I really don't want to participate in that thread anymore because like most GAF threads on the topic it has reached its natural conclusion, but in the meanwhile there are literal "sides" continuing to take potshots at one another.
Here's how I see it: most people are missing the forest for the trees, and in the most spectacular fashion. I think it's great people are trying to apply the same kind of tools to evaluate and criticize video games as FemFreq has been doing. Only I think it's a bit of a problem now, and I've noticed that even with FemFreq's criticisms of TW3, which involves a whole lot of reaching for things (it's more complicated than that, but anyway).
Basically it's the equivalent of applying the Bechdel Test to a single work and then decrying it as a problem when it doesn't pass the benchmark. It's like nothing else in the text matters, not the narrative, not any metaphors or themes or anything else (or any subtext). That's the stance people are taking. That's the real issue, is that at some point we were all enamored someone started taking and revealing these trends in the aggregate (which I think Sarkeesian has done well with), but didn't apply different standards when evaluating a single text in an exhaustive manner.
I think the intent of "well games probably need more representation" is good and all, but the targets are poorly chosen. It should be an issue of more diversity of different races, cultures, ethnicities (or just backgrounds and experiences) to tell their stories. In the aggregate, there should be more diversity, which is the real underlying issue, not that every game has to hit a threshold or be pilloried.
The root of the problem is diversity in creators, because ultimately that will result in more diverse works. In both how the works express the human condition (universal), or help elucidate specific experiences (ethnic, religious, cultural, racial, genderqueer, etc) and different points of view (social, political, etc).
Also I don't how people on twitter or games journalists would take being accused of American cultural imperialism (utterly hilarious, btw) but I'm certainly willing to watch that unfold.