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Zach Braff wants your Kickstarter money for a Garden State follow up

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My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/

We tweeted it to Tim and a few places have picked it up.

My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"

I just saw this on the A.V. Club. You are a fucking god.
 

GK86

Homeland Security Fail
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/

We tweeted it to Tim and a few places have picked it up.

My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"

That was great. You need a change of tag.
 

Clevinger

Member
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/

We tweeted it to Tim and a few places have picked it up.

My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"

that was great
 

Staccat0

Fail out bailed
Okay, that video made me laugh pretty good. I'd like to see Braff's reaction hahaa

Man, I won't lie, I am conflicted about exactly that. I am not really a fan of Zach Braff, but I think Garden State is an objectively impressive work of art. I definitely don't think he should pay for a film out of pocket (don't do THAT) and I don't EVEN have a HUGE problem with him using kicktarter even if I don't necessarily agree with it. So I'd hate to hurt the dude's feelings...

But a goof is a goof, and I couldn't resist being a part of such a ludicrous waste of talent and time!
KuGsj.gif


I directed a film that was on AV Club last year for their film competition, but I just did sound for this one, so I don't deserve and credit or cool tags. I just wanted to share.
 

inm8num2

Member
I doubt she's angry, she's probably a little depressed, realising that she's not as popular as she thinks she is.

She's pretty much been out of the spotlight for 10 years. I can't fathom why she thought she had a chance at raising $2 million on kickstarter.
 

Toppot

Member
She's pretty much been out of the spotlight for 10 years. I can't fathom why she thought she had a chance at raising $2 million on kickstarter.

From the outside, yes it does look ridiculous. She obviously thought her name was enough to get it through.

If she had a Sabrinia one with key cast members willing to come back then the added value there would probably be enough to get the funds. Though she has said in interview that she thinks it would be ok for an hour TV special but not a film.

When the kickstarter fails she might just do it as a TV Movie, which is about all she has done the last 10 years.


Anyway, glad this kickstarter has reached the 2 million, everything from now on is just gravy ontop, Zachs video updates are charming.
 
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/

We tweeted it to Tim and a few places have picked it up.

My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"

Effin' spot on. I love it and your wife really laid it onto her in-screen husband. Also if the Academy is watching, give Vegeta Oscar next year for his pivotal role in this.
 

Dali

Member
I don't know about that. I can easily see this failing. Does Garden State have a rabid fanbase like Veronica Mars?

Edit: To those reading, I posted this when the project was at $279. Now I look dumb.

Nah I was thinking the same thing. I like Braff and think Portman's hot but I didn't watch Garden State. Just didn't really grab me from the trailers. Never hear people really praise it or anything either. Just didn't seem to have much of a following at all.
 
My filmmaking friends and I were bored and decided to waste a few hours shooting this scene last night:
http://www.avclub.com/articles/and-now-somebody-has-filmed-tim-heideckers-zach-br,97033/

We tweeted it to Tim and a few places have picked it up.

My poor wife got duped into acting across from the prince of all saiyans. Take it easy on her, we were just dicking around and she isn't an actress. The joke was mostly that it would be a weird thing to do, but it's full of stupid "easter eggs"

I cracked up at her delivery of the "100 dollars to that fucking Zach Braff piece of shit" God, that's funny.
 
Melissa Joan Hart must be fuming.

Hi all, it's Melissa here. Just wanted to add to the conversation about my fan base. I know 100% that my fans are the most loyal and supportive on the globe. Whether or not this kickstarter thing works doesn't change that one way or another. Zachs project is a different beast since he has Oscar winning producers and celeb friends with 6mil twitter followers. The difference is he pulled out the big guns and Hollywood got on board. For me, it's all up to the fans and I know they wish me the best no matter what project I venture into. Thanks to everyone who has supported this and I hope you will spread the word so we can make this hilarious movie

http://www.kickstarter.com/projects/318676760/darcis-walk-of-shame/comments
 

Divvy

Canadians burned my passport
Congrats to Braff, now I just hope he can actually pull of this movie well.

I still haven't decided if I want to fund it or not though. Probably not.
 

inm8num2

Member
http://blogs.crikey.com.au/cinetolo...rts-a-new-culture-of-celebrity-crowdsourcing/

A few snippets:

In a colourful video address Braff complained that “there are money guys willing to finance the project but in order to protect their investment they’re insisting on having final cut. Also they want to control how the film is cast.”

In Hollywood, an industry that survives not by volume of content (most films are not financially successful) but by a small number of productions that do exceptionally good business, final cut is a privilege. The directors who have it generally earned a studio’s trust over a long period of time, or final cut has been added to their contract as an enticement. Films are assigned casting agents who collaborate with the director and make decisions together, which, for non-major parts, are almost always rubber-stamped. It’s true the studio maintains final say, but this is more about a safety net than “control”. It’s not hard to understand why. If a director decides to do something bold and crazy like, say, cast Pauly Shore as the lead in a $50 million action movie, they are suddenly upping the stakes considerably in a gamble with vast amounts of capital that isn’t theirs.

...

But the commentary surrounding Zach Braff’s game-changing gambit has missed an important component: what he will do with his movie once that coveted final cut has been made. It is safe to assume Braff wants as many people to see Wish I Was Here as possible, which means pursuing a wide release — and this means, in America at least, he will face the task of selling his movie to the same people he walked away from.

That's essentially my overall concern with this. Braff wants final cut but he'll have to go back and work with the people he turned down to sell his movie. It's a win-win for him. And while I'm no industry expert, it makes sense to me that when you have someone financing your movie they might want to have input to "protect their investment". Braff is a talented guy but I think he's trying to get the best of crowdfunding + wide distribution to maximize his personal gain.

Also, LOL at the comments - someone posted Staccat0's video!
 

Divvy

Canadians burned my passport
Guys, we should definitely support Staccat0 instead of that fuckcunt asshole Braff.

"fuckcunt asshole" Yes this is the reasonable side of the debate right here.

Also, guess what? We can support both if we want! It doesn't have to be one or the other!
 

Blackhead

Redarse
http://blogs.crikey.com.au/cinetolo...rts-a-new-culture-of-celebrity-crowdsourcing/

A few snippets:



That's essentially my overall concern with this. Braff wants final cut but he'll have to go back and work with the people he turned down to sell his movie. It's a win-win for him. And while I'm no industry expert, it makes sense to me that when you have someone financing your movie they might want to have input to "protect their investment". Braff is a talented guy but I think he's trying to get the best of crowdfunding + wide distribution to maximize his personal gain.

Also, LOL at the comments - someone posted Staccat0's video!

Hmm... I thought Hollywood studios were, you know, banned from controlling theater chains and other distribution networks...
 
That's essentially my overall concern with this. Braff wants final cut but he'll have to go back and work with the people he turned down to sell his movie. It's a win-win for him. And while I'm no industry expert, it makes sense to me that when you have someone financing your movie they might want to have input to "protect their investment". Braff is a talented guy but I think he's trying to get the best of crowdfunding + wide distribution to maximize his personal gain.

Also, LOL at the comments - someone posted Staccat0's video!

It's actually very different situations when you're looking for just a Distro deal vs. having someone produce the entire film. But the bigger misconception with that blog is that it hugely underestimates Braff's fanbase and the demand that it generate. He doesn't need to have major widespread distribution to make money. He can easily go to the more indy-friendly theaters throughout the country then to VoD/Rental/Streams and make plenty.
 

Blackhead

Redarse
Zach Braff, Amanda Palmer, and the New 90-9-1 Rule: The Indifferent, the Haters, and the Ones who Love You.

Dan Lewis said:
Zach Braff is going to raise over $2 million for a movie without a distributor, without a studio, and really, without anything more than a kind of strange pitch video...

bGpm7Wzl.png


There’s an informal rule of online communities called the 90-9-1 principle. 1% of the user base creates the vast majority of the content; 9% dabbles; 90% participate only in minor amounts if at all. The point is that you don’t need a whole lot of people to participate in order to create something pretty impressive.(1) That’s how Wikipedia became the behemoth it is today.

The funding of content can — and, I think will — follow the same pattern. Once a person has a large enough following², you can fund basically anything you’d like. Braff has only 28,000 backers of the above-cited Kickstarter, which is much less than the 1% of the weekly viewership of Scrubs, for example. The traditional 90-9-1 principle applies here, as a very small amount of backers are (via their dollars) creating something for the 90.

But what about the haters? That requires another 90-9-1 rule.

...

The vast majority of people in the U.S. have no idea who Amanda Palmer is. More know who Zack Braff is, but there are 300-something million of us at, at its peak, Scrubs only (“only!”) had 15 million viewers. That’s your first 90% — the group of the addressable market (TV owners? movie goers?) who are indifferent to or unaware of the artist. They just don’t matter, at least not insofar as funding the content is concerned. (5) Your fans are the 1%. A small fraction of them (1% of the 1%) will fund the creation of the content, and the rest of them will likely buy it once it’s made, unless it sucks. (6) And then there’s the haters. As long as they’re a relatively small group — even if they’re much, much larger than your true fans — you’re probably OK. That’s the 9%. Like the original 90-9-1 principle, the actual percentages are made up; they’re demonstrative of the underlying theory.

In the end, the fans matter and the antagonists – unless there is an absolutely enormous amount of them — simply don’t.
 

Kafel

Banned
I feel all these articles are missing the point. Braff isn't going to make a 2 million dollars movie, the money will buy the final cut. The risk is covered, the audience is here, the promotion will be easy. Braff will renegociate the offers he already had.
 

justjohn

Member
So if he decdes he doesn't want to do the movie anymore and instead blow the money on coke and whores, will he be sued? I just cant believe the idea behind this. Also surprised not many famous broke people have hopped on the bandwagon. Seems like an extremely easy way to make money.
 
So if he decdes he doesn't want to do the movie anymore and instead blow the money on coke and whores, will he be sued?

He can very well be, yes. By Kickstarter, especially. It really hurts their business when people get the funding and then back out without any consequences. Pretty sure there was a pretty famous case of it happening recently on a gaming related Kickstarter.

From their FAQ:

Is a creator legally obligated to fulfill the promises of their project?

Yes. Kickstarter's Terms of Use require creators to fulfill all rewards of their project or refund any backer whose reward they do not or cannot fulfill. (This is what creators see before they launch.) We crafted these terms to create a legal requirement for creators to follow through on their projects, and to give backers a recourse if they don't. We hope that backers will consider using this provision only in cases where they feel that a creator has not made a good faith effort to complete the project and fulfill.
 
A move like that would kill his career. How are you going to draw when you piss off your fanbase like that? That type of thing is really only a legitimate concern for people who aren't known or whose careers aren't dependent on a fanbase. Because they can cash the check and disappear into the ether without much issue.
 

inm8num2

Member
Not much buzz in here - he's at $2.5 million.

A new opinion piece by Ken Levine is blowing up on reddit.

http://kenlevine.blogspot.com/2013/05/i-wont-give-zach-braff-one-dime.html

Zach Braff is trying to raise money on Kickstarter to fund a movie he wants to make. Zach Braff is a good actor and a fine filmmaker. GARDEN STATE was a terrific movie. But I wouldn’t give him a dime.

Why?

Because it defeats the whole purpose of Kickstarter.

The idea – and it’s a great one – is that Kickstarter allows filmmakers who otherwise would have NO access to Hollywood and NO access to serious investors to scrounge up enough money to make their movies. Zach Braff has contacts. Zach Braff has a name. Zach Braff has a track record. Zach Braff has residuals. He can get in a room with money people. He is represented by a major taent agency. But the poor schmoe in Mobile, Alabama or Walla Walla, Washington has none of those advantages.

So someone who otherwise might have funded the Mobile kid instead will toss his coins to Zach Braff because he figures it’s a better bet and he gets to rub shoulders with show business.

Yes, it might take Zach Braff a year of knocking on doors to get his money, so now he figures, hey, just show up, sit back, and let the cash come to me. This is not an option Walla Walla kid has. I’m throwing my support to those who really NEED it.

Recently, Kickstarter was used to fund a new VERONICA MARS movie. This is obscene to me. It’s a known television series distributed by a major studio. Are you a big fan of VERONICA MARS? Want to support it? Great. Buy ten tickets and see the movie ten times.

This is what Hollywood does, dear reader. It sees an opportunity for exploitation and takes it. The Sundance Film Festival is another prime example. At one time it showcased modest little movies by unknown filmmakers. Kevin Smith made CLERKS – a grimy black and white film starring all unknowns. The result was discovered talent. Now look at the festival. Every entry features major Hollywood stars. During the festival they all descend upon Park City, along with Harvey Weinstein, reps from every major studio, and a thousand CAA and William Morris agents. Any hint of the original purpose of the film festival has long since vanished.

If Will Ferrell or Brad Pitt – just to name two random examples – are in an independent film, do they really need a film festival to get Harvey Weinstein to screen their film? The chubby nerd from New Jersey who maxed out his credit cards to make a film about a local convenience store couldn’t. He needed a film festival. He needed an audience to appreciate his effort before he could be recognized. And now today’s equivalent of a young Kevin Smith can’t even get his movie into a festival much less Harvey Weinstein’s screening room.

Sundance is a lost cause. But Kickstarter isn’t. Not if we put a stop to this now. If you only have so much money to give to charity, give it to cancer research and not to help redecorate Beyonce’s plane. Support young hungry filmmakers. The next Kevin Smith is out there… somewhere. He (or she) just needs a break, which is what Kickstarter is supposed to provide. Zach Braff can find his money elsewhere. He did once before. He’ll make his movie. And if it’s half as good as GARDEN STATE I will praise it to the heavens in this blog and urge you to go spend your money to check it out.

When I used to broadcast for the Orioles one of my partners was the legendary Chuck Thompson. Most of our games were at night. Chuck was an avid golfer. He played the public courses and only on weekdays. He used to say the weekends were for the “working man.” Chuck could play any day he wanted, they could only play on Saturday and Sunday so he didn’t want to take one of their starting times. It’s a great way to live by.

Kickstarter is for the “working man,” Zach. And VERONICA. And (soon) Harvey.
 

dorkimoe

Member
Why dont people understand its about creative control?

Think how much better certain movies would be without the big studios having a hand in it, or certain tv shows. Or even games..(poor command and conquer). Letting him have control of the film by having these backers instead of a big stupid studio is alot better. South park for example...they let them do whatever they want..imagine if they were controlled because they are financed by the network? Chappelles show had similar situations, Neal Brennan talked about it on a podcast, the people used to think they knew what was funny instead of dave and neal...
 

Blackhead

Redarse
Good on him for speaking up. This is confirmed to be him, right? I mean, it's a blogspot.

If you're thinking of Ken Lenvine the game developer then you're as I was :p.

This other Ken Levine is wrong right off the bat with the purpose of Kickstarter. Kickstarter says "fans support people they admire" and features Amanda Palmer on their 'What is Kickstarter?' page. I don't see how Zach's project doesn't jive with that purpose.

Here's the reddit link by the way for those looking for it: http://www.reddit.com/r/movies/comments/1duyw8/by_ken_levine_i_wont_give_zach_braff_one_dime/
 

John Dunbar

correct about everything
Not much buzz in here - he's at $2.5 million.

A new opinion piece by Ken Levine is blowing up on reddit.

http://kenlevine.blogspot.com/2013/05/i-wont-give-zach-braff-one-dime.html

based on observable evidence, that's really not what kickstarter is about to me. sure, some random guy might score some tens of thousands or even a hundred grand, and that's great, but when we're discussing projects of this scale, who without a name is going to get close to getting 2+ million for a movie or game or anything? outside of perhaps a very few fabulous ideas that might get stolen anyway, it seems to me like kickstarter isn't some wonder tool to discover new talent, but more of an opportunity for already established people to gather funding for their pet projects.
 

Divvy

Canadians burned my passport
The idea – and it’s a great one – is that Kickstarter allows filmmakers who otherwise would have NO access to Hollywood and NO access to serious investors to scrounge up enough money to make their movies.

I think even in the earlier days of kickstarter when Doublefine adventure broke kickstarter records, this is was obviously not the case.

Not to mention, Wasteland or Shadowrun
 

inm8num2

Member
Levine responds to comments on his Zach Braff post.

First off, wow! I’ve never gone really viral before. Yesterday I got 622,000 hits. I’m going to be real pissed if today it goes back down to 12.

Thanks to all of you who commented, even those who disagreed with me. Your arguments were thoughtful, well stated, and you made some great points. See Roseanne? People can take issue with me without calling me an asshat.

And you all are welcome to keep commenting.

But let me respond.

A lot of you contend that Zach Braff has actually brought increased visibility to Kickstarter, which is good for the site and good for the little guy seeking backing for his/her small film. If that is so, then great! My underlining concern is that the unknown filmmaker gets hosed. If in fact, he doesn’t, then I’m thrilled. Will this be the case? I don’t know. I think we’ll have to see in a couple of years. In the meantime, more actors and known quantities will jump on this gravy train. That’s a given. Will unknowns still reap the benefit when there are twenty former sitcom stars asking for your money?

Sidebar #1: Did you see where Melissa Joan Hart is trying to get a project funded on Kickstarter? And here’s her big incentive: She’ll follow you on Twitter for a year. Oh, be still my heart! You and Melissa will be BFF’s! Every day she’ll go on Twitter to see how you’re coming on that dress you’re making for the prom. OR… she agrees to follow 20,000 people and never once looks at her Twitter page. Which do you think is more likely?

Others said my point that investors have a finite amount they will spend and will put their money into Zach’s project instead of others is a fallacy. It’s not a zero-sum proposition. Okay, you may be right. I have no hard evidence either way.

One reader, Andrew wrote: I'm not sure why you, a professional, published author, are writing a blog. Blogs are supposed to be for people who haven't made the connections to get published yet, or whose views are too outrageous or controversial. How dare you take up valuable cyberspace on Blagger that could be going to unknowns? Uh, the difference is there's more than enough space for all blogs, and I'm not asking for money. I provide the content of this blog for free. And occasionally you get your money's worth.

Angry people asked what right I had to determine who should qualify for Kickstarter and who shouldn’t? I never said Zach Braff should be banned. I just said I didn’t support him.

If you choose to support Zach Braff, fine. Or VERONICA MARS (more on that later).

But know this about Zach Braff – he made $400,000 an episode the last year of SCRUBS. His estimated worth is $22 million. He raised $2.4 million. Couldn't he front that himself? Especially since he'd get a lot or all of it back when he gets a distributor. A Twitter follower, Julieta Colas tweeted: “I think Zach Braff, in particular, is at a point where he should be giving back to the community, rather than asking.” I’m just sayin’… (well, actually she’s just sayin’…).

In Zach’s promotional video (where he was able to get Jim Parson to join him – another advantage he has over the peons) he claims that there were investors willing to back his movie but they wanted some control. They wanted casting approval and final cut. It’s their money, you can’t really blame ‘em for that. And I appreciate his standing up for his vision. But you know what? If he gets his film made, exactly to his satisfaction – he’s still going to have to go to Hollywood for distribution. And it’s not impossible that a buyer might say “We’ll distribute it but we want you to cut this scene or take ten minutes out of the movie or change the music. Now depending on whether he has other offers he might have a big decision to make at that point. He still might end up editing his film to someone else’s specifications.

And if his movie does get distributed, some "evil" studio will share in the profits.

Sidebar #2: When Billy Wilder was faced was this same “final cut” issue on the first movie he directed he shot only the angles he would use. There was no other way to cut the film. There were no alternative angles anywhere. So there are ways…

And finally, a lot of you agreed with me about Zach Braff but not VERONICA MARS. You pointed out that creator Rob Thomas did try for years to get Warner Brothers to make it and they flatly refused. This was a viable alternative. There would be no VERONICA MARS movie had it not been for Kickstarter. Fair enough and I’m looking forward to seeing it. I also give Rob Thomas points for ingenuity. He was the first to use Kickstarter in this regard.

One great distinction a lot of you made is that for Rob Thomas and VERONICA MARS, this was an absolute last resort. Zach Braff had backers but chose not to use them. Kickstarter was a luxury for Braff, a necessity for Thomas.

But keep this in mind re VERONICA: Warner Brothers had to approve Rob Thomas’ plan to take the project to Kickstarter. This means Warner Brothers does still own it (or part of it). If it’s a hit they still make a nice profit. Look at it from their perspective. They get a possible hit movie, they didn’t have to lay out a cent for production, and they don't have to share the profits with the investors. They give them T-shirts and souvenirs and they're off the hook. How sweet a deal is that? On a project they didn’t even believe in. What a win/win.

I understand the passion of VERONICA MARS fans and wish there were enough ALMOST PERFECT fans so I could do the same thing. But again, I worry that studios now view this as a viable way to get movies made at no cost to them. Warner Brothers is probably saying, "If only we knew about this before we greenlit JACK THE GIANT SLAYER."

And I’ll just leave you with this – I love Kickstarter because it offers an alternative to the studio system. Hollywood continues to consolidate. Conglomerates get bigger and bigger. And choices become fewer and fewer. The result is a new GI JOE every summer. Through websites like Kickstarter we have the chance to see different, more personal, less commercial fare. We also have the chance to see amateurish shit but that’s beside the point. I just want to make sure those young filmmakers have a shot. That’s all.

And I want my Twitter feed to be so dazzling that Melissa Joan Hart will follow me.
 

Dan

No longer boycotting the Wolfenstein franchise
This other Ken Levine is wrong right off the bat with the purpose of Kickstarter. Kickstarter says "fans support people they admire" and features Amanda Palmer on their 'What is Kickstarter?' page. I don't see how Zach's project doesn't jive with that purpose.

Here's the reddit link by the way for those looking for it: http://www.reddit.com/r/movies/comments/1duyw8/by_ken_levine_i_wont_give_zach_braff_one_dime/

That's part of Ken Levine's comparison with Sundance. Both are institutions ditching the little people who most need the service and attention they can provide, and are instead embracing pseudo-corporate endeavors because there's more money in it.

Of course, others are right in saying that this has been the case for a while now, with famous video game creators conducting very successful campaigns. This isn't a brand new issue from the last couple months, but it's definitely accelerating.
 

inm8num2

Member
http://popwatch.ew.com/2013/05/09/kickstarter-backlash/

Among the projects that have recently launched campaigns on the crowdfunding site Kickstarter are an animated short called Samurai Chinchilla, a low-budget zombie film called I Am Alone, and a short film called Necrophilia: A Love Story, which is about exactly what it sounds like. But odds are you haven’t heard of any of those. What you probably have heard is that actor Zach Braff—inspired by the wildly successful Kickstarter campaign to fund a Veronica Mars movie—just raised nearly $2.5 million on the site in a few days to direct a follow-up to his 2004 movie, Garden State, titled Wish I Was Here. Such is the power of celebrity.

In his Kickstarter video, Braff heralds crowdfunding as “a new paradigm for filmmakers who want to make smaller, personal films without having to sign away any of their artistic freedom.” (The actor told EW he didn’t want to give up final cut or casting approval.) But as successful as Braff, Kristen Bell, and others have been in mining Kickstarter for financial support, they’ve also inspired a backlash against the idea of celebrities looking to their fans to fund their passion projects. The true purpose of crowdfunding, some say, is to offer creative types with no Hollywood connections a chance to pursue their dreams through small donations. Should stars really get to take advantage of that model? Many on Twitter balked at that notion when it came to Braff, including comedian Tim Heidecker, who tweeted a page from a fake script in which a couple realized they’re broke because one of them donated $100 to “that f- - -ing Zach Braff piece of s- - -.” Meanwhile, Robert Downey Jr. poked fun at the fad for celeb-driven crowdfunding projects on Jimmy Kimmel Live!, where he announced a fake $200 million Kickstarter campaign for Iron Man 4, joking, ”Every little bit helps.”

Singer Amanda Palmer of the Dresden Dolls, who raised almost $1.2 million via Kickstarter to finance her latest solo album and tour, argues that crowdfunding is for everyone, famous or not, and recently wrote an open letter to Morrissey urging him to try it. “I don’t agree with the sentiment that these tools are only for the unknown,” she says. At the same time, Palmer was criticized for not paying guest musicians on her tour despite having raised all that cash. She soon changed her mind and decided to pay them, but the flap highlighted what many view as a lack of accountability in crowdfunding. “The creation of art is inherently messy,” Palmer explains. “But the audience seems to like being in the mess because it’s an authentic mess.”

Of course, it’s possible some of the attention celebrities bring to sites like Kickstarter will filter down to struggling artists. That’s the view Kickstarter itself holds. As the site’s co-founders wrote today in a blog post addressing the controversy, “[High-profile] projects bring new backers to other projects. That supports our mission, too.” For his part, Braff tweeted to his one million Twitter followers, “To the over 20,000 of you who’ve joined Kickstarter because of my project, make sure to browse.” The folks behind Samurai Chinchilla, I Am Alone, Necrophilia: A Love Story, and thousands of other projects still trying to meet their fund-raising goals would certainly appreciate that.
 

Aiii

So not worth it
I hate how all these columnists are missing the point of why this Kickstarter is bad.

It's bad because Braff is using his celebrity to fund a movie. Normally, Kickstarters get funded because people want to see a certain product get made so they can get their hands on it. Which means, they are basically prepaying for a product they would want. Braff however is not giving you the product, you are paying for the privilige of Braff getting to make this movie.

Now, anyone can spend their money whichever way they want, but I find it ludricous that so many people are willing to pay money for the chance this movie might play at a local theatre (US only of course) so they can pay extra money (which goes directly into Braff's pocket) or pay another 10 to 20 dollars to get a physical copy of the movie (which goes directly into Braff's pocket).

That's right, people are paying Braff to make this film and then, after he makes his movie with all the free money and graciously giving people a PDF of the script and a streaming link to songs he collected, he gets to cash in on the sales of this movie from those SAME people again.

It's such a pisstake I can't wrap my mind around how people are willing to back this project. You don't get the final product. Braff shamelessly profits from you TWICE over (Three times if you go to the theatre as well as buy the DVD or Blu-ray).

That's the real problem here, not that he's a celebrity, not that he has money himself. But that this is THE WORST kickstarter project in that it's a cash grab for Braff and the backers are letting themselves get exploited, because he is Zach Braff and they like Zach Braff. If you're gonna throw away your money, please find a local cause and donate your 30 dollars to that instead.
 
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