There are some un-animated chapters across the series that could be used for Specials, otherwise it'll have to wait a few years for Ume-sensei to really progress the story after Sae and Hiro's graduation.
Yeah, I remember talking to Mandoric about this. I assume there will be another season to make out of Yuno's last year and her own graduation. Also a chance to introduce two new girls as well I suppose.
Shaft has pretty much been in the doldrums since 2011. There's a big quality gap between Hidamari Sketch/Sayonara Zetsubou Sensei/Bakemonogatari/Soredemo and Denpa Onna/Sasami-san/-Monogatari post Bake/Nisekoi/Mekaku City Actors.
Well, I feel like I'm clear on where I stand with Monogatari, so I'll just say that I think Sasami-san worked out well, and of course, Rebellion was art.
Honnestly i don't think there are that much nerd references in it. I don't think saekano is even worth it , if you watch it expecting a comedy . I don't remember laughing or smiling in the 4 eps i saw .. but i can say i enjoyed it despite that.
Earlier you used nozaki-kun as an exemple. ..nozaki-kun used clear anime/manga tropes and remixed it for comedic effects ..i mean it starts on a generic confession failure. The rest of the show is either good remixes in context or out of context or maybe the show putting itself in clear opposition in order to enhance the misunderstanding or the comic aspect.
Saekano does nothing of the sort... It doesn't even try to put his own spin on the generic anime tropes it uses.. i feel that it's not the point .All saekano has for itself , is blanter talk , talkbacks and the fact that they acknowledge out loud that they are doing nothing special.
Now having and visual novels references when the plot require the creation of a VN is kinda a given , the show uses it because at this point it's expected.
But at this point , given the medium , those light references are coming at full force on various anime, from steins gate to no game no life., d-frag , hayate no gotoku , nozaki-kun and the list goes on( basicly every anime featuring characters from our reality ).
You can fear this change , but as it stands , saekano is not going to set the world on fire , so i doubt it would have that much impact on the future , it's more like saekano is the result of the changes that happenned many years ago already
Saekano is perhaps loosely categorized as a romantic comedy with a harem, so it's not overtly trying to hit comedic beats, but it's trying to make the relationships between the male lead and the female leads amusing to watch.
My problem is when you have characters who exist strictly to make self-aware nerd jokes. Like in episode 2 or 3, the dude literally says the tired "I like 2d more than 3d" line to the boring girl and she just goes with it because he's a nerd and that's what nerds say. And you're supposed to find it funny because you're a nerd and you feel the same way, even ironically.
Maybe it's an age thing, where I've been able to see the rise of reference culture from its nascent beginnings to the peak of reference culture in games like
Meme Run or
The Lego Movie. Or god, even
Ready Player One. It becomes like nails on a chalkboard at some point, because it never feels natural.
We've gone from white guys in a convenience store talking about whether or not Luke Skywalker should feel guilty about killing all those Stormtroopers on the first Death Star to people making jokes about how they make Star Wars jokes.
So many bases to capture and towers to scan maps with.
So many head tilts to collect.
shaft stans really need to watch shinbos earlier stuff and/or
read this at the very least
After Cossette, Shinbo joined minor subcontractor Studio SHAFT. He and directors Tatsuya Oishi and Shin Oonuma teamed up and formed ‘Team Shinbo’. They intended to revamp the studio and train all of the staff in a single, distinctive directorial paradigm that mixed Shinbo’s, Oishi’s, and Oonuma’s styles together. Shinbo changed careers from a prolific storyboarder to something of a producer, managing the studio’s projects, training the younger talent, and coming up with the ideas that other directors put into practice.
I mean, even without being a staff whore, I could easily see this through the proliferation of the style in post-Shaft works.
It's the Hans Zimmer method of composing film scores, but applied to anime. lol