LongDongJunon
Member
V....Vegeta?
You're friends with VEGETA!?
You're friends with VEGETA!?
V....Vegeta?
You're friends with VEGETA!?
Brilliant job, Staccat0!
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/
We tweeted it to Tim and a few places have picked it up.
My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/
We tweeted it to Tim and a few places have picked it up.
My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/
We tweeted it to Tim and a few places have picked it up.
My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"
Okay, that video made me laugh pretty good. I'd like to see Braff's reaction hahaa
what bugs me about Zach Braff et al using Kickstarter is not so much that they're rich, but that they already have access
Melissa Joan Hart must be fuming.
I doubt she's angry, she's probably a little depressed, realising that she's not as popular as she thinks she is.
She's pretty much been out of the spotlight for 10 years. I can't fathom why she thought she had a chance at raising $2 million on kickstarter.
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/
We tweeted it to Tim and a few places have picked it up.
My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"
I don't know about that. I can easily see this failing. Does Garden State have a rabid fanbase like Veronica Mars?
Edit: To those reading, I posted this when the project was at $279. Now I look dumb.
Not more than he made on Avengers...This whole thing makes me wonder how much Joss Whedon would rake in for a Firefly Kickstarter.
Good for Braff. His dreams can finally come true.
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/
We tweeted it to Tim and a few places have picked it up.
My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"
Melissa Joan Hart must be fuming.
Hi all, it's Melissa here. Just wanted to add to the conversation about my fan base. I know 100% that my fans are the most loyal and supportive on the globe. Whether or not this kickstarter thing works doesn't change that one way or another. Zachs project is a different beast since he has Oscar winning producers and celeb friends with 6mil twitter followers. The difference is he pulled out the big guns and Hollywood got on board. For me, it's all up to the fans and I know they wish me the best no matter what project I venture into. Thanks to everyone who has supported this and I hope you will spread the word so we can make this hilarious movie
Translated you guys suck donate more to prove your love for me!
In a colourful video address Braff complained that “there are money guys willing to finance the project but in order to protect their investment they’re insisting on having final cut. Also they want to control how the film is cast.”
In Hollywood, an industry that survives not by volume of content (most films are not financially successful) but by a small number of productions that do exceptionally good business, final cut is a privilege. The directors who have it generally earned a studio’s trust over a long period of time, or final cut has been added to their contract as an enticement. Films are assigned casting agents who collaborate with the director and make decisions together, which, for non-major parts, are almost always rubber-stamped. It’s true the studio maintains final say, but this is more about a safety net than “control”. It’s not hard to understand why. If a director decides to do something bold and crazy like, say, cast Pauly Shore as the lead in a $50 million action movie, they are suddenly upping the stakes considerably in a gamble with vast amounts of capital that isn’t theirs.
...
But the commentary surrounding Zach Braff’s game-changing gambit has missed an important component: what he will do with his movie once that coveted final cut has been made. It is safe to assume Braff wants as many people to see Wish I Was Here as possible, which means pursuing a wide release — and this means, in America at least, he will face the task of selling his movie to the same people he walked away from.
Guys, we should definitely support Staccat0 instead of that fuckcunt asshole Braff.
Guys, we should definitely support Staccat0 instead of that fuckcunt asshole Braff.
Guys, we should definitely support Staccat0 instead of that fuckcunt asshole Braff.
http://blogs.crikey.com.au/cinetolo...rts-a-new-culture-of-celebrity-crowdsourcing/
A few snippets:
That's essentially my overall concern with this. Braff wants final cut but he'll have to go back and work with the people he turned down to sell his movie. It's a win-win for him. And while I'm no industry expert, it makes sense to me that when you have someone financing your movie they might want to have input to "protect their investment". Braff is a talented guy but I think he's trying to get the best of crowdfunding + wide distribution to maximize his personal gain.
Also, LOL at the comments - someone posted Staccat0's video!
That's essentially my overall concern with this. Braff wants final cut but he'll have to go back and work with the people he turned down to sell his movie. It's a win-win for him. And while I'm no industry expert, it makes sense to me that when you have someone financing your movie they might want to have input to "protect their investment". Braff is a talented guy but I think he's trying to get the best of crowdfunding + wide distribution to maximize his personal gain.
Also, LOL at the comments - someone posted Staccat0's video!
Dan Lewis said:Zach Braff is going to raise over $2 million for a movie without a distributor, without a studio, and really, without anything more than a kind of strange pitch video...
![]()
Theres an informal rule of online communities called the 90-9-1 principle. 1% of the user base creates the vast majority of the content; 9% dabbles; 90% participate only in minor amounts if at all. The point is that you dont need a whole lot of people to participate in order to create something pretty impressive.(1) Thats how Wikipedia became the behemoth it is today.
The funding of content can and, I think will follow the same pattern. Once a person has a large enough following², you can fund basically anything youd like. Braff has only 28,000 backers of the above-cited Kickstarter, which is much less than the 1% of the weekly viewership of Scrubs, for example. The traditional 90-9-1 principle applies here, as a very small amount of backers are (via their dollars) creating something for the 90.
But what about the haters? That requires another 90-9-1 rule.
...
The vast majority of people in the U.S. have no idea who Amanda Palmer is. More know who Zack Braff is, but there are 300-something million of us at, at its peak, Scrubs only (only!) had 15 million viewers. Thats your first 90% the group of the addressable market (TV owners? movie goers?) who are indifferent to or unaware of the artist. They just dont matter, at least not insofar as funding the content is concerned. (5) Your fans are the 1%. A small fraction of them (1% of the 1%) will fund the creation of the content, and the rest of them will likely buy it once its made, unless it sucks. (6) And then theres the haters. As long as theyre a relatively small group even if theyre much, much larger than your true fans youre probably OK. Thats the 9%. Like the original 90-9-1 principle, the actual percentages are made up; theyre demonstrative of the underlying theory.
In the end, the fans matter and the antagonists unless there is an absolutely enormous amount of them simply dont.
So if he decdes he doesn't want to do the movie anymore and instead blow the money on coke and whores, will he be sued?
Is a creator legally obligated to fulfill the promises of their project?
Yes. Kickstarter's Terms of Use require creators to fulfill all rewards of their project or refund any backer whose reward they do not or cannot fulfill. (This is what creators see before they launch.) We crafted these terms to create a legal requirement for creators to follow through on their projects, and to give backers a recourse if they don't. We hope that backers will consider using this provision only in cases where they feel that a creator has not made a good faith effort to complete the project and fulfill.
Zach Braff is trying to raise money on Kickstarter to fund a movie he wants to make. Zach Braff is a good actor and a fine filmmaker. GARDEN STATE was a terrific movie. But I wouldn’t give him a dime.
Why?
Because it defeats the whole purpose of Kickstarter.
The idea – and it’s a great one – is that Kickstarter allows filmmakers who otherwise would have NO access to Hollywood and NO access to serious investors to scrounge up enough money to make their movies. Zach Braff has contacts. Zach Braff has a name. Zach Braff has a track record. Zach Braff has residuals. He can get in a room with money people. He is represented by a major taent agency. But the poor schmoe in Mobile, Alabama or Walla Walla, Washington has none of those advantages.
So someone who otherwise might have funded the Mobile kid instead will toss his coins to Zach Braff because he figures it’s a better bet and he gets to rub shoulders with show business.
Yes, it might take Zach Braff a year of knocking on doors to get his money, so now he figures, hey, just show up, sit back, and let the cash come to me. This is not an option Walla Walla kid has. I’m throwing my support to those who really NEED it.
Recently, Kickstarter was used to fund a new VERONICA MARS movie. This is obscene to me. It’s a known television series distributed by a major studio. Are you a big fan of VERONICA MARS? Want to support it? Great. Buy ten tickets and see the movie ten times.
This is what Hollywood does, dear reader. It sees an opportunity for exploitation and takes it. The Sundance Film Festival is another prime example. At one time it showcased modest little movies by unknown filmmakers. Kevin Smith made CLERKS – a grimy black and white film starring all unknowns. The result was discovered talent. Now look at the festival. Every entry features major Hollywood stars. During the festival they all descend upon Park City, along with Harvey Weinstein, reps from every major studio, and a thousand CAA and William Morris agents. Any hint of the original purpose of the film festival has long since vanished.
If Will Ferrell or Brad Pitt – just to name two random examples – are in an independent film, do they really need a film festival to get Harvey Weinstein to screen their film? The chubby nerd from New Jersey who maxed out his credit cards to make a film about a local convenience store couldn’t. He needed a film festival. He needed an audience to appreciate his effort before he could be recognized. And now today’s equivalent of a young Kevin Smith can’t even get his movie into a festival much less Harvey Weinstein’s screening room.
Sundance is a lost cause. But Kickstarter isn’t. Not if we put a stop to this now. If you only have so much money to give to charity, give it to cancer research and not to help redecorate Beyonce’s plane. Support young hungry filmmakers. The next Kevin Smith is out there… somewhere. He (or she) just needs a break, which is what Kickstarter is supposed to provide. Zach Braff can find his money elsewhere. He did once before. He’ll make his movie. And if it’s half as good as GARDEN STATE I will praise it to the heavens in this blog and urge you to go spend your money to check it out.
When I used to broadcast for the Orioles one of my partners was the legendary Chuck Thompson. Most of our games were at night. Chuck was an avid golfer. He played the public courses and only on weekdays. He used to say the weekends were for the “working man.” Chuck could play any day he wanted, they could only play on Saturday and Sunday so he didn’t want to take one of their starting times. It’s a great way to live by.
Kickstarter is for the “working man,” Zach. And VERONICA. And (soon) Harvey.
Not much buzz in here - he's at $2.5 million.
A new opinion piece by Ken Levine is blowing up on reddit.
http://kenlevine.blogspot.com/2013/05/i-wont-give-zach-braff-one-dime.html
Good on him for speaking up. This is confirmed to be him, right? I mean, it's a blogspot.
Not much buzz in here - he's at $2.5 million.
A new opinion piece by Ken Levine is blowing up on reddit.
http://kenlevine.blogspot.com/2013/05/i-wont-give-zach-braff-one-dime.html
The idea – and it’s a great one – is that Kickstarter allows filmmakers who otherwise would have NO access to Hollywood and NO access to serious investors to scrounge up enough money to make their movies.
First off, wow! Ive never gone really viral before. Yesterday I got 622,000 hits. Im going to be real pissed if today it goes back down to 12.
Thanks to all of you who commented, even those who disagreed with me. Your arguments were thoughtful, well stated, and you made some great points. See Roseanne? People can take issue with me without calling me an asshat.
And you all are welcome to keep commenting.
But let me respond.
A lot of you contend that Zach Braff has actually brought increased visibility to Kickstarter, which is good for the site and good for the little guy seeking backing for his/her small film. If that is so, then great! My underlining concern is that the unknown filmmaker gets hosed. If in fact, he doesnt, then Im thrilled. Will this be the case? I dont know. I think well have to see in a couple of years. In the meantime, more actors and known quantities will jump on this gravy train. Thats a given. Will unknowns still reap the benefit when there are twenty former sitcom stars asking for your money?
Sidebar #1: Did you see where Melissa Joan Hart is trying to get a project funded on Kickstarter? And heres her big incentive: Shell follow you on Twitter for a year. Oh, be still my heart! You and Melissa will be BFFs! Every day shell go on Twitter to see how youre coming on that dress youre making for the prom. OR she agrees to follow 20,000 people and never once looks at her Twitter page. Which do you think is more likely?
Others said my point that investors have a finite amount they will spend and will put their money into Zachs project instead of others is a fallacy. Its not a zero-sum proposition. Okay, you may be right. I have no hard evidence either way.
One reader, Andrew wrote: I'm not sure why you, a professional, published author, are writing a blog. Blogs are supposed to be for people who haven't made the connections to get published yet, or whose views are too outrageous or controversial. How dare you take up valuable cyberspace on Blagger that could be going to unknowns? Uh, the difference is there's more than enough space for all blogs, and I'm not asking for money. I provide the content of this blog for free. And occasionally you get your money's worth.
Angry people asked what right I had to determine who should qualify for Kickstarter and who shouldnt? I never said Zach Braff should be banned. I just said I didnt support him.
If you choose to support Zach Braff, fine. Or VERONICA MARS (more on that later).
But know this about Zach Braff he made $400,000 an episode the last year of SCRUBS. His estimated worth is $22 million. He raised $2.4 million. Couldn't he front that himself? Especially since he'd get a lot or all of it back when he gets a distributor. A Twitter follower, Julieta Colas tweeted: I think Zach Braff, in particular, is at a point where he should be giving back to the community, rather than asking. Im just sayin (well, actually shes just sayin ).
In Zachs promotional video (where he was able to get Jim Parson to join him another advantage he has over the peons) he claims that there were investors willing to back his movie but they wanted some control. They wanted casting approval and final cut. Its their money, you cant really blame em for that. And I appreciate his standing up for his vision. But you know what? If he gets his film made, exactly to his satisfaction hes still going to have to go to Hollywood for distribution. And its not impossible that a buyer might say Well distribute it but we want you to cut this scene or take ten minutes out of the movie or change the music. Now depending on whether he has other offers he might have a big decision to make at that point. He still might end up editing his film to someone elses specifications.
And if his movie does get distributed, some "evil" studio will share in the profits.
Sidebar #2: When Billy Wilder was faced was this same final cut issue on the first movie he directed he shot only the angles he would use. There was no other way to cut the film. There were no alternative angles anywhere. So there are ways
And finally, a lot of you agreed with me about Zach Braff but not VERONICA MARS. You pointed out that creator Rob Thomas did try for years to get Warner Brothers to make it and they flatly refused. This was a viable alternative. There would be no VERONICA MARS movie had it not been for Kickstarter. Fair enough and Im looking forward to seeing it. I also give Rob Thomas points for ingenuity. He was the first to use Kickstarter in this regard.
One great distinction a lot of you made is that for Rob Thomas and VERONICA MARS, this was an absolute last resort. Zach Braff had backers but chose not to use them. Kickstarter was a luxury for Braff, a necessity for Thomas.
But keep this in mind re VERONICA: Warner Brothers had to approve Rob Thomas plan to take the project to Kickstarter. This means Warner Brothers does still own it (or part of it). If its a hit they still make a nice profit. Look at it from their perspective. They get a possible hit movie, they didnt have to lay out a cent for production, and they don't have to share the profits with the investors. They give them T-shirts and souvenirs and they're off the hook. How sweet a deal is that? On a project they didnt even believe in. What a win/win.
I understand the passion of VERONICA MARS fans and wish there were enough ALMOST PERFECT fans so I could do the same thing. But again, I worry that studios now view this as a viable way to get movies made at no cost to them. Warner Brothers is probably saying, "If only we knew about this before we greenlit JACK THE GIANT SLAYER."
And Ill just leave you with this I love Kickstarter because it offers an alternative to the studio system. Hollywood continues to consolidate. Conglomerates get bigger and bigger. And choices become fewer and fewer. The result is a new GI JOE every summer. Through websites like Kickstarter we have the chance to see different, more personal, less commercial fare. We also have the chance to see amateurish shit but thats beside the point. I just want to make sure those young filmmakers have a shot. Thats all.
And I want my Twitter feed to be so dazzling that Melissa Joan Hart will follow me.
This other Ken Levine is wrong right off the bat with the purpose of Kickstarter. Kickstarter says "fans support people they admire" and features Amanda Palmer on their 'What is Kickstarter?' page. I don't see how Zach's project doesn't jive with that purpose.
Here's the reddit link by the way for those looking for it: http://www.reddit.com/r/movies/comments/1duyw8/by_ken_levine_i_wont_give_zach_braff_one_dime/
Guys, we should definitely support Staccat0 instead of that fuckcunt asshole Braff.
Among the projects that have recently launched campaigns on the crowdfunding site Kickstarter are an animated short called Samurai Chinchilla, a low-budget zombie film called I Am Alone, and a short film called Necrophilia: A Love Story, which is about exactly what it sounds like. But odds are you havent heard of any of those. What you probably have heard is that actor Zach Braffinspired by the wildly successful Kickstarter campaign to fund a Veronica Mars moviejust raised nearly $2.5 million on the site in a few days to direct a follow-up to his 2004 movie, Garden State, titled Wish I Was Here. Such is the power of celebrity.
In his Kickstarter video, Braff heralds crowdfunding as a new paradigm for filmmakers who want to make smaller, personal films without having to sign away any of their artistic freedom. (The actor told EW he didnt want to give up final cut or casting approval.) But as successful as Braff, Kristen Bell, and others have been in mining Kickstarter for financial support, theyve also inspired a backlash against the idea of celebrities looking to their fans to fund their passion projects. The true purpose of crowdfunding, some say, is to offer creative types with no Hollywood connections a chance to pursue their dreams through small donations. Should stars really get to take advantage of that model? Many on Twitter balked at that notion when it came to Braff, including comedian Tim Heidecker, who tweeted a page from a fake script in which a couple realized theyre broke because one of them donated $100 to that f- - -ing Zach Braff piece of s- - -. Meanwhile, Robert Downey Jr. poked fun at the fad for celeb-driven crowdfunding projects on Jimmy Kimmel Live!, where he announced a fake $200 million Kickstarter campaign for Iron Man 4, joking, Every little bit helps.
Singer Amanda Palmer of the Dresden Dolls, who raised almost $1.2 million via Kickstarter to finance her latest solo album and tour, argues that crowdfunding is for everyone, famous or not, and recently wrote an open letter to Morrissey urging him to try it. I dont agree with the sentiment that these tools are only for the unknown, she says. At the same time, Palmer was criticized for not paying guest musicians on her tour despite having raised all that cash. She soon changed her mind and decided to pay them, but the flap highlighted what many view as a lack of accountability in crowdfunding. The creation of art is inherently messy, Palmer explains. But the audience seems to like being in the mess because its an authentic mess.
Of course, its possible some of the attention celebrities bring to sites like Kickstarter will filter down to struggling artists. Thats the view Kickstarter itself holds. As the sites co-founders wrote today in a blog post addressing the controversy, [High-profile] projects bring new backers to other projects. That supports our mission, too. For his part, Braff tweeted to his one million Twitter followers, To the over 20,000 of you whove joined Kickstarter because of my project, make sure to browse. The folks behind Samurai Chinchilla, I Am Alone, Necrophilia: A Love Story, and thousands of other projects still trying to meet their fund-raising goals would certainly appreciate that.