Tengen Toppa Gurren Lagann 3
So, I'm rewatching this (and a bunch of other stuff because I need to wash my mouth out) and I think it's helping me to really put Kill La Kill into better perspective. It's evident even at this early stage of Gurren Lagann that there's a stronger theme in place, and a larger picture that the team is working on trying to build. I doubt anybody could really have said that they could have entirely foreseen where the show would end, but at the same time, knowing where it does end you can see the groundwork being laid for it early on in this show. For instance, Simon's driving fear of death, especially of
and his nihilistic view in the opening narration that the ceiling will one day crush everyone he knows and loves to death help to prepare for
and demonstrate just how much Simon grows over the course of the series. Kamina's advice, insane as it is, helps to provide the emotional encouragement for Simon's character while simultaneously setting the tone for the show's world. It's hard not to look at Kill La Kill now and notice how obvious the change of plans midway through the show is, and as someone who actually enjoyed KLK a fair amount, how much that show pales in comparison to TTGL.
I hate to be the one to say this, but I think an obvious cause for many of Kill La Kill's problems is actually
Inferno Cop. Or rather, I think a lot of things in KLK happened because Inferno Cop happened and was met with such approval.
Consider: The opening of TTGL is in many ways as hyper as the opening of KLK, but the former also slows itself down considerably to spend time developing Simon and Kamina's relationship, while I don't feel that KLK does for Ryuuko. The hyper, nonstop energy of KLK reminds me of the kinds of gags in Inferno Cop, the whole sense of humor of the show does, really. Note, for instance, the way battles are frequently interrupted in KLK for comedic breaks, or how some characters, specifically Nui, do that strange flat-mode thing, as if to evoke Inferno Cop's own flat-motion. I think that in Inferno Cop the sense of humor worked, but when translated into a show like KLK it either wasn't what people wanted, or didn't work. For what it's worth, though, the humor in KLK is still a step above the humor in Panty and Stocking.
But I mean, Gurren Lagann is also a funny show, it's just that the way it goes about its humor seems less in your face than KLK. Which is perhaps the most bizarre thing for a show like Gurren Lagann, where being over the top is the soup du jour. An example of what I mean is that in this episode, when facing Viral, Kamina unsheathes his blade, and as a visual gag he never finishes doing so. The sword's blade goes on seemingly forever. Another show might feel the need to take this joke too far and call attention to it, but Gurren Lagann relies instead upon the belief that the sight gag is funny enough that it doesn't need to bludgeon you with it.
I don't mean to rave about how much better than other shows Gurren Lagann is, nor how I think it's some phenomenal masterpiece, though I do think the show manages quite nicely to be a rare piece where everything lines up in just the way it needs to. Nor do I want to leave the impression that Gurren Lagann is perfect and without flaw. I just think it's worth appreciating that Gurren Lagann is a show into which significant thought and patience went, whereas I feel like Kill La Kill suffers both from a less confident vision and a less structured sense of humor, the latter being the product of Inferno Cop's existence.