Ooh, he worked on Honey & Clover.
More than that, he animated episode 7 of the first season all by himself.
Ooh, he worked on Honey & Clover.
Wooo, i'm glad you liked it! It's such a great work, and I was a mess after I watched it because I did nothing but sit there and evaluate my life and past unrequited feelings for a week and got horribly depressed, but then rebounded quickly anyways. It was an experience, and man is it just a good experience.
Now watch The Place Promised in Our Early Days.
Black★Rock Shooter 01: I get the impression that I should maybe watch the OVA?
:O Holy crap. I'm surprised that video you posted didn't include the scene of Hagu crying. JC Staff should have tried to keep him, unless he is freelance.More than that, he animated episode 7 of the first season all by himself.
I agree wholeheartedly. It was absolutely fantastic.I just thought how it was a total accident was great. On one hand it's an underwhelming setup, but on the other it perfectly shows how the most insignificant thoughts can lead into a tragic situation when dealing with a Geass.
lol
One of the Persona 4 scriptwriters is calling out Guilty Crown for having a bad scenario. He did like the animation though.
lol
One of the Persona 4 scriptwriters is calling out Guilty Crown for having a bad scenario. He did like the animation though.
I'm so close to starting the P4 anime. I'm down for some indulgence.
Dresden will like it though.
lol
One of the Persona 4 scriptwriters is calling out Guilty Crown for having a bad scenario. He did like the animation though.
I'm sorry cosmic; I'm with you on Geass, but you're on your own with GC.Guilty Crown 15
I am legitimately baffled that people are saying this has gotten worse. I honestly didn't expect it to get this good at all.
Isn't really fair considering they got the game as source they can follow whereas guilty crown isall original.
Just watch 13-15 and you're all set.
That wheelchair girl totally looks like she's going to grow some segway wheels for feet. Losing interest.
Quote unquote original.Isn't really fair considering they got the game as source they can follow whereas guilty crown is all original.
Chihaya 17
So basically now we get a training arc so Chihaya can power up enough to take on the big bad. I liked this show a lot better when it was more about the characters and less about Karuta power levels.
Kissing or attempted rape or it didn't happen.
two girls in one show with no obvious male love interest = undoubtedly lesbian.
It is known.
It's been about karuta power levels for some time, but the better episodes weave it in more naturally with the story and characters.
Lol. I made that same mistake with Ep11-12. After that though, never again. Lol.
Black Rock Shooter 01:
was pretty laughable and a cheap way toWheelchair bitch, but it had to happen somehow and it's at least better thanput a wedge between Mato and Yomi's friendshipfrom the OVA.the friendship jealousy bullshit
It's the first newtaminA show that doesn't feel like it's trying too hard.
I'm sorry, at least No.6 and Guilty Crown had nice art. BRS, outside of the fantasy world, had really bad art and laughable animation. I don't love action sequences quite enough to forgive something like that.
Really? I can't see how a cliched anime villain appearing from nowhere is better than a naturally developed obstacle.
Garzey's Wing 2
The selected quotes of Lord Chris:
"You certainly got sexy!"
"Why can't you do something for us mister Yamato-takeru-nomikoto?!"
"I'm just half. I can't act like an ancient japanese man. Oh no, damn you. You bastard!"
"Shit! Then can you make a gun?"
oh god ahahhaha at the weaponised cocaine. "If you taste it or smoke it, you get happy and do crazy things."
Well I had pretty much the opposite reaction to the episode, so I dunno.Guilty Crown 15
Holy shit! I think it's clear now why Shu looks so pissed in the OP
I guess this makes Hare the Shirley of Guilty Crown. I honestly think it's more effective. I was seriously close to tearing up when she started crawling toward Shu and talking about the king book. Then Shu's reaction was gold. Dem dead eyes.
I am legitimately baffled that people are saying this has gotten worse. I honestly didn't expect it to get this good at all.
Ugh. The PV for Gyo looks pretty bad.
Problem is I feel like I've seen everything thanks to that trailer. It's like Hollywood movie trailers are infecting Japan. D:
Right, he specialises in suspense. That trailer has no suspense.Damn, lotta people ITT need to read Gyo. The brilliance of Ito knows no bounds.
guilty crown 15
the childhood friend finally admits feelings for shu. show proceeds to kill her off in the dumbest way ever.
i'm completely blown away with the capacity of this show to get even shittier with each and every episode. i... i just can't bring myself to watch this horrendous piece of shit anymore. it's so goddamn fucking awful. dropped.
I didn't find theparticularly natural in the OVA. I'm not saying that wheelchair girl is at all subtle in her purpose or character, but Yomi's levels of overreaction in the OVA hurt the believability of her dispute with Mato for me.extreme levels of jealousy and feelings of abandonment from Yomi
Oh, I think you're right.
Regardless, it's an exquisite movieso I really can't wait to own it in non-crappy form. :3and I've watched it twice over the past two days! with that stupid end credits song!
Only one more to go, prepare yourself for one of the greatest endings in anime!Garzey's Wing 2
The selected quotes of Lord Chris:
"You certainly got sexy!"
"Why can't you do something for us mister Yamato-takeru-nomikoto?!"
"I'm just half. I can't act like an ancient japanese man. Oh no, damn you. You bastard!"
"Shit! Then can you make a gun?"
oh god ahahhaha at the weaponised cocaine. "If you taste it or smoke it, you get happy and do crazy things."
all of them
"knew all about it" sorta makes it sound like they're fans.
Older than print? But the Tale of Genji was originally a printed book...One of the most famous, especially in Japan, is the 11th century Tale of Genji, where the titular character kidnaps a girl from a life of poverty at a young age and then raises her to eventually be his wife. This tactic is even called the Hikaru Genji Plan when used in literature. This shit is older than print.
Agreed, yes. It is a funny show, but it's no competition for Nichijou, not even close.Daily Lives of High School Boys 4
I can't really call this the "superior Nichijou" as some here have. I was one of the ones for whom Nichijou's gags worked most of the time, and I'm not finding this much funnier. Plus, comparing the audiovisual excellence of the former show to the mediocrity of the current show in those areas does it no favors. The backgrounds are minimal to an almost distracting degree. The rooms the boys hang out in at home look too empty to be living spaces. A certain rough energy to the character designs - something that came out in the fight scene in this episode - does save the visuals from complete drabness.
It is a fun watch. Its style of humor, based around awkward personal interactions, suits me to the point where I even laughed at the pre-OP scene, despite its lack of a real punchline. Most of the VAs do a good job, although there's not enough Sugita. (You can never have too much Sugita.)
They totally ripped that one joke from Gintama.
I don't understand why this series is a retelling of the OVA, when the main problem with the OVA was that it felt like the first part of a longer series... I really hope that they extend it and make it feel more like a complete story this time. I was hoping it'd be a sequel to the OVA, really, but we'll see how this works.Sort of. It's a re-imagination of the OVA story, so it starts from the beginning, but there are more character relationships and stuff. The wheelchair girl is Yomi's friend, who presumably wants to keep Mato away so she can have Yomi to herself, Mato already knows Yuu since they're both in the basketball club, and this is before she and Yomi become close friends apparently. There's also a school counselor and a senior in the basketball club.
Yeah, as I said above, that last paragraph was how I felt about the 2010 OVA too -- it felt like a solid first episode of a longer series. It's not a very good stand-alone story, though, which is why I was hoping the new series would be the sequel it needed... hopefully it continues past that point this time, but eight episodes isn't that many.Black★Rock Shooter (OVA/2010)
After watching it again for the first time in more than a year, it occurs to me that the budget for this OVA could not have been that high. Much to it's credit, it makes the most of it's budget, smoothly meshing 3DCG backgrounds and 2D characters. Some of the fight animation is a bit choppy but more than plenty serviceable. The art design itself is intentionally heavily stylized in Otherworld but relatively straightfoward in the real world. Mato is voiced by Kana in MAXIMUM HNNNNNNG Mode and is paired with a workmanlike performance from Miyuki Sawashiro (the voice of Kanbaru) as Yomi. Since Kana is also the voice of Nadeko, this pairing represents two members of Araragi's harem reuniting in this OVA. ryo of Supercell of course contributes the excellent soundtrack music and composed the ED "Braveheart" for The Gomband.
The B★RS OVA is a successful project simply because it doesn't try to be more than anything it is. The story is intentionally as simple as possible in the real world, but pairs that straightfoward aspect with the fantastic nature of the Otherworld. By keeping it simple, the story allows basic emotions to flow freely within it's framework and prevents pretense from dragging the narrative down, such as it is. Also, it has YURI SUBTEXT. Everything is better with lesbians, or so I am led to believe!
The character designs are of course notable, especially the one for Black★Rock Shooter herself. As an advanced moetron prototype, B★RS contains a number of pleasing aspects in her design. She is, to put it simply, a pale gothic twin-tailed loli wearing a string bikini and short shorts wielding a huge gun which transforms into a huge sword. The designs for Dead Master and Yuu's "other self" are also distinctive, which again off-set the relatively straightforward designs for Mato, Yomi, and Yuu in the real world. What makes the character designs work is the intentional way that everybody's Otherworld selves are stylized versions of their real selves, making them both recognizable and unique at the same time.
The OVA always felt like a condensed or abbreviated version of a full story, as demonstrated by the unresolved appearance of Yuu's "other self" interspersed throughout the 52-minutes long animation. Also, there's a short after-credits sequence which implies there was more story to tell. Hopefully with a full 8 episodes, the B★RS anime will be able to give us the rest of the story that was only hinted at in the OVA.
No, IS deserves another season more than Horizon for sure...We can only hope Horizon meets the same fate as IS.
Plus she's emotionally crippled as well.That's just her persona/alternate universe ghost/whatever. I'm fairly sure she'll be crippled forever in the real world.
Well I had pretty much the opposite reaction to the episode, so I dunno.
They should have just called Hare "Lamb". This whole time she has been the boring childhood friend character whose personality is "nice". She never says anything that could remotely be taken as anything other than caring to try and make her death a bigger deal, but I just didn't care. I would maybe go so far as to say that I have never been more indifferent to watching a character die. Her death was slow, stupid, and thrust into the plot because we have to hit some kind of turning point for Shu. As she went through the whole self sacrifice routine I pretty much just went, "Hey, can we speed this up? I get it. Maybe if her brain was a quarter of the size of her chest she could have just healed herself and then Shu, and they wouldn't have to go through the contrivance of killing her twice."
But then the episode was also just stupid for so many other reasons, as Guilty Crown usually is. Shu can pretty much stomp through anything and he has an obscene number of tools at hand, but somehow they can't get enough medicine, or break out of the quarantine zone. Why did Inori not want Shu to draw her void in the middle of a battlefield? Because the writers couldn't think of anything better to help show Shu acting like a completely different person even though there wasn't any real build up to that. Oh, and to nail in the character shift the writers had Shu do the whole cliched blaming somebody else for the death of his friend, where he beat them up crying out for him to bring her back from the dead.
This show doesn't do anything well. Even its shock value falls completely flat because of the contrivances the show stretches to in order to accommodate the way they want the plot to move. It's pretty pitiful, but the show has stepped off some kind of precipice, so at the very least I hope its new direction will offer something more cogent. I am pretty ready to give up on the show though.