Agree with the point of cohesivness but it can be forgiven due to the quality out there. Im pretty certain wolves onwards are "bonus" tracks.
Yeah, I just hope they get officially demarcated as such. Silver Surfer Intermission is placed at too clean a break between Wolves and 30 Hours for them not to be extra tracks thrown on at the end. But man, everything from ULB to Wolves just feels so good and it doesn't feel like it overstays its welcome until everything past Silver Surfer.
The only weak spot on this album is Father Stretch My Hands. It just...doesn't work. The intro to Part 1 is amazing, that soul sample into Metro's tag into Cudi's hook into Kanye's hook is glorious, it's just Kanye's verse that sucks and Pt. 2 isn't great at all. It feels like an outtake because of the way that it just blatantly reuses Panda.
Other than that, everything else is so good. Production is magnificent, I don't care too much about verses because I'm a "voice as an instrument" type guy, and the features are on point. It's a great album, and Ye's most unique to date.
EDIT: Sorry, I didn't see your comment before.
I disagree with this. I think the added tracks give it volume and diversity. Whilst it probably isn't quite as coherent (but that could be more to do with track order and how they blend together, as oppose to the number of tracks), it is a more enjoyable musical experience as a result. Had it stayed the original 10 track cut, I'd have felt short changed. Hell, even the 18 track version now is over too soon.
Well, I'll agree on the diversity and volume part, but I think that it doesn't add to the experience. Hell, by the time Ye's verse in NMPILA comes on, I feel restless and want the album to come to an end. As much as I love a sizeable quantity of Kanye tracks, I'd much rather prefer a consistent amount of quality and cohesiveness among it. I think the 13 track version we have is the perfect length, though I want it to be 11 because FSMH ain't as good, and it maintains a consistent amount of highs and interesting interludes to keep it fresh.
Yeezus was 10 tracks long, and I loved it for how great it was with its anger, razor-sharp beats, and general atmospheric consistency were maintained in a manner that felt satisfying. I don't mind short albums as long as they're consistently good, same with long ones. Just keep it consistently great and we're Gucci, but the 5 tracks tacked on at the end don't mesh with the 13 that come before it and it dampens the experience a bit for me.