Except it did?Oh great, just read Forever got cancelled.
Even though I really liked the show it would of benefited from a tad shorter season and answering some goddamn questions before ending the show.
Except it did?Oh great, just read Forever got cancelled.
Even though I really liked the show it would of benefited from a tad shorter season and answering some goddamn questions before ending the show.
It did give us this though: https://www.youtube.com/watch?v=qgnbNZsi-UEAt least it will be better than the first Uncle Buck TV series, because it can't be worse.
whats this Wayward Pines show? its being hyped a shitton here in Portugal, a supposed "premier in 3569 countries". Any good?
At least it will be better than the first Uncle Buck TV series, because it can't be worse.
whats this Wayward Pines show? its being hyped a shitton here in Portugal, a supposed "premier in 3569 countries". Any good?
It did give us this though: https://www.youtube.com/watch?v=qgnbNZsi-UE
It did give us this though: https://www.youtube.com/watch?v=qgnbNZsi-UE
I love how all 90s shows have the same opening basically.
And holy shit at the Ferris Bueller TV Series Pilot
There was a Ferris Bueller TV Series Plot....
Why?
I thought it was some thirsty tv show writer who wrote that but I died a little inside after finding out the horrible truth.Ugh I just threw up in my mouth a little bit
Kind of makes me want to watch Empire even though I know I'll be deeply disappointed by the lack of such hats.
Somebody should write a book about this all when it blows up in Paul's face.A lot of this underscores the incredible frustration that creators and studios feel for ABC and the fact that Paul is head of ABC Studios and ABC the network. Dana and Gary have seemed to live up to their promise to buy from outside studios (they gave series orders to ABC, WB, and Sony shows this cycle and are probably going to end up ordering Studio City when it's all said and done), but Paul has not done that.
Which begs the questions -- if you're a creative or a studio not at ABC Studios, what's the point of pitching to ABC? Which is fine for ABC... except they wouldn't have Modern Family, The Middle, The Goldbergs, or Fresh Off the Boat if they only bought internally. You're limiting yourself to a very, very small pool of talent.
Like, the one of the best writers that Sony has under overall is probably Carla Kettner. This is the second season in a row where she's developed an incredibly strong project for ABC, but it doesn't even get a pilot order over a lot worse stuff.
Somebody should write a book about this all when it blows up in Paul's face.
If Person of Interest does get cancelled, what are the chances of them being able to move to Netflix or another network with less restrictions perhaps? Love the show but it'd be even better on a network that wasn't CBS.
whats this Wayward Pines show? its being hyped a shitton here in Portugal, a supposed "premier in 3569 countries". Any good?
Goddamn. Just goddamn.Like, I get it. Ratings are low, and all of the money you make now is with ownership. But we're living on borrowed time on a model that doesn't make sense for 2015. The "death" of broadcast television will probably not resemble all of the networks closing shop permanently, but a shift in their brand to an OTT or cable service.
And yes, ownership is important. That's the new normal. Everyone wants to get into the ownership game as much as they want to get into the original content game. But it's a double edged sword.
Honestly -- the FCC easy the rules of media conglomerates with regards to ownership of studios in the 90s really fucked shit up. There were so many independent studios beforehand. Now? Look at ABC's slate of new shows. Sony and Warner Bros. are technically independent, but, come on. And Lionsgate is a non-entity as is Shine. They might get some cable orders, but in terms of broadcast shows? No. And having independent studios that can get big shows on TV is hugely important to the survival of the industry. The only studio on the horizon that seems to be making moves that way is Aaron Kaplan's pod, but he needs a huge hit that will bring in a ton of cash before he can do that.
Though I imagine the importance of getting a broadcast series order diminishes every year. I'm rambling now. We're sort of at the precipice of some interesting shifts in terms of ownership and a ton of other things.
Also -- the fucking bloodbath at NBC (and sort of Fox) is NOT good for anyone. Every year should be much similar to what happened with ABC and CBS. That should be the goal. I'm a huge advocate of fewer shows picked up and focusing all marketing/resources towards the ones you really believe in.
i'm just waiting for the A-Team and Airwolf reboots.
Buck Williams bro!I don't think an African American in the history of the world has ever been named Buck.
I say this knowing that seeing trailers and then later the pilots and so on, I could totally change my tune on this. For instance I wrote off Jane the Virgin at every step along the way until I watched the pilot for myself, now it is one of my favorite shows. But I feel like this slate of new network shows sounds as lackluster as any has in years, for me personally at least. Again it is tough to tell at this stage based on loglines and talent attached to them, but usually I have more I'm excited about at this point. Like last year it helped to have new shows from Tina Fey, Rob Thomas, and David Caspe who created some of my favorites in the past (I love Kimmy and iZombie, I didn't end up caring much for Marry Me but I was still excited at this stage last year with the people involved). Hoping some trailers change my mind this coming week.
I take it the fact that it survived yesterday points to the renewal?Probably little. It's very rare that a show moves networks, and there don't seem to be many places that are open to it.
I don't think Person of Interest will be canceled.
I say this knowing that seeing trailers and then later the pilots and so on, I could totally change my tune on this. For instance I wrote off Jane the Virgin at every step along the way until I watched the pilot for myself, now it is one of my favorite shows. But I feel like this slate of new network shows sounds as lackluster as any has in years, for me personally at least. Again it is tough to tell at this stage based on loglines and talent attached to them, but usually I have more I'm excited about at this point. Like last year it helped to have new shows from Tina Fey, Rob Thomas, and David Caspe who created some of my favorites in the past (I love Kimmy and iZombie, I didn't end up caring much for Marry Me but I was still excited at this stage last year with the people involved). Hoping some trailers change my mind this coming week.
I take it the fact that it survived yesterday points to the renewal?
Sure, but, then again, what do people expect from the networks? Cable (and streaming services) is where it's at and if a network somehow manages to develop a decent show (that also manages to stay around), that's really become the exception.The new list of shows picked up almost all look and sound terrible. Most look and sound low budget. Your array of cheap comedies and cop procedurals mostly.
I did imagine they weren't cancelling POI. It's not like it has dipped severely critically and in popularity.
Is there a particular reason why? Any guesses?It's down significantly in its numbers this season
It's down significantly in its numbers this season
Really? I thought that compared to last season, it was kind of keeping its numbers. Damn.
Like, I get it. Ratings are low, and all of the money you make now is with ownership. But we're living on borrowed time on a model that doesn't make sense for 2015. The "death" of broadcast television will probably not resemble all of the networks closing shop permanently, but a shift in their brand to an OTT or cable service.
And yes, ownership is important. That's the new normal. Everyone wants to get into the ownership game as much as they want to get into the original content game. But it's a double edged sword.
Honestly -- the FCC easy the rules of media conglomerates with regards to ownership of studios in the 90s really fucked shit up. There were so many independent studios beforehand. Now? Look at ABC's slate of new shows. Sony and Warner Bros. are technically independent, but, come on. And Lionsgate is a non-entity as is Shine. They might get some cable orders, but in terms of broadcast shows? No. And having independent studios that can get big shows on TV is hugely important to the survival of the industry. The only studio on the horizon that seems to be making moves that way is Aaron Kaplan's pod, but he needs a huge hit that will bring in a ton of cash before he can do that.
Though I imagine the importance of getting a broadcast series order diminishes every year. I'm rambling now. We're sort of at the precipice of some interesting shifts in terms of ownership and a ton of other things.
Also -- the fucking bloodbath at NBC (and sort of Fox) is NOT good for anyone. Every year should be much similar to what happened with ABC and CBS. That should be the goal. I'm a huge advocate of fewer shows picked up and focusing all marketing/resources towards the ones you really believe in.
I feel sorry for POI fans. The wait must feel like torture. :c
I have my thoughts, but I figure TV Guru's here just say it's not good anymore.
Not enough TNA
Not enough Young People
Dwindling lead ins from NCIS
Everyone's numbers are down.
10 pm
Serialized shows suffer from regular network breaks, while procedurals don't.
It's on CBS so who cares
Shame to hear about Warrior. Too hard to produce on a broadcast budget and schedule, or just not so great in general?Very good. I think they'll renew everything they have left. CBS likes to announce things in one fell swoop, and they might be trying to figure out what to do with CSI.
There's also been no indication from anyone they've heard that Person of Interest is in danger.
EDIT: Warrior is indeed dead. No idea about Unveiled, Sharing, Strange Calls, or Cuckoo. My guess is they're dead.
EDIT 2: Strange Calls and Cuckoo are dead. No idea on Unveiled and Sharing
Shame to hear about Warrior. Too hard to produce on a broadcast budget and schedule, or just not so great in general?
But isnt there a risk that youre spending a lot more on programming overall and on shows with a smaller potential payoff from fewer episodes?
You end up taking different business models from different types of businesses. Theres a very established model for cable and pay TV, and for British shows, to create a business with not as many episodes. With Agent Carter we did eight, which is more feasible than six.