Wolf's Rain - 1
Here's another show that I was introduced to some ten years ago, but never followed up on. I seem to remember buying the first single from Bandai and being really interested, but for whatever reason, never following through with the rest of the series. I'm sure so many of these instances exist for me since the price point of $24.99 or more for four episodes in my youth was unreasonable— despite my enthusiasm for the series. At any rate, with names like Tensai Okamura, Keiko Nobumoto, and Dai Sato attached to the project, I thought this one deserved to be rediscovered.
The characters of Wolf's Rain are immediately familiar thanks to Toshihiro Kawamoto's character design and the memorable work he did with titles like
Cowboy Bebop and
Golden Boy. Kawamoto was also the animation director of this episode as he similarly was for the premier episode of Cowboy Bebop as well as the shows more memorable episodes. His style and influence is very clear and robust here. The dystopian landscape is only a hop, skip, and jump from the ones in Bebop as well. Architecture of street corners and taverns are cracked and splintered with wear and have a very lived in feel. The look of this style coupled with the sound direction and Yoko Kanno's dreamy score create a beautiful juxtaposition that lends well to the narrative points of searching for a paradise. One look at sound director Kazuhiro Wakabayashi pedigree (an apparent frequent Okamura collaborater with
Darker than Black and it's sequels as well as Kenji Kamiyama with
Moribito and
Ghost in the Shell: Stand Alone Complex amongst others) and it's obvious that Wolf's Rain should feature an impressive aural accompaniment. And, judging by the first episode, it does. This first episode is rife with great to serviceable animation and art throughout as well.
As a first episode, there was a lot going on here. It competently balanced between lore building and a slight air of mysticism with the main cast building through their actions and inaction's and a little bit of obtuse exposition from other characters. Nobumoto wrote this first episode and Yoshiyuki Takei directed it and who, like Kawamoto, also all worked in these respective roles on Bebop's first episode. I think one of Nobumoto's strengths in script is her pacing. By the half-way point, we've already seen so much and the narrative has time to breath without feeling like it rushed to get to that point (something Asteroid Blues also did very well).
The wolves and their plight are an interesting enough story; I'm looking forward to seeing how and if it lives up to it's potential.