Melon Husk
Member
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Reminds me of Holst a bit, and very unique for the time:
We tend to think of ‘classical music’ as basically one thing that encompasses everything from 1800’s and before that is done with an orchestra, but the horn and valve system wasn’t created till 1815, so all of those big brass sections didn’t become a big thing until then (they were used sparingly before that but very limitedly).
Before that you needed a choir to get loud like with Motzart’s louder pieces (all string and choir):
The composers around that period in the mid 1800’s basically had a moment where suddenly they have a new set of instruments, that can basically blow the roof off in terms of sound while keeping the note; A french horn at full blast close up will literally leave your ears ringing for the next 5 minutes (and virtually every concert player wears earplugs).
But the ways those composers in the early years took advantage of the new technology it is kinda like looking back at the Beatles or the Beach Boys playing around with multitrack recordings, or that whole ‘wall of sound’ methodology in later music.
Stumbled into reading about Scriabin's Prometheus chord and creating a new civilization. His composition had funny timing with the fall of the Romanovs in that context. Also brought to mind Tchaikovsky