Corronchilejano
Member
Even among those who liked it, can't agree on why they liked it, this is the perfect definition of a Zack Snyder movie
It's a movie that asks a lot of questions.
None of them are answered or really important though.
Even among those who liked it, can't agree on why they liked it, this is the perfect definition of a Zack Snyder movie
Do people pay attention to these movies? Batman was avoiding Doomsday laserbeams and shit because he's just a man. He can't do much. He did distract and weaken him later in the fight with the Kryptonite grenade he had left after the Superman fight.
Wonder Woman was there to retrieve a photograph from Lex that belonged to her. And stayed to help fight Doomsday.
I like that it is a David Lynch Superhero movie I guess.Even among those who liked it, can't agree on why they liked it, this is the perfect definition of a Zack Snyder movie
You can't have 3 crazy dream sequences and have one of them being a vision of the future. It makes no God damn sense. They should of cut the first 2 and have all 3 take place in the knightmare world. Then you have the flash show up.
Did anyone like the Cyborg bit? Aquaman stared at the camera too long but at least he looked cool, and The Flash in the convenience store was at least better than the fucking Crisis in Bruce's Dream bit.
Can Cyborg, kill Ezra Miller's Barry at the start of his movie and bring in black Wally (w/ Waid/DCAU personality) as the hero with a normal costume. Diversity and a do over all in one.
Three?
Don't sell Snyder short.
There are five dream sequences in this movie.
Intro is a dream (narrated by Batman to absolutely nobody btw)
Manbat dream
Knightmare dream
Flash dream
Pa Kent dream
What. What is this.
Did anyone like the Cyborg bit? Aquaman stared at the camera too long but at least he looked cool, and The Flash in the convenience store was at least better than the fucking Crisis in Bruce's Dream bit.
Can Cyborg, kill Ezra Miller's Barry at the start of his movie and bring in black Wally (w/ Waid/DCAU personality) as the hero with a normal costume. Diversity and a do over all in one.
Batman was being smart. He saw how big that fucking thing was and decided to get outta dodge.
What? no, it was the best cameo, looked majestic and scary af.They fucked up with aquaman. He was so awesome in the New 52 comics, and in this movie they made him look dumb.
Three?
Don't sell Snyder short.
There are five dream sequences in this movie.
Intro is a dream (narrated by Batman to absolutely nobody btw)
Manbat dream
Knightmare dream
Flash dream
Pa Kent dream
What. What is this.
Three?
Don't sell Snyder short.
There are five dream sequences in this movie.
Intro is a dream (narrated by Batman to absolutely nobody btw)
Manbat dream
Knightmare dream
Flash dream
Pa Kent dream
What. What is this.
What? no, it was the best cameo, looked majestic and scary af.
Oh shit true
...
Okay, ignoring the sudden change in criteria from "any character development" to "this specific piece of character development..."
Bruce Wayne starts out regarding Clark Kent as the latest obstacle to be run over in his crusade. As the most dangeous rogue in his gallery. A threat so unbelievably potent, unbelievably dangerous, that it cannot be allowed to exist. That the whole world can be categorized like that; he's even come to regard himself as nothing more than a criminal, albeit one that hunts others. So he's in kind of a dark place. A place that only gets darker as the movie progresses and he gets pushed further over the edge by Lex's manipulations.
Meanwhile, Clark Kent is wrestling with what it means to be Superman. He's becoming frightened of the effect he can have on the world, wondering if he really has the right to pull these levers. So when he sees what Batman has begun to do (and he's only begun, the branding really does seem to have happened more than once), and it disgusts him. So he begins to tackle the threat of the Bat-Vigilante as Clark Kent, as opposed to Superman.
By the middle of the movie, things are coming to a head for both characters. Clark has left the building entirely, just about, feeling that Superman causes more damage than he heals. And Batman is prepping for outright deliberate murder. But then... Clark comes back. Because he loves Lois, because he's come to realize that his actions having consequences isn't something that would go away if he had no powers. That you can't save everybody, but you can never stop trying.
Then, Lex has his mother. Superman rejected the fight on his own terms, but he's forced into it by Lex. So he decides, he's going to approach Batman, not as a foe, but as a person. One who he believes still has good in him, a far cry from his views earlier in the movie. Batman, meanwhile, is lagging behind in his epiphany. So while Superman is just trying to subdue Batman long enough to convince him to help, Batman is really trying to murder Superman. And he very nearly does. Until Superman says the Martha line. And Batman is suddenly shocked into remembering that the people he fights aren't just criminals, or monsters, they're people. It's something he clearly hasn't thought about for a very very long time. And the shock of that is enough for him to help Superman rescue his mother.
And then Superman dies. Twice. And this links back to the "men are brave" thing. Because Batman's whole thing with that was that you have to be able to feel fear to be brave. That Superman's inhuman strength and toughness makes him less, makes him incapable of being a hero. And then he's shown to be wrong. Batman at the end of the movie is ready to begin trying to heal, a far cry from the burned out shell of a man at the beginning.
And that's character development.
Three?
Don't sell Snyder short.
There are five dream sequences in this movie.
Intro is a dream (narrated by Batman to absolutely nobody btw)
Manbat dream
Knightmare dream
Flash dream
Pa Kent dream
What. What is this.
He had already done his fare share of awesome. He wasn't ready for what was about to unfold. It's great he's not an equal in terms of strength.dude but is BATMAN the only real super hero out there. He has balls. At least throw to dumb doomsday a bat shuriken.
It honestly looked like someone recording an underwater hobo. It's the type of stuff you upload to Twitter and get outrage of.That cameo should've been quicker than what it was. Instead we got like 10 seconds of some weirdo staring at us.
Is not.
You took the words off my tongue. This is what I say the movie has a Good story, it works, it makes sense. I just feel it wasn't communicated clearly enough. You and I, as fans, get this. The audience might or might not. I still don't know super clearly for example what were Lex's motivations. I get what they were trying, but I don't know it. It's weird, and a shame. A movie without those problems would be on the upper echelon....
Okay, ignoring the sudden change in criteria from "any character development" to "this specific piece of character development..."
Bruce Wayne starts out regarding Clark Kent as the latest obstacle to be run over in his crusade. As the most dangeous rogue in his gallery. A threat so unbelievably potent, unbelievably dangerous, that it cannot be allowed to exist. That the whole world can be categorized like that; he's even come to regard himself as nothing more than a criminal, albeit one that hunts others. So he's in kind of a dark place. A place that only gets darker as the movie progresses and he gets pushed further over the edge by Lex's manipulations.
Meanwhile, Clark Kent is wrestling with what it means to be Superman. He's becoming frightened of the effect he can have on the world, wondering if he really has the right to pull these levers. So when he sees what Batman has begun to do (and he's only begun, the branding really does seem to have happened more than once), and it disgusts him. So he begins to tackle the threat of the Bat-Vigilante as Clark Kent, as opposed to Superman.
By the middle of the movie, things are coming to a head for both characters. Clark has left the building entirely, just about, feeling that Superman causes more damage than he heals. And Batman is prepping for outright deliberate murder. But then... Clark comes back. Because he loves Lois, because he's come to realize that his actions having consequences isn't something that would go away if he had no powers. That you can't save everybody, but you can never stop trying.
Then, Lex has his mother. Superman rejected the fight on his own terms, but he's forced into it by Lex. So he decides, he's going to approach Batman, not as a foe, but as a person. One who he believes still has good in him, a far cry from his views earlier in the movie. Batman, meanwhile, is lagging behind in his epiphany. So while Superman is just trying to subdue Batman long enough to convince him to help, Batman is really trying to murder Superman. And he very nearly does. Until Superman says the Martha line. And Batman is suddenly shocked into remembering that the people he fights aren't just criminals, or monsters, they're people. It's something he clearly hasn't thought about for a very very long time. And the shock of that is enough for him to help Superman rescue his mother.
And then Superman dies. Twice. And this links back to the "men are brave" thing. Because Batman's whole thing with that was that you have to be able to feel fear to be brave. That Superman's inhuman strength and toughness makes him less, makes him incapable of being a hero. And then he's shown to be wrong. Batman at the end of the movie is ready to begin trying to heal, a far cry from the burned out shell of a man at the beginning.
And that's character development.
Aquaman stared at that camera for twenty seconds. He should know what a camera is. He should've look at it for two seconds just so we get a glimpse of what he looks like then the cool camera smack.
Instead it was like "look, it's Jason Momoa! Don't you remember this guy from Game of Thrones? Pretty fucking cool right. He's got nice tattoos and apparently is too stupid to realize he's being filmed. You got a close enough look yet? No. Okay. How's your day been? You should try the new sandwich joint in downtown, the chicken club is damn good. Oh so you've finished taking in Game of Throne's Jason Momoa as Aquaman? Great. Now we can cut away."
Dude I saw bruce flying in the first dream and I'm like "fuck this isn't going to go well"Three?
Don't sell Snyder short.
There are five dream sequences in this movie.
Intro is a dream (narrated by Batman to absolutely nobody btw)
Manbat dream
Knightmare dream
Flash dream
Pa Kent dream
What. What is this.
Nice try.
You should re-read what I wrote. I said, their relationship wasn't built in any meaningful way, meaning, they didn't have an arch together. Most of what you wrote was the arch that they had independent of each other. Where they met in the center had no real meat as a result, because they barely even knew each other before one was killed...after hating each other for 3/4s the film..
Their mutual change of heart came from a shared mother's name. That wasn't gradual, that wasn't deep. It wasn't meaningful and plus, when Bruce tries to kill Clark, he doesn't have a point where he comes to Superman's aid in a meaningful fashion, giving us, the audience the same investment that Bruce should have.
And it's not a mistake that it came off as rushed or flimsy, because, they tried to build a relationship in 1 movie's time. The kind of emotional connection, build up you would need can't be don't in one film.
That's why Nolan didn't killBecause we have to be as invested in all this as the onscreen characters are. For that moment of loss to have weight, we have to care.Rachel until movie 2.
So no, to me and many others, the character development of these characters didn't quite hit the mark.
Worse.Can't wait for Darkseid to job to a smoke grenade thrown by Batman.
This does its foreshadowing well, even if it's a mess of a film
Honestly I did not get why they were acting like it was a big reveal. Trailer should have not shown it so at least you can go "Doomsday surprise!"Dude I saw bruce flying in the first dream and I'm like "fuck this isn't going to go well"
I'm still really pissed they ruined the doomsday reveal in the effing trailers. Why are you going to show him and then do the death of superman. He should be a pleasant surprise.
Haven't seen many mentioning it, so I wanted to bring up how Jimmy Olson is executed in the Africa scene. To me that's the darkest, most cynical part of the film.
I.. don't think that was Jimmy?Haven't seen many mentioning it, so I wanted to bring up how Jimmy Olson is executed in the Africa scene. To me that's the darkest, most cynical part of the film.
Haven't seen many mentioning it, so I wanted to bring up how Jimmy Olson is executed in the Africa scene. To me that's the darkest, most cynical part of the film.
I.. don't think that was Jimmy?
Can anybody explain the Flash scene?
I heard him say Lois Lane is the key and "you were right about him"?
Metahuman scene should've been a cool 30 second montage. We didn't need to see things like Wonder Woman clicking between the folders and choosing a video to play.
The editing in the movie is all over the show. Some stuff was cut way too long, and other stuff was really abrupt. Considering how much footage they've supposedly filmed, I'm pretty sure with a better editor (and a less intrusive director) there's a great film in there somewhere.
Nice try.
You should re-read what I wrote. I said, their relationship wasn't built in any meaningful way, meaning, they didn't have an arch together. Most of what you wrote was the arch that they had independent of each other. Where they met in the center had no real meat as a result, because they barely even knew each other before one was killed...after hating each other for 3/4s the film..
Their mutual change of heart came from a shared mother's name. That wasn't gradual, that wasn't deep. It wasn't meaningful and plus, when Bruce tries to kill Clark, he doesn't have a point where he comes to Superman's aid in a meaningful fashion, giving us, the audience the same investment that Bruce should have.
And it's not a mistake that it came off as rushed or flimsy, because, they tried to build a relationship in 1 movie's time. The kind of emotional connection, build up you would need can't be don't in one film.
That's why Nolan didn't killBecause we have to be as invested in all this as the onscreen characters are. For that moment of loss to have weight, we have to care.Rachel until movie 2.
So no, to me and many others, the character development of these characters didn't quite hit the mark.
Can anybody explain the Flash scene?
I heard him say Lois Lane is the key and "you were right about him"?
That was Jimmy?
He was traveling through time wasn't he? Isn't that something the flash can do?
No fucking way.Jimmy is in the film (credits), don't know if he was the CIA guy though.
Another Smallville veteran too![]()
You took the words off my tongue. This is what I say the movie has a Good story, it works, it makes sense. I just feel it wasn't communicated clearly enough. You and I, as fans, get this..
Yeah but I wanna know what he was talking about.He was traveling through time wasn't he? Isn't that something the flash can do?
Can anybody explain the Flash scene?
I heard him say Lois Lane is the key and "you were right about him"?
Yeah, but it's a thought when he was at his low point.
Even Batman realised that it was wrong in the end. The point of the movie is that people CAN stay good.