WWE's roster, counting developmental, is actually excellent, one of the best in the world. That they can't get a SINGLE division/title on the card to be used competently, is a little embarrassing.
John Pollock says someone in WWE watches Impact wrestling and then tells them anything interesting. So someone should watch New Japan on how to book and then tell WWE creative how it works.
John Pollock says someone in WWE watches Impact wrestling and then tells them anything interesting. So someone should watch New Japan on how to book and then tell WWE creative how it works.
So they guy gets paid to be a mute.
Well the person watching got them to do those previous on Raw thing because Impact was doing that first. Also, TNA thought they stole the Claire Lynch story from them with the whole AJ and Cena storyline.
Also, pollock thought the Ryback promo was based on that Bull Ray explaining his aces and eights plan.
TNA Watcher: "The Knockouts did some things with their butts"I pity the poor intern who has to watch Impact and type up those reports.
Ryback
Watching the pain on Cena's face was worth standing back for. Funny the 2 things he says I lack his ex wife seems to love. #RybackRules
The balls on TNA office to say WWE rips off their angles. So many lolz to be had.
I think that probably affected it a lot.Raw Viewership Ratings:
8pm: 4.19
9pm: 4.24
10pm: 4.03
Avg: 4.15
Back to normal. Also, wonder how much the boston attack affected people watching the show.
AJ Styles actually brought that up in a promo. Saying is isn't the only AJ having problems.
They'll need some way to keep the smarts invested in their product like bait on a hook.Ziggler vs Dbry?
shut up and take my money
Smart crowd needs to turn that back around on Cena by chanting "Cena's boring" or "Go away" or "We're not saying boo-urns, we're saying BOO CENA".The crowd started chanting boring during Cena's promo last night and Cena tried to blame that on Ryback? How is that just not sabotaging someone.
WWE Raw TV taping report
April 15, 2013
Greenville, S.C.
Report by Michael, PWTorch reader
I'm from Australia and attended last night's Raw with my English friend, Dan. I had a "Raw is Generico" sign, which you may have noticed. A lot of people on Twitter loved it, but not WWE. Here's what happened:
Thank you, WWE, for ending my USA trip on such a low note. Last night was the final night of my trip and Dan and I were ending it with a bang. We had third row seats directly opposite the camera, ideal for a couple of guys who love a bit of TV time.
At one point in the night Dan had a couple of his signs confiscated. The explanation was vague, but I assumed it was because he was holding them up too regularly.
We moved on, until WWE decided to flex their muscles. I was watching the Dolph Ziggler vs. Jack Swagger match and before I knew it Dan was being escorted by security. I was dumbfounded, because from what I can recall the most serious crime he mightve committed at the time was holding up a sign promoting his Twitter handle, which includes the acronym ROH."
Fans around me were telling me, Your buddys been taken over there near the National Guard people." All I could say was Why?! No one had an answer. I could see him begging security for answers.
A segment or two later and its time for C.M. Punks promo. This was when I was going to hold up the only sign I brought with me the one which said Raw is Generico." I held it up 2-3 times within the space of a couple of minutes, and all of a sudden Ive got a security guard next to me saying come with me.
I said, Why?
All he said was, Just do it.
So, I picked up my stuff and did the walk of shame, being escorted past everyone from the TV-side to the non-TV side. While walking I pleaded for an explanation of what I had done wrong, but the security guard wasnt saying a word.
I said, Are you going to speak?
He replied, Its the show. The show doesnt want you there.
They took me to an empty seat in a level 100 section of the non-TV side, even though Id paid over face value for a floor seat directly opposite the camera. I said something like: "Before I sit down, is someone going to tell me what I did wrong?"
One of the security guards said, "It was your sign."
I asked why they couldn't just confiscate it and let me stay in my seat, but he wasn't able to give me an answer. When I got to my seat I had a different security guard tell me: "You're out. They want you out of the building," until he was corrected by one of his colleagues.
There was about half-an-hour remaining in the show and I barely remember a second of it. I basically just sat there staring blankly into the distance or at the big screen waiting for the show to end.
I spent thousands of dollars on this trip, with much of it going into WWE's coffers. I now have no motivation whatsoever to pour another cent into a company that would treat me that way. It was humiliating. It saddens me that I am highly unlikely to be in New Orleans next near - not because I'll miss WrestleMania, but because I'll miss everything else about that weekend, including the people I've been fortunate enough to meet.
New Orleans was meant to be the next opportunity to catch up with these people and others, but I can't see how I can possibly support WWE after last night. We're now planning to organize our own wrestling trip outside of WrestleMania week where we'll try to fit in ROH and TNA.
People mock me for my passion for TNA, but at least I know they won't treat me like I was treated at last night's Raw. My trip started with TNA Lockdown, and I felt like such a part of that whole weekend. It was the highest of highs, but, sadly, my trip has now ended with the lowest of lows. For that, I once again say thank you, WWE.
$20 for that? Hmm, I dunno. I'm interested but I'm not sure I'm $20 interested.
Own the new independent documentary film "BARBED WIRE CITY... THE UNAUTHORIZED ECW DOCUMENTARY". Please note: This DVD is not supported, nor owned by the W.W.E.
"Barbed Wire City... The Unauthorized ECW Documentary" is a film that studies the history of, and people who made, Extreme Championship Wrestling a cult sensation in the 1990s. We took an intimate look at the subculture of a subculture, and found a very human story about athletes who see themselves as entertainers, and were willing to take massive amounts of punishment for little money based on the promise of something more within their industry. This is a film about culture and human beingswho just happen to use tables and chairs and violent acts as part of their performance art. This documentary is not owned or supported by the WWE.
What Is The Documentary About: We like to call this the study of a subcultures subculture. Pro Wrestling is a world that is an odd island to most people. In the 1990s, Extreme Championship Wrestling was the bizarre underground of that subculture. We wanted to bring the fascinating behind-the-scenes story of this promotion to the mainstream, its ups and its downs, from its beginning in the early 90s all the way into 2012. Weve shot 50 hours of footage and conducted over 60 interviews to give context and accuracy to this oral history. This has been a labor of love, as the project began when both filmmakers were 19, in March of 2000.
Philapavage was a wrestling fan growing up, particularly captivated by Extreme Championship Wrestling as a teen. Kiernan, never a fan, brought a fresh perspective to the project. Much of the film was shot in 2001, before the film was put on hold the first time in 2002. Several times production of the film was resumed, but it was never completed, due to lack of funding. In January of this year the project was resurrected again with new eyes. 15 additional hours were shot, including three days at Extreme Reunion, a wrestling show in Philadelphia, where ECW alumni came together to reunite in front of roughly 2000 fans.
This film aims to take an honest, critical look at the history, legacy, and impact of ECW on the professional wrestling industry, as well as tell the stories of the men and women who helped build this small mom and pop promotion into a national force. We examine the violence and bloodshed, marketing and fan involvement, as well as the decisions of those in charge, through the companys triumphs, glory years, controversies, and demise.
It also seeks to shed light on a group of people that came together with the goal of turning their industry on its head. The sacrifices they made trying to achieve it were often physically brutal, as they were chasing the dream of trying to create something innovative in professional wrestling. They succeeded by playing an often unheralded role in the creation of the cultural phenomenon that was the wrestling boom of the late 90s, but failed to fully realize their dream of getting to the top of that swell of popular acceptance that they helped create. We want to tell their story.
Who Is In Our Film: We conducted over 60 different interviews, some with the same subjects twice, over a decade apart. Our approach to telling the story of Extreme Championship Wrestling and giving you proper context has been holistic in nature. Weve interviewed journalists, wrestlers, referees, ring announcers, security staff, company staff and production, all the way to fans and fan organizers.
The wrestlers range from mainstays like Sandman, Raven, Shane Douglas, Balls Mahoney, Axl Rotten, New Jack, Mikey Whipwreck, The Blue Meanie, Stevie Richards, Nova, Ted Petty, and Johnny Grunge, to wrestlers from later years like Jerry Lynn, Angel and Devito of Da Baldies, Chris Chetti and Danny Doring, and Steve Corino.
We spoke with personalities like Joel Gertner, Sign Guy Dudley (Lou E.), and referee John Finagan. We interviewed the founder of Extreme Championship Wrestling, Tod Gordon, as well as early staff like Larry Winters, Bob Artese, Ed Zohn, Kathy Fitzpatrick, and longtime office workers like Gabe Sapolsky and Damien Farren, as well as later Extreme Championship Wrestling staffers like Dan Kowal. We also sat down with TV production man, Charlie Bruzzese. We sought out involved fans, like ECW Arena front row fan, John Straw Hat Guy Baily, and supporter/fan organizer, Tony Lewis. We have the head of Atlas Security, Ronnie Lang, as well as one of his trusted lieutenants, Joe Wilchak.
Finally, we have a wide array of context and analysis, as well as diverse opinions, from the journalists who covered Extreme Championship Wresting. Dave Meltzer from the Wrestling Observer, Wade Keller and Bruce Mitchell from the Pro Wrestling Torch, Jason Powell of Prowrestling.Net, as well as wrestling photographer and historian, Bill Apter. Rounding out this list are Mike Johnson and Dave Scherer of PWInsider.com, who have the unique distinction of being early fans who became journalists, and also worked for the companies official website. We also spoke with Michael Mad Dog Tearson (a local Philadelphia journalist), Rob Feinstein of RF (ECWs video tape partner), and Frank Talent of the Pennsylvania State Athletic Commission.
Guy with the "Raw is Generico" sign got kicked out of his seat last night:
Stuff like this just doesn't make sense to me. Why not just tell the guy to drop the sign and let him keep his seat?
Why do wrestling fans always turn a simple story into a 5,000 word essay?
They didn't want what that fan represented in the arena.Stuff like this just doesn't make sense to me. Why not just tell the guy to drop the sign and let him keep his seat?
They didn't want what that fan represented in the arena.
They don't want fans of ROH or Generico or fans that appreciate the indies or anything that happens outside of the WWE Universe.
If they did, they would have just taken his sign.
But instead Security replied, Its the show. The show doesnt want you there.
The WWE doesn't want WrassleGAF there, either... you guys know that, right?
They would have sent that entire New Jersey crowd packing from the stands if they weren't outnumbered.
So they turned it around and pretended they appreciated the fans shitting on their product and then were totally clueless when "sanctioned" Fandangoing wasn't responded to well.
oh shit
Stuff like this just doesn't make sense to me. Why not just tell the guy to drop the sign and let him keep his seat?
That's why Vince stays out of proper wrestling markets as much as he humanly can.If only they just did shows in proper wrestling markets. The fans would force them to change. Crowds like the mild one last night just let the WWE believe they can keep churning out garbage and people will lap it up with minimal pushback.
You're probably right. I'm just latching onto something that is clearly a one-sided recounting of events to suit my agenda. Still fun, though.When your buddy has "a couple of signs confiscated," he isn't just a nuisance--he's a disruption. I bet Michael From Australia Who Has Passion for TNA Because They Made Him Feel Like a Part of Lockdown Weekend had more than just that one sign and was every bit as disruptive as his friend was.
Cena would find a way to "Attitude Adjust" Ryback and Mark Henry simultaneously.It's a god damn shame they needed to have Ryback and Henry feud, rather than having them tag team try and demolish Cena, given where they went with Ryback the night after.
Think of all the odds just aching to be overcome.
Aiii, how can you get excited for a WWE event?
They probably did. I suspect Michael From Australia Who Spent Thousands of Dollars On His Trip is probably lying.
When your buddy has "a couple of signs confiscated," he isn't just a nuisance--he's a disruption. I bet Michael From Australia Who Has Passion for TNA Because They Made Him Feel Like a Part of Lockdown Weekend had more than just that one sign and was every bit as disruptive as his friend was.
2CW are running their very first iPPV this Saturday at 8PM Eastern and are giving it away for FREE!
http://livesportsvideo.com/golive/goliveevents.asp?q=SquaredCircleWrestling
. Kevin Steen (c) vs John Morrison - 2CW Heavyweight Championship
. Matt Hardy vs Sami Callihan
. Isys Ephex vs 'Juggernaut' Jason Axe - Stairway to Hell Match
. Spike Dudley vs MASADA - No Holds Barred
. Colt 'Boom Boom' Cabana vs 'Slyck' Wagner Brown
. Colin Delaney & Rachel Summerlyn vs Pepper Parks & Cherry Bomb
. Plus more, including Terry Funk responding to Kevin Steen's challenge.
Card looks a bit random, but I won't turn down a free wrestling show.
oh shit
Idk, I saw security guards screaming at kids behind Cole and King who weren't even doing anything. There were just standing up. Not being distracting or even having signs. Just standing up when King and Cole were on camera. It was weird. It happened all night long. I also saw security yelling at and grabbing people in the front rows for being too animated, and people along the ramp for trying to slap hands with guys. Someone getting tossed out for a sign wouldn't surprise me when they have security guards screaming at kids for being excited to be on TV at a wrestling show.
That being said, during the live segment where Justin Roberts does commentary on signs being shown on screen, they zoomed in on a TNA sign with a hand drawn TNA Championship with the major TNA stars written all over it.
Punks first two tweets since losing his smile is one of Colt telling fans not to buy the ROH dvd of him they are putting out and one telling his fans to buy the new live by the code and Paramore cd.
hahahaaaoh shit
One thing I think the ROH DVD does expose is how largely forgettable Colt's ROH work was - I never saw him as a classic match sort of guy. He was a comedy character first and foremost, one you could root for and who drew good reactions from the crowd, but not necessarily one you wanted to see pushed at the top of the roster. His best ROH stuff isn't even on the set, because it's the Second City Saint tag matches with CM Punk and some of the matches in his second run when he returned from WWE. The fact that the set stops after the disappointing Homicide feud leaves out a lot of good matches against the likes of Jimmy Jacobs & Doug Williams, too, while Cabana's early ROH work wasn't much to write home about.
I really don't get Colt's butt-hurt reactions to the ROH DVD - it's their footage, they can do what they want with it. If he'd taken the contract Sinclair offered him (which, presumably, was for less than a top star of the company would make and why he turned it down) he'd most likely be getting royalties on this set like other contracted ROH talent, but he isn't. When ROH was finished with Colt (because he wouldn't sign a contract), Cornette had the book and the line Colt was given of "funny don't equal money" sounds like a proper Cornette-ism if I've ever heard one. The guys in the Sinclair office might very well agree with that assessment, but with Delirious now in charge of the booking you'd think that, if the DVD set sold well, they might be convinced to bring him back. But perhaps he doesn't want to come back and, presumably, if he did, he wouldn't want it to be in the role he had previously.
One thing I think the ROH DVD does expose is how largely forgettable Colt's ROH work was - I never saw him as a classic match sort of guy. He was a comedy character first and foremost, one you could root for and who drew good reactions from the crowd, but not necessarily one you wanted to see pushed at the top of the roster. His best ROH stuff isn't even on the set, because it's the Second City Saint tag matches with CM Punk and some of the matches in his second run when he returned from WWE. The fact that the set stops after the disappointing Homicide feud leaves out a lot of good matches against the likes of Jimmy Jacobs & Doug Williams, too, while Cabana's early ROH work wasn't much to write home about.