I do own Thin Red Line, so I should have figured that was the next step. Going to sit down and watch it pretty soon here, I also own High and Low and haven't seen that.
Plan on building my collection with that great Criterion sale at B&N.
Frozen: 5/10. This is what happens when you rewrite a movie based around a song. Whole thing felt cheap and underbaked. This is the first time I heard the song, and holy fuck is that thing grating. It's clearly a radio hit they shoehorned in, and sounds way out of place.
I still have How The West Was Won in my backlog, based purely on the ARAbout time they brought back Polyvision.
the fuck you say?
About time they brought back Polyvision.
Frozen: 5/10. This is what happens when you rewrite a movie based around a song. Whole thing felt cheap and underbaked. This is the first time I heard the song, and holy fuck is that thing grating. It's clearly a radio hit they shoehorned in, and sounds way out of place.
Edge of Tomorrow: 10 Point Korean Fisherman Archer ?
Finally, Rosenbaum laments how Bergmans mainly blond, blue-eyed cast members became a brand to be adopted and emulated. Hello? Bergman worked in Sweden! Does he forgive Ousmane Sembenes African exteriors and mainly black-haired, brown-eyed cast members? Or the way Ozu used all those Japanese?
I just came across this Ebert article where he goes after this guy for shitting on Bergman, and this part made me lol:
r.i.p.![]()
Videodrome - Well that was an interesting film. Did the last part of the film take placeentirely in that headset or was that real life mixed with hallucinations?
Death to Videodrome! Long live the new flesh!
Ebert is the Citizen Kane of film critics.
Ebert is the Citizen Kane of film critics.
You think it's just the last part that was possibly hallucinated? Mwahahahahahahahah.
I've always been partial to the idea that you can basically flip a coin on real/hallucination after the talk show appearance on any scene from that point forward. I've seen some really good arguments about the intimate scenes between Max and Nicki being the early symptoms of his exposure to the Videodrome signal, which makes that entire aspect of Max all the more fascinating to behold.
But what movie is the Citizen Kane of movies tho?
But what movie is the Citizen Kane of movies tho?
Followed that up on Saturday with Badlands. The 2nd Malick movie I've seen (Tree of Life being the first). Had some similar elements; nature being the true power/beauty in the world, narration.. probably other things I didn't notice immediately. Pretty dense in examination of celebrity status/obsession and coming of age. The discussion between Kit/Holly made there seem to be nothing but a crush there and a relationship filled with pointless, shallow murder. Do I just go to Days of Heaven from here? What did you guys think of Badlands compared to his other work?
It is weird that some people take the film as some sort of pro female characters Disney statement, the characters weren't even all that great. One of them tried to marry a nice guy in one night cause she was thirsty, and the other fled to a mountain so a song could drop and she can change her clothes and hair.
But yeah, pretty disappointing considering all that hype or whatever.
*nods*The trope subversions end up feeling gimmicky as fuck in Frozen. Like it could only kind of work for one viewing if at all.
What's the film criticism equivalent of deep focus?Ebert is the Citizen Kane of film critics.
I'm saying I don't take Nicole Kidman or James Franco seriously as headliners.
I'm also not especially stoked about Pattinson as T.E. Lawrence. I know people say he's a promising actor outside of Twilight...but I don't believe them.![]()
I watched 2001: A Space Odyssey for the first time last night. I really enjoyed it, some sections were a little long-winded and i didn't really understand the ending at first, but i could definitely see why it was regarded as a classic after my first watch.
I ended up researching the movie for an hour after i watched it, found a bunch of different interpretations of the movie, and of the ending specifically. I found one that made sense to me and it made me appreciate the movie even more. What a great mind Kubrick had.
The trope subversions end up feeling gimmicky as fuck in Frozen. Like it could only kind of work for one viewing if at all.
Ip Man 2 or as I like to call it, How The Humble and Noble Chinese Overcame the Brutal White Devils.
I don't get why Ip Man 2 has a higher rotten tomatoes rating than the first Ip Man. First one is so much better (but still not that good, and replace white devil with racist portrayal of the Japanese).
I guess this is how minorities feel when media portrays their race with stupid stereotypes. Except the white people in this film were saturday morning cartoon villain bad.
Ip Man 2 or as I like to call it, How The Humble and Noble Chinese Overcame the Brutal White Devils.
I don't get why Ip Man 2 has a higher rotten tomatoes rating than the first Ip Man. First one is so much better (but still not that good, and replace white devil with racist portrayal of the Japanese).
I guess this is how minorities feel when media portrays their race with stupid stereotypes. Except the white people in this film were saturday morning cartoon villain bad.
Anyone here see the Russian film 'Hard to Be a God' yet? Trailer: https://www.youtube.com/watch?v=AdoPsnMFW3M
I've heard good things about this.