Why doe Jurassic Park look better than any movie released today?

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I like Jurassic Park because a little CGI went a long way.

Spielberg knows how to blend the effects very well plus tell the stroy in a suspenseful way (If not logical which is not Spielberg's strength).

The book is much better & if they ever reboot, they need to faithfully adapt the movie. However, that in no way means the movie is bad.
 
Interesting Jurassic Park related videos:

Stop motion animation test of T-Rex walking. This was before they'd decided to pursue CGI. They were planning on working with a variant of stop motion animation called Go Motion (the difference being that some of the frames would be blurred in order to simulate motion blur). Even such a technique, based on what I can see in this video, isn't enough to achieve realism, IMO.
http://www.youtube.com/watch?v=uEK9mitagS8

They still used Go Motion to plan out some of the scenes, like the kitchen scene:
http://www.youtube.com/watch?v=7hox0UfY0YQ&feature=related

One of their early CGI tests - T-Rex walking through a field in daylight (a BIG deal back then):
http://www.youtube.com/watch?v=eQGFiRzv1hE

Crappy video quality, but it's the same scene, with a bit of a Gallimimus chase at the end.
http://www.youtube.com/watch?v=MV9Vp_lCjoc&NR=1
 
-COOLIO- said:
these look great, but they're pictures. movies are moving pictures, where cg typically has a major advantage.
Zombie James said:
What? CG is usually at it's worst when it's in motion. Motion is always the dead giveaway.
It may appear unreal, but it's also often doing things that would be crazy to pull off any other way. So I'd agree it has an advantage. Anything goes.
 
I loved all the JP movies.

JP1>>>JP3>>JP2

Id love to see a 3-d cgi dinosaur flick with all dinosaurs perfectly proportioned and more like a documentary.

I would pay good money to see it if they were willing to spend good money making it.
 
crisdecuba said:
Interesting Jurassic Park related videos:

Stop motion animation test of T-Rex walking. This was before they'd decided to pursue CGI. They were planning on working with a variant of stop motion animation called Go Motion (the difference being that some of the frames would be blurred in order to simulate motion blur). Even such a technique, based on what I can see in this video, isn't enough to achieve realism, IMO.
http://www.youtube.com/watch?v=uEK9mitagS8
That is some seriously impressive stop motion. I goddamn love stop motion. But yeah, glad they went CG for JP; it was the right choice.

EDIT -
My favourite stop motion work: Talos from Jason and the Argonauts.
http://www.youtube.com/watch?v=Q17dl_aUNf4
The jerky style of animation compliments a towering man made of bronze. First time Talos' head moved to look down at Hercules I was so frightened as a child. One of the reasons I loved Shadow of the Colossus so much was because it captured that feeling Talos gave me all those years ago.

The skeleton fight is still awesome, but I don't think it has aged quite as well (but from a logistics/technical standpoint it is more of an achievement):
http://www.youtube.com/watch?v=0gKD7qy98-E
 
lawblob said:
The kids are ridiculous, their behavior in the T-Rex scene always bothered me, though i guess the script takes some of the blame there. I just hate the way the girl fumbles with the flashlight. Seems like a kid of her age would know to not do that, etc.

I understand that kids would go into shock in that situation, but its like they do everything at every moment to impede the progress of the adults around them. /rant


As annoying as it is to watch (and I agree with you), its probably pretty realistic. Its not like the kids wil go 'oh yeah, put the flashlight down'. There is a fucking T-Rex coming at you. You'd probably shit your pants with a lion, let alone a fucking. t. rex.
 
Furret said:
Sounds like you didn't learn anything.

It was a Brachiosaurus.

Any five year old could have told you that. It's a very famous dinosaur and they specifically refer to it by name in the film.


I'm 40 this year. In school those big things with long necks and thick legs were either brontosauruses or diplodocuses. Science has developed since then, and they all have fancy names like apatosaureses blah blah.

Did you notice how I pointed out the names were probably wrong? I don't give a fuck. In my world, they are brontosauruses/diplodocuses. And spinysaurus? No, doesn't exist. T-rex is the top of the tree for meatosauruses.
 
Night_Trekker said:
This is correct. Fuck The Lost World.

The book was great, though.


The book was a mess of a thing too. Not as bad as the movie, but Crichton was talked into writing it, and it was pretty obvious from reading that he didn't care at all.
 
DrForester said:
The book was a mess of a thing too. Not as bad as the movie, but Crichton was talked into writing it, and it was pretty obvious from reading that he didn't care at all.
I felt he was reaching a bit with the active camosaurus.
 
CHdrC.jpg
 
GDGF said:
What is this sorcery?

Modern technology, imagine a movie were the Dinosaurs are only CG-generated for stuff like running very fast and jumping, the rest is done with those animatronics.

That would be awesome.
 
DrForester said:
The book was a mess of a thing too. Not as bad as the movie, but Crichton was talked into writing it, and it was pretty obvious from reading that he didn't care at all.

Bah, I enjoyed it immensely. Not the best of his books I've read, but it was pretty solid. I never did read the original JP, though.

Sho_Nuff82 said:
I felt he was reaching a bit with the active camosaurus.

Shit was cool.
 
Snuggler said:
Muldoon survives? Damn, the novel really did play out better than the movie.
Muldoon is a complete Hoss in the book, if I remember correctly while living in Kenya working for Hammond's regular zoo, he ends up fighting a lion with only a knife. And winning. On top of that, he has a huge arsenal in the book. Including rocket launchers, and the like. Pretty sure he ends up killing a few raptors with a grenade launcher.

My point? An spin off based on the guy would have been a better mark in the series than The Lost World.
 
JGS said:
Spielberg knows how to blend the effects very well
While not as bad as Lucas, it's not so much that he does it very well. But the imposed technical limitations on it force him too. If CG was at the level it is now, it probably would of been a lot different.
 
DrForester said:
The book was a mess of a thing too. Not as bad as the movie, but Crichton was talked into writing it, and it was pretty obvious from reading that he didn't care at all.
The book was a mess, but leagues better than the film was. I went opening night of "The Lost World" and left swearing up a storm because of how little they used from the book. If they followed the book, the movie would have been badass. The raptor stampede, and especially the (completely over the top yet awesome) active camo dinosaurs.

And I loved the third movie though. It basically just took a ton of the cut scenes from the first book and strung them together into a movie. Sure, the narrative was not really there, but I got what I wanted which was humans running in terror from dinosaurs.
 
The effects held up so well that my 6 year old self refused to believe it wasn't real. I was convinced they really had found dinosaurs on some forgotten island.
 
mrklaw said:
I'm 40 this year. In school those big things with long necks and thick legs were either brontosauruses or diplodocuses. Science has developed since then, and they all have fancy names like apatosaureses blah blah.
That's funny, because brontosaurus hasn't been a valid name in over one-hundred years.
 
Green Mamba said:
That's funny, because brontosaurus hasn't been a valid name in over one-hundred years.

Do you carry sharpies with you when you visit science museums?

This is a country where 50% of the population thinks Jesus rode a dinosaur. Let's take what we can get.
 
mrklaw said:
I'm 40 this year. In school those big things with long necks and thick legs were either brontosauruses or diplodocuses. Science has developed since then, and they all have fancy names like apatosaureses blah blah.

Did you notice how I pointed out the names were probably wrong? I don't give a fuck. In my world, they are brontosauruses/diplodocuses. And spinysaurus? No, doesn't exist. T-rex is the top of the tree for meatosauruses.

Your celebration of ignorance is really distasteful.

Brachiosaurus has been known about since the turn of the century and certainly while you were at school would have been famous for being the largest commonly known dinosaur.
 
shintoki said:
While not as bad as Lucas, it's not so much that he does it very well. But the imposed technical limitations on it force him too. If CG was at the level it is now, it probably would of been a lot different.

Indeed. Look at Indy 4 for instance, I wouldn't say CG blended well at all there. :P On the other hand I look at something like A.I. and the CG work is still flawless.
 
jett said:
Indeed. Look at Indy 4 for instance, I wouldn't say CG blended well at all there. :P On the other hand I look at something like A.I. and the CG work is still flawless.

Keep in mind I haven't seen Indy 4, but... Spielberg has always intentionally used less impressive effects in the Indiana Jones films. If you look at any of the films and compare their effects to any of his others during that time period, they will inevitably come off as very awkward or silly. I remember reading a discussion between Spielberg and Lucas in which they talked about using 'old-school' techniques for the effects as an homage to the sort of pulp novels and serials that inspired the creation of the series.
 
Medalion said:
If JP was remade today, you better believe it would be a CG fuck fest that looked dated in no time

I doubt it. Spielberg seems to have a good handle on how to apply effects to his films. Unless he intentionally is doing something to look old, as in the Indiana Jones films, he appear to know how far to push something and when to pull back - whether he does that by subtraction or through the use of models or animatronics.
 
Joe Shlabotnik said:
CG realism is really a matter of resources and time. Jurassic Park's quality is partly due to it being comparatively less CG-intense than most recent FX-heavy movies, but also because ILM and Spielberg were able to give it their undivided attention. Most special effects companies are simply stretched too thin now to produce that kind of work regularly.

Yep. Good CGI is expensive but it can look incredible in the hands of the right people. Take Avatar, photorealistic jungles, photorealistic CGI characters and animals, everything in 3D. The vast majority of the movie was done on the computer, no animatronics whatsoever and it all looked magnificent.

CGI is not a problem, but BAD CGI is. There are too many action movies that rely heavily on CGI but not enough time and effort is spent on the CGI because the producers/studio don't want to spend the dough. Good CGI is invisible, but bad CGI sticks out like a sore thumb and that's what people remember in discussions like these.
 
Vinci said:
Keep in mind I haven't seen Indy 4, but... Spielberg has always intentionally used less impressive effects in the Indiana Jones films. If you look at any of the films and compare their effects to any of his others during that time period, they will inevitably come off as very awkward or silly. I remember reading a discussion between Spielberg and Lucas in which they talked about using 'old-school' techniques for the effects as an homage to the sort of pulp novels and serials that inspired the creation of the series.

Do you have a source for this?

I think you've become confused over the use of the term "old school techniques".

Indiana Jones always had very good effects for the time, well above the average (ILM were largely peerless during the '80s).

What comparable films are you suggesting looked better?
 
Furret said:
Do you have a source for this?

I think you've become confused over the use of the term "old school techniques".

Indiana Jones always had very good effects for the time, well above the average (ILM were largely peerless during the '80s).

What comparable films are you suggesting looked better?

I don't have a source for this. This is based on recollection. For all I know, I'm remembering it wrong - it was some time ago when I came across this. But I do have a strong memory of that exchange, that they were very interested in capturing the look and feel of pulp novels and serials with Indiana Jones and that meant toning down the special effects.

I'm by no means a Spielberg fanatic, so I've no reason to believe my mind is simply playing tricks on me. But no, I don't know where I read this originally. You are free to say you don't believe it if you like; I've no evidence to support my memory.
 
Vinci said:
I don't have a source for this. This is based on recollection. For all I know, I'm remembering it wrong - it was some time ago when I came across this. But I do have a strong memory of that exchange, that they were very interested in capturing the look and feel of pulp novels and serials with Indiana Jones and that meant toning down the special effects.

I'm by no means a Spielberg fanatic, so I've no reason to believe my mind is simply playing tricks on me. But no, I don't know where I read this originally. You are free to say you don't believe it if you like; I've no evidence to support my memory.

I suspect you're mixing up comments they made from Indy 4 (where they did talk, well lie, about using old school practical effects) and them talking about the old films.

The original Indiana Jones films were state of the art at the time and I've never heard anyone suggest otherwise - either viewers or the film makers.

They certainly did want to evoke the atmosphere of the old pulps but not by using purposefully sub par effects.

Compare Raiders to something like George Pal's Doc Savage and you'd think there was 30 years between the two films, not six.
 
Furret said:
I suspect you're mixing up comments they made from Indy 4 (where they did talk, well lie, about using old school practical effects) and them talking about the old films.

That's the thing: I've had this in my head for far longer than that. Since the Temple of Doom era, if not longer.

The original Indiana Jones films were state of the art at the time and I've never heard anyone suggest otherwise - either viewers or the film makers.

They certainly did want to evoke the atmosphere of the old pulps but not by using purposefully sub par effects.

Compare Raiders to something like George Pal's Doc Savage and you'd think there was 30 years between the two films, not six.

It's quite possible I'm remembering this wrong. I'm just saying that it's something I do recall them mentioning, whether I'm remembering the exact phrases wrong or not. Whatever the case, it's not a huge deal to me. Odds are I'm remembering some aspect of the conversation wrong. Jett's comment simply brought it back into my head.
 
Vinci said:
That's the thing: I've had this in my head for far longer than that. Since the Temple of Doom era, if not longer.



It's quite possible I'm remembering this wrong. I'm just saying that it's something I do recall them mentioning, whether I'm remembering the exact phrases wrong or not. Whatever the case, it's not a huge deal to me. Odds are I'm remembering some aspect of the conversation wrong. Jett's comment simply brought it back into my head.

You must've got the wrong end of the stick somewhere, the mine cart chase in the Temple of Doom was a minor milestone in special effects.

(Not to mention video game bonus levels.)
 
Because current directors emphatically believe CGI looks real, even though it doesn't.

JP was a lot better about disguising it's CGI to be less obvious (presumably because they were aware if you put a CGI dinosaur right next to an actor in a close up, it would be obvious it wasn't real.).
 
Count Dookkake said:
Pretty certain Spielberg was talking about the map transitions, like the wipes in Star Wars.

That's perhaps what it was. I don't recall the particulars - it's been a long while since I came across that interview.

Furret said:
You must've got the wrong end of the stick somewhere, the mine cart chase in the Temple of Doom was a minor milestone in special effects.

(Not to mention video game bonus levels.)

It's quite possible, that's true. I notice he said something about wanting Indy 4 to look similar to the older films, but I cannot find anything confirming what I said about those films particularly. So I have to assume that I'm remembering some aspect of the conversation wrong.

Oh well.
 
District 9's CG was outstanding. Also, despite the hate for the movies in general, the CG in many of the shots in the two Transformers films were excellent.

King King also had some damn-amazing CG as well. WETA are definitely quite the talented bunch.
 
RSP said:
You don't need a lot of CGI to make a good movie. I'd take animatronics over CGI any time.


This is rather close minded.


I will take the best means to accomplish a task, personally.

Some tasks are better served by CG, others by models and animatronics. It all depends on what the film makers want.

Some of the best special effects artists, like the great Phil Tippet, were able to make the transition from oldschool to newschool quite effortlessly.

If you asked Tippet to accomplish something like Starship Troopers with 1980s techniques only, he's probably shit in your mouth.
 
Even though District 9 had very good CGI, it impresses me on a whole different level. I really do appreciate the artists and the amount of effort they put into their work, but like other films with "amazing" effects recently, they don't excite me in the same way movies like Jurassic Park did. I still do think that movies like Jurassic Park greatly benefit from the element of suprise, when you finally get to see the T-Rex.

Edit: Weird sentence.
 
Vinci said:
I doubt it. Spielberg seems to have a good handle on how to apply effects to his films. Unless he intentionally is doing something to look old, as in the Indiana Jones films, he appear to know how far to push something and when to pull back - whether he does that by subtraction or through the use of models or animatronics.
I am not talking about if JP never existed and then was made today, I am talking about a Jurassic Park reboot... different people, director etc etc

It would be a CG orgy that would fuck your eye-sockets out
 
Medalion said:
I am not talking about if JP never existed and then was made today, I am talking about a Jurassic Park reboot... different people, director etc etc

It would be a CG orgy that would fuck your eye-sockets out

Oh, well yeah. As Spielberg has said, and I agree with him on this matter, many directors don't know how to properly utilize special effects.
 
Furret said:
Your celebration of ignorance is really distasteful.

Brachiosaurus has been known about since the turn of the century and certainly while you were at school would have been famous for being the largest commonly known dinosaur.

FFS. we didn't do dinosaurs in depth. I was a child. Big fucking dinosaurs, thats all. I pointed out that I didn't care what they are called now which means I understand that naming has changed. I'm not celebrating my ignorance, I was merely pre-empting the onslaught of the pedants.

my favourite dinosaur when I was little was the Stegosaurus. God knows what its called these days.
 
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