and hosts are killing hosts all over.
Replace them with something scientific so they only interact with hosts while bouncing off guests?
Episode 2 moment:
Like when that dude stabs the hosts hand at the restaurant.. what the hell stops someone from doing that to a guest. I feel like assumptions about who's who have to be mistakenly made quite frequently.
And as they were eating with that silverware, I doubt it magically couldn't hurt a guest.
Replace them with something scientific so they only interact with hosts while bouncing off guests?
In a world with 3d printable people with AI.That would have to be some real scifi level shit where it would have to recognize that it's interacting with bio-organic human material near instantaneously and turn 'floppy' as a result.
In a world with 3d printable people with AI.
So something I was wondering. Are all the guests in the same shared space? Or does each one get their own space.
Has anyone else noticed that some of the scenes with Ed Harris are sort of played light? I think it may be the score but even when he was doing some heinous stuff in the town it felt almost comedic. Everyone else has been posting about how his scenes are the only ones with stakes but they've felt off to me. Not every one mind you but several.
Umm, pretty sure it's all one place, like a theme park
Tangentially related, there's an amusing note about a Westworld TV trailer on the Delos Inc website, as well. Kinda meta with respect to HBO's programming and marketing these days, too.
When people say the stakes are low because it's robots on loops, I feel like that they aren't grasping the point of all that. The stakes are there because of the loops. The hosts are basically in an endless sisyphean hell; it won't be pleasant when they realize that.Actually the whole premise felt a lot like Whedon's Dollhouse, just with robots instead of brain swapped people. I think my main issue with the episode was that, outside of the interactions with the Man in Black, it felt like the stakes were always low. The hosts were the characters we got most of the real interaction with but they were ultimately just running on a loop.
When people say the stakes are low because it's robots on loops, I feel like that they aren't grasping the point of all that. The stakes are there because of the loops. The hosts are basically in an endless sisyphean hell; it won't be pleasant when they realize that.
Hopkins' feedback at the end was the sickest I've ever heard from a creative director.
CUTS ME TO THE CORE
They put it up on HBO go earlythe second episode is out?! i thought it was sunday??
They put it up on HBO go early
That would be a great twist. "No way they planned this!"The 2nd episode is much better than the 1st episode. Could it be thatthe entire 'robots becoming aware of what they are" is all just Ford's new story line.
Really?They need to get rid of that english story guy.
I feel as though no progress has been made since last episode aside from showing us how the hosts are treated a bit more. I get it. I just want to see why this is all happening.
Honestly, the folks I watched it with and I had already figured most of that out out from our rewatch of the first episode.Really?
--We know Lowe has ulterior motives and is secretly interacting with Dolores-We know that "violent delights" is a trigger phrase that affects all updated hosts-And tangentially, we now have another host with budding sentience, who has gotten a deeper glimpse at her makers even more so than the father-We get a better sense of Ford's position and control in the companyWe know the actions of the Man in Black are known and sanctioned by the company
How is that no progress?
Feels like the same criticism can be laid at much of today's linear story-line "cinematic" games.
The 2nd episode is much better than the 1st episode. Could it be thatthe entire 'robots becoming aware of what they are" is all just Ford's new story line.