Jim Bowie said:Brittany Spears - Toxic.
SonicMegaDrive said:Oh, and I have a glaring weakness for the "Transformers: The Movie" Soundtrack.
Funnily enough, sometimes I play it at work and a customer will walk by and say "Whoa, that sounds pretty cool. What artist is this?"
:lol
SonicMegaDrive said:Oh, and I have a glaring weakness for the "Transformers: The Movie" Soundtrack.
Funnily enough, sometimes I play it at work and a customer will walk by and say "Whoa, that sounds pretty cool. What artist is this?"
:lol
I think I hate you... yeah... yeah, I do.scorcho said:i choose you Ben Folds!
ugh. i can't believe i enjoy listening to a heterosexual billy joel with less talent. wait, what?
i'm sorry, homosexual.
I second this motion.=W= said:I think I hate you... yeah... yeah, I do.
Crispy said:A Dutch band covered that song and it actually sounded pretty cool!
Wish I had an MP3 of it...but they only play it live and nobody has recorded it.
Coen said:I'm dutch and I have no idea what you're talking about? What band covered it?
Error Macro said:Dude, I am 24, and I still love Ace Of Base. It started when The Sign came out when I was 13. I play their albums regularly.
SO FUDGE YA
Crispy said:Oh my god...now I can never again peacefully masturbate!
I'll always hear the song in the back of my head...relax.....don't do it......NOOOOOO :'(
The original soundtrack to Deborah Kaplan and Harry Elfont's live-action, big-screen adaptation of Archie Comics' Josie & the Pussycats brings together the talents of, among others, Jane Wiedlin of the Go-Go's, Counting Crows' Adam Duritz, Letters to Cleo's Kay Hanley, and the production team of Babyface and his wife, Tracey Edmonds. Hanley provides the voice of Josie (played by Rachael Leigh Cook) on the Pussycats' ten songs, which include chugging, slightly punky power pop tunes like "3 Small Words" and "Spin Around." Meanwhile, Babyface's quintessentially smooth, polished sound comes to the front on "Backdoor Lover" and "Dujour Around the World," both by Du Jour, the film's boy band and the Pussycats' main competition for airplay on the radio and MTV. Impressively though not really surprisingly, considering the talent involved the soundtrack manages to pull off both the Pussycats' bouncy rock and Du Jour's pre-fab pop with equal amounts of authenticity and humor, making it the perfect complement to the film's witty and affectionate update of one of the cartoon world's first girl groups.
mightynine said:Let's see, Utada's Exodus is better than you would think, but it loses steam in the middle and I haven't had a chance to listen to the last couple of tracks. And "Easy Breezy" is a damned earworm.