InterSexuality 8-end
Ended up finishing the last three episodes of this drama. It's strange how much like Wandering Son the series ended up being, to the point where it makes me wonder if "coming out" narratives have almost become a cliche now. Given the fact that IS actually uses the English phrase "coming out" (cominguuuuu outooooou) several times at the end makes me wonder if this is a type of "event" that Japanese writers or the Japanese LGBT community in general has glammed in on and taken as their own in order to describe self-actualization through identification.
I'm sure this is a complete misconception, but I get the feeling that Japanese society expects everyone to closet themselves in order to preserve the structured order of society at large, so perhaps the American "coming out" narrative is something they feel like romanticizing and idealizing.
It's too bad that the standard Asian Drama tropes had to plague the series, because in a very different context, this could have been an Oscar/Emmy worthy vehicle for an upcoming young actor/actress in the vein of Boys Don't Cry. Heck, it even had some moments of interesting direction.
Alternatively, I'd probably go back to my original thought about how this would have made a great noitaminA show as well - as a follow up to Wandering Son - but then I realized that it doesn't have mechs in it, so it doesn't fit into that slot anymore.
I guess this raises a question about queer narratives in manga/anime in general. IS and the Shimura texts, for all their faults, seem to suggest a space for queer stories that don't exist in a vacuum - like the upcoming Sekai-ichi Hatsukoi 2. I just don't get why texts that try to reproduce queerness with some verisimilitude have to necessarily be adapted to live action. Aoi Hana and Wandering Son seem to be very unusual and progressive exceptions to the rule.