If you're talking about Adult Gon, then he never felt "out of control". He didn't attack his comrades nor was he running around screaming like an idiot. He really wanted to kill one specific person, so he willingly sacrificed his entire future to do so. Plus while in that powered up form, he was was silent and collected. That isn't a "I have so much power, I can't control it, DARK *insert character name* RISING" circumstance that I feel Naruto and Bleach made popular within the last decade or so. It was more of an equivalent exchange (that reminds me, FMA doesn't fall for this trope either).
This is a great comedy. It has been consistently funny, cute and well presented so far. Ika Musume is such a lovely character, her innocence makes for a lot of the fun. Rest of them are alright but Ika Musume is the star of the show. True to its name.
This show is better than it has any right to be. Like, on paper it just sounds like the shittiest show, but it flows surprisingly well. Mixes action and comedy pretty decently too, which is better than what most anime can manage this season. The budget is kind of on the lowish side, but they make the most of it.
EDIT: Oh yeah, the mad scientist character is great. They're garbage like 99.99% of the time, but Uzal's solid
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
Damn. I don't even feel like I need to say anything. By far the best episode of the series, but what is most shocking to me having finally watched this in context rather than just watching the duel scene for action animation, is that this isn't a great episode just because it has surprisingly above average production values compared to the rest of the series - this is a great episode because it is an excellent culmination of all the plot threads from the last 6 episodes. It is also not a sudden spike in terms of quality for the series, but a bounce in a series which has been more and more entertaining steadily. But goddamn. The direction. The animation. The writing. I loved how it tied up stuff for all the three main leads. The animation and art isn't just great during action too. There are a bunch of quieter character moments which had fantastic quality to them.
Yeah its an incredible payoff. I remember watching it close to Unlimited Blade Works and thinking the Fight choreography and the emotional investment is so much higher in this(Garo) yet only a fraction of the people will watch it compared to UBW.
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
The horror in this episode is my favorite in the entire series so far. Both in design and in animation, it has this really cool giant monster vibe that reminds me of good FF summon designs - Leviathan in particular. It's nice to see Alfonso and Leon meet again after all this time, and I'm constantly surprised by how mature the characters can be on this show. It's always easy to manufacture drama in entertainment using misunderstandings and unreasonable behavior, but Garo always seems to treat characters in a measured tone even with their exaggerated personalities, and seeing characters being able to just sit down and talk through things is so much more enjoyable than getting Mari Okada'd.
The events in this episode were pretty predictable, but they've done such a great job of building up this overall arc that it was pretty painful to watch. I think on its own, Leon losing Lara would not have the full emotional impact if he simply failed to protect her, but seeing the last scene where Alfonso realizes that he too had failed to protect someone important to Leon really showcases the strength of having dual protagonists on the show.
Garo the Animation - Episode 18
Damn. I don't even feel like I need to say anything. By far the best episode of the series, but what is most shocking to me having finally watched this in context rather than just watching the duel scene for action animation, is that this isn't a great episode just because it has surprisingly above average production values compared to the rest of the series - this is a great episode because it is an excellent culmination of all the plot threads from the last 6 episodes. It is also not a sudden spike in terms of quality for the series, but a bounce in a series which has been more and more entertaining steadily. But goddamn. The direction. The animation. The writing. I loved how it tied up stuff for all the three main leads. The animation and art isn't just great during action too. There are a bunch of quieter character moments which had fantastic quality to them.
Pretty awesome show in the end. I'm amazed (and quite thankful) the last two eps were basically characters sitting and talking, letting them interact with one another without a bunch of bullshit obscuring it. Surprised it's as polarizing as it apparently is too.
Did you know that the second half of the episode was key animated by one guy? Back when Yutaka Nakamura wasn't the super duper hotshot BONES action animator he is today, and he was just a reliable go-to guy at Sunrise for good animation, apparently he spent half a year just animating half of the episode. 140 cuts.
Did you know that the second half of the episode was key animated by one guy? Back when Yutaka Nakamura wasn't the super duper hotshot BONES action animator he is today, and he was just a reliable go-to guy at Sunrise for good animation, apparently he spent half a year just animating half of the episode. 140 cuts.
Did you know that the second half of the episode was key animated by one guy? Back when Yutaka Nakamura wasn't the super duper hotshot BONES action animator he is today, and he was just a reliable go-to guy at Sunrise for good animation, apparently he spent half a year just animating half of the episode. 140 cuts.
Did you know that the second half of the episode was key animated by one guy? Back when Yutaka Nakamura wasn't the super duper hotshot BONES action animator he is today, and he was just a reliable go-to guy at Sunrise for good animation, apparently he spent half a year just animating half of the episode. 140 cuts.
I should probably point out that high quality animation from Sunrise in the 90s (Stardust Memories, G-Gundam, Escaflowne, Cowboy Bebop) were all produced by their Studio 2 back then, which was essentially the precursor to BONES. After Cowboy Bebop, the producer at the studio left to start up BONES and many of the animators and designers eventually joined.
With RahXephon, BONES started applying a more modern approach to handling animation workload. Nakamura also animated a TON of stuff in that series, but instead of animating it all himself from start to finish, he started doing rough key animation (first key animation) which would be used as a strong guideline for other animators to clean up and fill in details (second key animation).
Well its a netflix show so people wont see it for ages. I did track down episode one though...was alright. Strangely the animation bothered me a little, whereas it didn't in Sidonia nor in other recent cg shows like bbk or the submarine show.
Episode was based around Can you ever really trust anyone? To what extent do people need to keep secrets? I think these episodes work really well because Kino herself never takes aside and is pretty neutral throughout. The conclusion of the married couple's story was actually very up-lifting. The show is actually brave enough to shut up and convey emotions through actions and implications which helped further the theme of the episode.
Kino's Journey 2
If you can help people should you? And to what extent should you help them? Are people inherently selfish and will only help others out of self-interest? Don't want to spoil the twist in this episode but its incredibly harrowing. I like the open ended nature of the conclusion with hermes asking Kino if she would still help another in the same situation after what happened and she doesn't answer.
Kino herself is quickly becoming a favorite character of mine. I know it's a bit of a cliche to throw around "strong, female lead" but id rather have someone multifaceted and practical like Kino. The show spends a good deal of time showing why she's so capable: She cleans her guns each day, practices shooting by night, even cool little survival tactics like melting snow to get boiling water.
She has a fair deal of mystery so far(similar to Ginko from Mushishi). She can simultaneously be incredibly ruthless and cold, yet still be fragile when she considers some of the things she has to do.
So they basically put two chapters together for this episode, and I feel like it showed. It felt a bit rushed. Ryuu goes from a kid who doesn't seem to care about what anyone thinks of him to running and crying to the prince in anxiety. It's weird.
Also I'm a bit confused as to how quickly they seem to dismiss the guy who
locked the prince and Shirayuki up.
"It was a person in cloak with long hair."
"We'll investigate it."
And that's the last we hear of it. Perhaps it'll be picked up again in a later episode.
While the idea of a dark/deconstruction magical girl series turning things around from the despair and delivering an uplifting ending is something I am okay with, the execution was very weak and I can absolutely see how this is seen as a poor ending that brings the show down.
The tree god realizes that its near destruction was the fault of its own stupid policies, so it changes them and "apologizes" to the characters. But there's no real satisfying reasoning as to why the hero system worked the way it did when the tree can just change its mind about the sacrifices concept. What ramifications are there for the main characters' happy ending? They mention future heroes, so presumably the monsters will respawn after this destruction the same way they did after their previous destructions in a cyclical manner, and the outside world is still a hellscape, so it's not one hundred percent storybook, but the show presents Yuna and friends' actions as having a benefit on the future heroes, but what is the cost of the tree no longer charging a price for the powers it gives? Has the system become unsustainable? Will the tree and its barrier fail naturally at some point? Has Yuna Yuki doomed the entire human population?
Most of my concerns lie in some issues in the details of the worldbuilding, so perhaps the prequel light novels have the answers, but I can't say I'm chomping at the bit to dive into cross media stuff for more of this franchise.
It was a good and enjoyable series that hit both emotional highs and lows. The friendship and optimism of the girls was fun to watch, and I was hit hard by the moments of suffering. It kind of just petered out at the very end, but up until then I can say I'd recommend it.
Seriously English title over Japanese everytime if there's a better option, unless the short hand for the Japanese version is easy as fuck to remember.
I'd ask if Disney was heavily inspired by this as they were with the one like Atlantis and kimba the white lion. But snow white unlike those has a bit of an older background lol
I'd ask if Disney was heavily inspired by this as they were with the one like Atlantis and kimba the white lion. But snow white unlike those has a bit of an older background lol
So I finished Nisemonogatari today. There's not much I can say about it that hasn't been said already so I won't bother doing a write-up or anything. On to Neko!
I'd ask if Disney was heavily inspired by this as they were with the one like Atlantis and kimba the white lion. But snow white unlike those has a bit of an older background lol
So I finished Nisemonogatari today. There's not much I can say about it that hasn't been said already so I won't bother doing a write-up or anything. On to Neko!
So I finished Nisemonogatari today. There's not much I can say about it that hasn't been said already so I won't bother doing a write-up or anything. On to Neko!
So I finished Nisemonogatari today. There's not much I can say about it that hasn't been said already so I won't bother doing a write-up or anything. On to Neko!
Yeah that's what I meant. That unlike kimba and the one Atlantis seemed to have inspired from, that snow white came decades before and even then there's a fable associated with it.