Matrix Revolutions came out 10 years ago

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Yeah I agree. I like this one aswell:

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Considering how stunning M1 was and still is, I really expected them to step the game up. But it felt like everything outside of being in the Matrix was a total downgrade.
 
You say that like it's never been done, when in fact it's a massive cliche.

Actually what I said is that you wouldn't have guessed it, not that it's never been done. ;)

But additionally from to top of my head I can't think of a trilogy (or a series of blockbuster movies anyway) of films that did that. Not the sacrificing thingy, but the sacrificing for what is perceived as mankind's enemy for ~2.5 of the 3 movies thingy.

The hero defeating the evil enemy would be the cliche ending, and the one everyone was expecting anyway.
 
The "green tint" when they're inside the Matrix feels like it was a lot more subtle in the first movie.

It was. Until the fucked it over in the ultimate edition:

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Yes and no. http://www.neogaf.com/forum/showpost.php?p=77570193&postcount=43

I'll quote my previous post from that thread:

angular graphics said:
I do understand preferring the original color timing because hey, everyone has a different preference, but pretending it didn't have its own problems (see the Construct), or that it wasn't even more green / blue at times than the new one, or that it was consistent and followed a logic (the Matrix randomly has a greenish, or brownish, or yellowish tint.. why?).. come on. Is the new one flawed? Maybe, but less than the original was.
 
Actually what I said is that you wouldn't have guessed it, not that it's never been done. ;)

But additionally from to top of my head I can't think of a trilogy (or a series of blockbuster movies anyway) of films that did that. Not the sacrificing thingy, but the sacrificing for what is perceived as mankind's enemy for ~2.5 of the 3 movies thingy.

The hero defeating the evil enemy would be the cliche ending, and the one everyone was expecting anyway.

I think it was pretty obvious at the end of the second one that Neo was some kinda Jesus man, and that he would definitely die at the end.

I'm not saying a big dumb fight scene or predictable ending can't be fun, I'm taking issue with the quotation where the creators are trying to elevate their films over other "predictable" films.
 
I think it was pretty obvious at the end of the second one that Neo was some kinda Jesus man, and that he would definitely die at the end.

I'm not saying a big dumb fight scene or predictable ending can't be fun, I'm taking issue with the quotation where the creators are trying to elevate their films over other "predictable" films.

To reiterate, the sacrificing thingy is not the element you wouldn't be able to predict; hell, Neo wanted to sacrifice himself in the middle of the first movie!

Sacrificing himself to strike a peace with what was falsely perceived as the enemy for 2.5h movies was most definitely unpredictable.
 
To reiterate, the sacrificing thingy is not the element you wouldn't be able to predict; hell, Neo wanted to sacrifice himself in the middle of the first movie!

Sacrificing himself to strike a peace with what was falsely perceived as the enemy for 2.5h movies was most definitely unpredictable.

Falsely perceived?
"As long as the matrix exists, the human race will never be free" - Morpheus
Seems pretty black and white to me. This 'peace' is the capitulation of the human race to save the lives of a few cave dwellers.
 
Time for a reboot? There so much untapped potential in that universe.

Only if Warner wants to attempt it without the involvement of the Wachowskis because very recently they have mocked the trend of endless sequels and reboots in three different interviews!

http://www.cinemateaser.com/2013/07...ykwer-lana-et-andy-wachowski-pour-cloud-atlas
http://www.tagesspiegel.de/kultur/d...aum-deinen-stamm-deine-spezies/7370754-4.html
http://www.morgenpost.de/kultur/ber...rum-Tom-Tykwer-sich-an-Cloud-Atlas-wagte.html

Machine translation:

You already talked about this in an article in the New Yorker, in which you said that cinema should not be run like the stock market ...

LW: Yes, today, movies are reduced to simple products. Everyone wonders how such a project cost, how it reported in its first weekend. This is a negation of art, soul. If we made this analogy with the stock market, this is because studios are now run by huge corporations. They make decisions based on that economic models. That is why we only see JAMES BOND 12, TWILIGHT 19, THE HOBBIT 6 or SPIDER-MAN 24 ...

AW: Reboot!

LW: Rebooted, yes! All because the public and majors prefer products without originality.

Let this optimism even in the face of the risk of "Cloud Atlas" exercise? The opening weekend in the U.S. this 100-million-dollar independent film has recorded less than ten million dollars. Does that make you nervous?

ALL THREE: The film is the reward.

LANA W.: Of course we want our investors to pay back the money, otherwise there is a day at the movies, only the 27 "Twilight" series and the 99th Bond film. Sartre has said all materialist philosophies reduce art to the object-like. Exactly happens when you "Cloud Atlas" is measured at the box office. How it works oppression, the market will fix it: It reduces people to numbers and balances. But the art is beyond the question of whether one can do with their money. Of "Moby Dick" was initially only 100 copies have sold. But what a force is Melville's novel, with its montage of various narrative forms, mixed with historical and philosophical digressions psychological and obsessive! Without "Moby Dick" there would not be Joyce's "Ulysses", the whole post-modern literature, not even "Cloud Atlas". It's pathetic to evaluate the "Moby Dick" on its initial run.

Tykwer: See, now it has Lana carried away again.

Lana Wachowski: Exactly. Here you find all classes and races, all take to this place and make it theirs. You find no longer in Manhattan and certainly not in Los Angeles. Hollywood is something we are never interested in all three.

Andy Wachowski: In Hollywood products are made. Not more. And repeating the same products. Exactly which they believe that the public wants it. How boring.

Lana Wachowski: James Bond is such an example. Always the same, with minor changes. And if even a few more changes to come, all the talk already of restart. Oh look, the new Q, how funny!

Morgenpost Online: You can not gossip about the new Q yet. Ben Whishaw, who plays him, but is also one of your main characters!

Tom Tykwer: Oh, his Q is good. And we love Ben.

Lana Wachowski: But it's just the eternal recurrence of the same thing. Take the "Twilight" series. Now comes another "The Hobbit" after the "Lord of the Rings." Batman, Spiderman ... In all this, it's all about products, not about content or even visions.

Morgenpost Online: And you will now continue making movies together?

Andy Wachowski: We very much hope.

Lana Wachowski: we are made ​​for it.

Tom Tykwer: We must unravel even better with the credit for the only.
 
That's a pretty good description of the first movie (from where that quote comes) in less than 10 words. :) Start here: http://www.neogaf.com/forum/showpost.php?p=88974403&postcount=115

She says her critics
It has long been a Wachowski goal to expand what audiences will accept. They aspired toward nothing less than expanded consciousness with The Matrix and its sequels, the last of which was critically reviled. "People hated it," Lana recalls. "They said: 'I want to go back into my pod. I want to go back.'"
but isn't that exactly what they do to the human race in the story? Humans are still slaves to machines. The only positive outcome is the machines agreed not to murder all the escapees which they could very easily do, at any time in the future with no repercussion whatsoever.
 
She says her critics but isn't that exactly what they do to the human race in the story? Humans are still slaves to machines. The only positive outcome is the machines agreed not to murder all the escapees which they could very easily do, at any time in the future with no repercussion whatsoever.

Let me share with you a little story, that perhaps will help. When The Matrix was shot the script had a different ending speech by Neo. American test audiences did not know what the word "chrysalis" meant, so they had to rewrite it to dumb it down but they actually changed the meaning of the ending as well.

The original ending speech follows:

Neo said:
Hi. It's me. I know you're out there. I can feel you now. I imagine you can also feel me. You won't have to search for me anymore. I'm done running. Done hiding. Whether I'm done fighting, I suppose, is up to you.

I believe deep down, we both want this world to change. I believe that the Matrix can remain our cage or it can become our chrysalis, that's what you helped me to understand. That to be free, you cannot change your cage. You have to change yourself.

When I used to look out at this world, all I could see was its edges, its boundaries, its rules and controls, its leaders and laws. But now, I see another world. A different world where all things are possible. A world of hope. Of peace.

I can't tell you how to get there, but I know if you can free your mind, you'll find the way.

You will find out The Matrix' original ending ^ jells incredibly well with the sequels and particularly the ending of the third film/trilogy.

It's also what the trilogy is all about. Pretty pictures usually help:

"I believe that the Matrix can remain our cage or it can become our chrysalis, that's what you helped me to understand. That to be free, you cannot change your cage."
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"You have to change yourself."
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"When I used to look out at this world, all I could see was its edges, its boundaries, its rules and controls, its leaders and laws."
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"But now, I see another world. A different world where all things are possible. A world of hope. Of peace."
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"I can't tell you how to get there, but I know if you can free your mind, you'll find the way."
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This is precisely what Lana means when she says "You know, if we were only allowed to make The Matrix, we would’ve been very sad because the movie is an incomplete idea and the other two complete the ideas of that movie, and without them it is kind of a false representation of what we wanted it to be.".
 

Oemenia

Banned
While it surely would've been too expensive, maybe the two sequels could have worked better as a TV series instead.

Kind of like how the Animatrix was compelling because it was made up of stand-alone vignettes that expanded on the lore of the first movie, instead of having to bear the weight of continuing the story of Neo in the space of a couple of hours. A Matrix TV series could have taken its time to develop the plot and the characters, and also give more attention to the interesting side characters that were just worth a scene or two in the movies.
This is exactly what I thought, those stories really nailed the mythos and atmosphere of the first film whilst still keeping the mystery. The fact that they were told in so many different styles was also awesome.

Also big thank you to angular graphics for the quotes!

It was. Until the fucked it over in the ultimate edition:

Original vs Ultimate image
Bad example, the older version looks washed out and dull, the new tinting gives it much more personality. Just look at the indoor scenes, makes the noir aspect so much more potent (especially the staircases).
 

Cwarrior

Member
The second movie reloaded was great highway fight was excellent, revolution was trash over melodramatic,slow,cringe and mind numbing boring yep it was like an anime movie.
 
I've always wondered if you could edit Reloaded and Revolutions into one decent, focused sequel. Way too much side character crap in those movies.
 
At the time Warner / Silver claimed the Wachowskis had already explored a scenario in which the actress would be changed for plot reasons so when her unfortunate death happened they were able to work around it easily.

Interestingly they also said Gloria Foster had completed "most of her scenes" for Reloaded so I always wondered "ok, so what are we missing?" Probably something minor.
 

noal

Banned
Is it worth buying the Ultimate Collection if I have the original DVD's?

I've never seen the AniMatrix and after reading all the positive comments here I really want to watch it now.
 

Loxley

Member
I still really enjoy Reloaded - it's a fun and creative sci-fi action movie. It's shame that since Revolutions was an abject failure in almost every aspect that Reloaded tends to get lumped in with it in terms of quality.

Yeah, I could do without the pointless and time-wasting Zion rave scene, but overall I always have a good time with the film.
 

vatstep

This poster pulses with an appeal so broad the typical restraints of our societies fall by the wayside.
I still really enjoy Reloaded - it's a fun and creative sci-fi action movie. It's shame that since Revolutions was an abject failure in almost every aspect that Reloaded tends to get lumped in with it in terms of quality.

Yeah, I could do without the pointless and time-wasting Zion rave scene, but overall I always have a good time with the film.
My thoughts as well. I watched the trilogy back-to-back-to-back for the first time in a while recently and that hasn't changed. Revolutions is just a mess. The visuals during the mech battle in Zion are absolutely stunning, though, even a decade later.
 
I liked how in Matrix 1, everything was contained to the storylines around characters on the ship and going into the Matrix; it was more mysterious and almost felt like a small, indie film. Then with Hollywood movies following the rules of sequels, everything in the sequel was bigger and more badass.
 

legacyzero

Banned
Still the best trilogy ever made. I love the Matrix so much. Sure Revolutions didn't end the way everybody hoped, but was still a masterpiece IMO.
 
I liked how in Matrix 1, everything was contained to the storylines around characters on the ship and going into the Matrix; it was more mysterious and almost felt like a small, indie film. Then with Hollywood movies following the rules of sequels, everything in the sequel was bigger and more badass.

The Neb crew was to visit Zion in the first film and then re-enter the Matrix (pretty much what happens in Reloaded) but Warner was unwilling to provide the budget for it, so they left it for the sequels.

A bunch of secondary characters (other rebels, Neo's family, an AI instructor.. not dissimilar to the one in The Second Rennaissance) were removed (or added and then removed) as well with each new draft, until the characters were trimmed down to the absolutely necessary: the Neb crew + Agents.
 
The Neb crew was to visit Zion in the first film and then re-enter the Matrix (pretty much what happens in Reloaded) but Warner was unwilling to provide the budget for it, so they left it for the sequels.

A bunch of secondary characters (other rebels, Neo's family, an AI instructor.. not dissimilar to the one in The Second Rennaissance) were removed (or added and then removed) as well with each new draft, until the characters were trimmed down to the absolutely necessary: the Neb crew + Agents.

Then I'm glad they cut those scenes out. I'm quite sure the Wachowskis or however you spell their name could've made a sequel in the same tone as the first.

It would've worked out better if we thought Neo, Morpheus, Trinity and the crew were only a handful of humans left, and it was just up to them to save the world from the machines. It would've add more mysterious.
 
A classic example of how directors with more artistic freedom is a never necessarily a good thing.

Who says the first film wouldn't have been even better that way (introducing Zion etc)? We honestly don't know. You are judging this based on the second film, which of course is a different movie.. Flawed way of thinking.

Then I'm glad they cut those scenes out. I'm quite sure the Wachowskis or however you spell their name could've made a sequel in the same tone as the first.

It would've worked out better if we thought Neo, Morpheus, Trinity and the crew were only a handful of humans left, and it was just up to them to save the world from the machines. It would've add more mysterious.

Even in the first film it is established there's a CITY where humans live and that there other ships.. that's it's not just the Neb.
 

EVOL 100%

Member
The sequels were inferior in every single way. The first one was a reasonably intelligent action flick but the sequels felt really garish and cheap. In an attempt to make the films more BADASS and 'philosophical' they sacrificed any sense of subtlety. They felt like fucking fan fiction.

And did the Wachowskis seriously pull the 'you're not smart enough to understand it' card, jesus christ
 

Daft_Cat

Member
The sequels were inferior in every single way. The first one was a reasonably intelligent action flick but the sequels felt really garish and cheap. In an attempt to make the films more BADASS and 'philosophical' they sacrificed any sense of subtlety. They felt like fucking fan fiction.

And did the Wachowskis seriously pull the 'you're not smart enough to understand it' card, jesus christ

I'd love to hear your interpretation on what the second and third films are about, philosophically speaking. By suggesting they lack subtlety, you're implying that they are obvious or on the nose. Whether or not you felt the Wachowski's were successful at communicating their ideas, I'm interested to hear your take on what they were intending.
 
I think the Wachowskis would be the last of all people to insult anyone that they "just aren't smart enough" to get their films.

Now, unwilling to put the effort, that's more like it :p
 

Raydeen

Member
People bitch and whine about sequels being predictable.

They went the opposite of what most writers would do, you didn't get the machine twitching in death throes as Trinty and Neo make out to blue skies.

Having said that, what you see on screen is a first draft...and it shows...if they had just put the script in the drawer for a year...come back to it, they would have probably seen all it's flaws and corrected them. So many great ideas that don't really get paid off - if you think about it,.
 

Minion101

Banned
At the time Warner / Silver claimed the Wachowskis had already explored a scenario in which the actress would be changed for plot reasons so when her unfortunate death happened they were able to work around it easily.

The Warner / Silver claims could have been PR talk. The "blow to the production schedule" was said in the matrix extras by someone whose name I forgot. Who really knows for real though.
 
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