ManaByte
Member
Tabris said:...and I think Episode I could be really good if they just re-edited it and "special edition"ed it up (i.e. less jar jar, yippe's and cg yoda). Right now it's barely average.
One of the three is already done.
Tabris said:...and I think Episode I could be really good if they just re-edited it and "special edition"ed it up (i.e. less jar jar, yippe's and cg yoda). Right now it's barely average.
Raoul Duke said:The entire PT was trash. That's really the only answer that applies. I openly scoff at anyone who tries to justify it otherwise. All 3 movies were terrible movies at their core, and isn't that what matters? No, they do NOT get a special pass for being Star Wars movies. If they suck, they suck. Period.
And oh, did all three ever suck.
Through the magic of time, The Phantom Menace is now retro-friendly! The fact that they've started altering it with CG additions groups it in with the Special Editioned original trilogy.Dreamfixx said:Whoa, when did it all of a sudden become cool to praise Ep1? Is this a "backlash to the backlash" or something? Ep3 is the best prequel and Ep2 has it's moments, but in my opinion is still better than 1.
Uncle Orson said:As Good As Lord of the Rings, Except for the Writing
Uncle Orson Reviews Revenge of the Sith
19 May 2005
The Star Wars saga seems to have been the dream of George Lucas's childhood. In his mind's eye he saw great starfleets in battle, mighty armies sweeping their enemies before them, ruthless politicians outmaneuvering each other, and in the midst of all, the powerful Jedi knights, each one the match for an army, wielding the power that lies hidden within the fabric of all life in the universe.
Lucas saw one child, born in an obscure corner of the universe, but touched with power and shaped by destiny. He did not know who fathered him, but he was adopted by the Jedi and trained to be the mightiest of them all. Alas, he turned to the dark side of the force and became the tool of pure evil; but a son and daughter conceived when he was still within the circle of the Jedi would grow up to defeat his master and liberate him from the darkness that had swallowed up the goodness that was always innate within him.
It was an epic of breathtaking scope and George Lucas could not forget it. He became a filmmaker; his first major film, American Graffiti, become the touchstone of a generation and gave him the power to make whatever film he wanted.
He wanted to make his epic dream come to life on the screen, in all its majesty and power -- and humor, and love, and heroism, and sacrifice ...
He labored over the special effects to make it all seem real, and he succeeded. The dream of his childhood was there on the screen.
Too bad his inner child never learned how to write.
He did fine with American Graffiti -- those characters spoke with the voices of his own teenage years. But Star Wars required heroic dialogue and Lucas never acquired an ear for it. It's as if someone who once heard a few passages of Shakespeare decided to write the sequel to Romeo and Juliet.
Worse and Worse
On the first Star Wars film he had help. He was not yet so powerful that no one would criticize his work and help him get rid of the most embarrassing clunkers. On the next two films, better writers helped him even more, so that, at least in The Empire Strikes Back, his saga matched his vision aurally as well as visually.
Then he went sixteen years without making a movie before returning to write the true beginning of his epic.
But by now he was a legend. Fans not only worshiped him, some actually believed in the Force and listed "Jedi" as their religion. In Hollywood, a land where the only signs of divinity are fame and money, he had so much of both that there was no one left who could say to him, "George, please, get some help on that scene, it's going to make people laugh in the theaters, and not the right way."
Instead, it was apparently all "Yes, Mr. Lucas" and "Wonderful, Mr. Lucas" and the result was two of the most successful wretched films in history.
Now the saga is complete. The end of Star Wars Episode III: Revenge of the Sith introduces the three prime movers of the original three movies: Luke Skywalker, Princess Leia, and the black-masked Darth Vader.
And here's the interesting thing. Even though the characterization is nonexistent, the relationships like a seven-year-old's impression of how grownups act, the politics clearly the product of a mind that has never grasped history, and the science at the "How can rivers flow north?" level, the underlying saga still manages to touch a chord.
Don't misunderstand. I laughed along with the other people in the theater at those horrible moments when the poor actors were forced to say some of the most appalling lines ever spoken on the screen. I could not possibly care about characters who were never for a moment believable as human beings.
But the story itself, the epic that had so inspired Young Mr. Lucas, does have grandeur in it that his own ineptness was unable to destroy. There is power in the sheer ambition of it. Sitting in the flickering light of a dying fire, listening to the old man tell us the tale he learned in his youth, we are captivated despite the cracking of the old man's voice and the fact that everything he says is a cliche. For we know, at some level, that the tale has some truth in it.
That people rarely embrace evil for its own sake, but rather because they think they can accomplish something good.
That once you cross certain moral lines, it becomes almost trivial to cross others.
That no matter how much you tell yourself you're doing it for someone you love, ultimately ambition is always selfish, and "love" is self-deception.
That those who have the power always think they have the right to decide for everyone, and the wisdom to know what ought to be done.
That technology does not change human nature.
That there is something inside us more powerful than machines or muscles, something that by force of will and mind can change the world around us, if only we learn the secret and master it.
What Do We Make of This Film?
The actors are heroic in every sense. The "characters" they play are larger than life, striding like giants across the screen -- that takes enormous presence and power on the screen, and these actors had it.
But the actors are heroic in another sense. To be handed a script with dialogue like the lines Mr. Lucas wrote for them is one of the worst nightmares actors have. (The worst nightmare is to arrive at a theatre and learn that you have to go on stage right now and no one will tell you what the play is and you don't know any of the lines. You're also in your underwear.)
Yet these actors took those lines and made them into something. I think they must have seen Episode I and realized that the lines really were as bad as they thought, and their director had no clue. So if anyone was going to save them from humiliation, it would have to be themselves.
As a result, they all worked hard to create line readings that took some of the curse off of Mr. Lucas's leaden ear for heroic speech. And most of the time they succeeded. At times it was almost possible to believe that humans might have spoken that way. Maybe. Somewhere.
There ought to be an Oscar category for Best Acting with a Desperately Bad Script. I'd give it straight off to Hayden Christensen, because despite all he made the brooding Anakin Skywalker's a vigorous, compelling presence on the screen. And we almost never laughed at his lines, which is quite an achievement, considering that Mr. Lucas meant almost all of Annakin Skywalker's lines to be in deadly earnest, which practically guarantees they'll get a laugh.
But Natalie Portman, Samuel L. Jackson, Frank Oz, Ewan McGregor, and Jimmy Smits are close runners up.
Ian McDiarmid, as the conniving politician Palpatine, had a special challenge. His lines were so over the top that there was no way to deliver them naturally. Besides, he almost certainly had Mr. Lucas telling him, "On this next take, Ian, let's have more." So instead of seeking even a trace of naturalness, McDiarmid plunged right in and gave his idiotically evil speeches with such fervor that I only thought of Snidely Whiplash, the melodrama villain, two or three times.
Here's the strange thing. Even though that opening day audience largely understood how bad the writing was -- and laughed out loud and even cheered for the absolutely worst lines -- they still got a sense of fulfilment out of watching everything come together.
I'm glad I saw it.
And, incredibly enough, I will almost certainly see it again. And buy the DVD.
So many of us will do that, in fact, that Mr. Lucas will no doubt think that we think his movie was triumphantly good.
Well, that's one of the nice things about having supreme power over your own kingdom, as Mr. Lucas has: You can so easily convince yourself that the people love you.
Prince of Space said:I'll just say this: the prequels had great stories. At their core, they had damn good plots. Palpatine's overall plan is really quite ingenious. If Lucas had done the smart thing and let someone else write and direct based off his core story, the prequels could easily stand up to the OT.
Willco said:It's a shame they couldn't get a guy like Spielberg in there to stop the trainwreck.
ManaByte said:Yeah, as if Spielberg would leave the DGA.
Willco said:I didn't say it was possibility, I said it was a shame that couldn't get him or someone of his talent to direct an episode or two.
Actually, I think just adding in the deleted scenes that were on the DVD would have helped tremendously. If you haven't seen them, there's an extended arrival on Naboo scene where Padme talks more about her responsibilities as queen and senator, and one where they go to her home and have dinner with her family. They both worked quite well as scenes that were a bit more subtly formative of their affections for each other through normal conversation, and I have no earthly idea why they were cut in favor of, for example the "sand is rough" scene.Warm Machine said:With EP II there is only 1 thing I would have done to it aside from getting more takes from the actors and having another digital camera for more coverage.
I would have altered the Anakin/Padme romance to be told through action as opposed through dialouge.