PerezDeCorcho
Member
I find it funny how so many have been heralding this film as a return to form for Star Wars. It's "recaptured the magic" as many love to say.
But in what way has it recaptured the magic? Visually? Sure! Creatively? Not even close.
With this analysis, I do not intend to nitpick endlessly about the many plot conveniences that the film utilizes, its striking similarities to A New Hope, or the empty shells that are its lead characters. Rather, I'd like to scrutinize the way the film handles its universe. How it treats returning characters and ideas like Luke Skywalker, Han Solo, Leia, The Force, etc.
Also: I will be analyzing everything that occurs within the context of Episode VII alone. Perhaps some of these oddities will be explained in future Episodes. But that doesn't change the initial impression it left some of us with. It doesn't get a free pass just because it's Star Wars.
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Luke Skywalker:
By the end of Return of the Jedi, Luke has redeemed his father. He's completed his training and has become the last Jedi Knight. He must pass on what he has learned and he must restore all that has been lost at the hands of the evil Empire. We're left to imagine a future in which Luke builds a new Jedi Order and restores peace and justice to the galaxy.
In The Force Awakens, we learn that Luke has failed to continue this legacy. The Empire has returned in the form of 'The First Order' and is now continuing their campaign of destruction and terror. In response to this, Luke has "vanished".
He's given up on the Jedi after Kylo Ren's turn to the Dark Side. Perhaps he believes that the Jedi are simply not worth the trouble? So, Luke isolates himself from the rest of the galaxy. In doing this, the Jedi would also fade away from existence.
Is this really the Luke Skywalker we remember? Would Obi-Wan Kenobi or Yoda condone Luke's actions? I would hope not.
In other words: "Fuck it all", said Luke Skywalker.
Han Solo:
Galactic criminal turned General. A legend in every sense of the word. Must I really go on about this beloved character?
Fast forward to The Force Awakens, and Han has taken ten steps backward. He goes back to doing what he's "good at". He has undone all of his development from the original films and returns to a world of scum and villainy because his son succumbed to the Dark Side. Rather than pursue his son, he instead pursues his coveted ship, the Millennium Falcon, along with his drinking pal, Chewbacca.
In other words: "Fuck it all", said Han Solo.
Leia Organa:
Leia has been fighting the same war for thirty years and has failed to stop the Empire from re-emerging into a position of ridiculous, unparalleled power. In fact, they may be more powerful than ever, given that their new Death Star -cough- Starkiller Base can destroy a whole bunch of planets at once with the power of the sun! How did a crumbling Empire acquire the resources for such a project without being noticed? How could Leia fail to address the issue of Starkiller Base before its completion? Is it merely incompetence on her part as a leader?
The galaxy is now in greater danger than ever before. What has Leia been doing for the past three decades? What was the point of the whole war? Were Luke, Han, and Leia to weak to stop the Empire?
In other words: "Pass the blow", said Princess Leia.
The Force:
The Force is nothing more than a superpower, according to The Force Awakens. It is now something that can be learned without the rigid discipline of Yoda or Obi-Wan. Now, if you believe hard enough, you can do anything with the Force!
Examples: Rey using Jedi mind tricks on a stormtrooper. Rey 'resisting' Kylo Ren. Rey going as far as to Force-pull a lightsaber into her grasp.
Luke's Lightsaber:
This is the most idiotic attempt by the film to 'respect' the original trilogy. In all of Star Wars' cinematic history, lightsabers were mere tools to a Jedi. An elegant weapon and nothing more. But now, lightsabers are mystical entities. They can "call to you", not unlike how the One Ring calls to Frodo in 'The Lord of the Rings'.
During the film's closing, Rey even goes as far as to 'return' the weapon to its owner, Luke. For reasons that I cannot comprehend, this scene has a ceremonial undertone, when the reality is that Luke never saw the weapon as anything more than, well, a weapon.
But, in favor of pleasing the fans with nostalgic imagery, the film defies all previously established logic and paints the weapon as something sacred.
So much so, that this is the ending shot of the film.
In a way, I believe this closing scene is symbolic of what the film ultimately is. It's a big, $200 million dollar misunderstanding of its source material. The film expects its audience to be too caught up in the fact that it's Luke's first lightsaber to realize just how absurd the whole scenario is. You see, to the majority of the audience, the lightsaber very much has become a sacred sort of object. And now, the audience's mindset is bleeding into the film itself.
Originality
Star Wars (1977) is an incredibly original film when you think of it in context. Give George Lucas all the shit you want, but the man was a visionary. He had big ideas. Even the Prequel trilogy was born out of some kind of creative spark. The Clone Wars is a great fictional setting, and fits into the Star Wars universe very well. The execution within the films, however, was questionable.
I will not go as far as to call The Force Awakens a worse film than The Phantom Menace. While that film was too distant from what made the originals so beloved, The Force Awakens is ultimately too derivative. It falls on the other extreme end of the spectrum. It's too safe. It exploits the nostalgic times we live in and gives people exactly what they want, but nothing more than that. It's the frankenstein monster of Star Wars films.
-----------
Nothing has changed. The Rebels are still fighting the Empire. The Jedi are still on the brink of extinction. Our heroes accomplished nothing.
The Empire doesn't have to strike back because the Empire never left.
What was the fucking point?
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(Edit)
In regards to the new leads:
But in what way has it recaptured the magic? Visually? Sure! Creatively? Not even close.
With this analysis, I do not intend to nitpick endlessly about the many plot conveniences that the film utilizes, its striking similarities to A New Hope, or the empty shells that are its lead characters. Rather, I'd like to scrutinize the way the film handles its universe. How it treats returning characters and ideas like Luke Skywalker, Han Solo, Leia, The Force, etc.
Also: I will be analyzing everything that occurs within the context of Episode VII alone. Perhaps some of these oddities will be explained in future Episodes. But that doesn't change the initial impression it left some of us with. It doesn't get a free pass just because it's Star Wars.
----------
Luke Skywalker:
By the end of Return of the Jedi, Luke has redeemed his father. He's completed his training and has become the last Jedi Knight. He must pass on what he has learned and he must restore all that has been lost at the hands of the evil Empire. We're left to imagine a future in which Luke builds a new Jedi Order and restores peace and justice to the galaxy.
In The Force Awakens, we learn that Luke has failed to continue this legacy. The Empire has returned in the form of 'The First Order' and is now continuing their campaign of destruction and terror. In response to this, Luke has "vanished".
He's given up on the Jedi after Kylo Ren's turn to the Dark Side. Perhaps he believes that the Jedi are simply not worth the trouble? So, Luke isolates himself from the rest of the galaxy. In doing this, the Jedi would also fade away from existence.
Is this really the Luke Skywalker we remember? Would Obi-Wan Kenobi or Yoda condone Luke's actions? I would hope not.
In other words: "Fuck it all", said Luke Skywalker.
Han Solo:
Galactic criminal turned General. A legend in every sense of the word. Must I really go on about this beloved character?
Fast forward to The Force Awakens, and Han has taken ten steps backward. He goes back to doing what he's "good at". He has undone all of his development from the original films and returns to a world of scum and villainy because his son succumbed to the Dark Side. Rather than pursue his son, he instead pursues his coveted ship, the Millennium Falcon, along with his drinking pal, Chewbacca.
In other words: "Fuck it all", said Han Solo.
Leia Organa:
Leia has been fighting the same war for thirty years and has failed to stop the Empire from re-emerging into a position of ridiculous, unparalleled power. In fact, they may be more powerful than ever, given that their new Death Star -cough- Starkiller Base can destroy a whole bunch of planets at once with the power of the sun! How did a crumbling Empire acquire the resources for such a project without being noticed? How could Leia fail to address the issue of Starkiller Base before its completion? Is it merely incompetence on her part as a leader?
The galaxy is now in greater danger than ever before. What has Leia been doing for the past three decades? What was the point of the whole war? Were Luke, Han, and Leia to weak to stop the Empire?
In other words: "Pass the blow", said Princess Leia.
The Force:
The Force is nothing more than a superpower, according to The Force Awakens. It is now something that can be learned without the rigid discipline of Yoda or Obi-Wan. Now, if you believe hard enough, you can do anything with the Force!
Examples: Rey using Jedi mind tricks on a stormtrooper. Rey 'resisting' Kylo Ren. Rey going as far as to Force-pull a lightsaber into her grasp.
Luke's Lightsaber:
This is the most idiotic attempt by the film to 'respect' the original trilogy. In all of Star Wars' cinematic history, lightsabers were mere tools to a Jedi. An elegant weapon and nothing more. But now, lightsabers are mystical entities. They can "call to you", not unlike how the One Ring calls to Frodo in 'The Lord of the Rings'.
During the film's closing, Rey even goes as far as to 'return' the weapon to its owner, Luke. For reasons that I cannot comprehend, this scene has a ceremonial undertone, when the reality is that Luke never saw the weapon as anything more than, well, a weapon.
But, in favor of pleasing the fans with nostalgic imagery, the film defies all previously established logic and paints the weapon as something sacred.
So much so, that this is the ending shot of the film.
In a way, I believe this closing scene is symbolic of what the film ultimately is. It's a big, $200 million dollar misunderstanding of its source material. The film expects its audience to be too caught up in the fact that it's Luke's first lightsaber to realize just how absurd the whole scenario is. You see, to the majority of the audience, the lightsaber very much has become a sacred sort of object. And now, the audience's mindset is bleeding into the film itself.
Originality
Star Wars (1977) is an incredibly original film when you think of it in context. Give George Lucas all the shit you want, but the man was a visionary. He had big ideas. Even the Prequel trilogy was born out of some kind of creative spark. The Clone Wars is a great fictional setting, and fits into the Star Wars universe very well. The execution within the films, however, was questionable.
I will not go as far as to call The Force Awakens a worse film than The Phantom Menace. While that film was too distant from what made the originals so beloved, The Force Awakens is ultimately too derivative. It falls on the other extreme end of the spectrum. It's too safe. It exploits the nostalgic times we live in and gives people exactly what they want, but nothing more than that. It's the frankenstein monster of Star Wars films.
-----------
Nothing has changed. The Rebels are still fighting the Empire. The Jedi are still on the brink of extinction. Our heroes accomplished nothing.
The Empire doesn't have to strike back because the Empire never left.
What was the fucking point?
------------
(Edit)
In regards to the new leads:
I can't say I'm surprised to see how big this thread has gotten. Reading through it, I see that some of you have put up fair arguments (while a few others have put up less-than-intelligent ones).
I'm seeing a lot of people repeating the same arguments, so I'd like to spin this discussion in a different direction by offering up another major issue I have with the film.
I'd like to address just how rushed The Force Awakens is when it comes to its new characters.
Here's a scene that I feel accurately reflects this particular gripe that I have with TFA:
Rey and Finn have just escaped Jakku aboard the Falcon. There's finally a moment of downtime; a moment ripe for some substantial character development. The film's 'heroes' finally introduce themselves to each-other.
"I'm Finn." "I'm Rey."
At last, we'll learn something about these characters, right? They'll learn interesting things about each other.
Rather than go this route, the writers instead opt for having the Falcon malfunction at that exact moment. It loudly spits steam from its mechanical underbelly, interrupting Rey and Finn's first quiet moment together, and consequentially triggering them to action.
If this scene could speak: "Hey, you two! What are you doing talking over there? This is a Star Wars movie, remember? Get over here and start doing all of those Star Wars things that we all remember!"
Rey and Finn never really share those essential character-defining moments. They're constantly fighting to survive, and the film mistakes this for genuine bonding.
Because of this, I find scenes like Rey's abduction at the pirate planet difficult to watch. When Finn sees Rey being carried into Kylo Ren's starship, he stops everything that he's doing to dramatically sprint in her direction, stop, and yell out "REYYYYYY!!!!"
How much does Finn know about Rey at this point? He doesn't know that she was a scavenger fighting against an incredibly harsh environment. He doesn't know that she's been waiting for her family for most of her life. He knows NOTHING about her, except that she can handle herself in a fight and is mechanically-inclined.
Emotional moments like these are not earned. And there's a handful of moments like these stringed throughout TFA. The film expects the audience to accept these characters for what they are at the most superficial level: A lonely scavenger and a Stormtrooper who has a moral compass.
Think about it. Besides Rey choosing to save BB-8 and Finn deciding to not leave with the pirates, what character-defining choices do we see them make? The writers choose to supply us with the absolute minimum amount of information possible about these characters, because there's no time. We just see them fighting hordes of enemies together, and apparently, that's enough to get us to 'relate' to them.
It's just lazy writing.